{"id":1021,"date":"2016-12-21T18:37:04","date_gmt":"2016-12-21T18:37:04","guid":{"rendered":"http:\/\/www.pannonia.si\/?page_id=1021"},"modified":"2017-12-09T14:04:36","modified_gmt":"2017-12-09T14:04:36","slug":"open-monochrome-3","status":"publish","type":"page","link":"http:\/\/www.pannonia.si\/si\/open-monochrome-3\/","title":{"rendered":"OPEN MONOCHROME 2016"},"content":{"rendered":"<table width=\"821\">\n<tbody>\n<tr>\n<td colspan=\"6\" width=\"821\">PANNONIA REFLECTIONS 2016.<\/td>\n<\/tr>\n<tr>\n<td colspan=\"6\">LIST OF ACCEPTED AND AWARDED PHOTOS<\/td>\n<\/tr>\n<tr>\n<td colspan=\"6\">SECTION B : OPEN MONOCHROME<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table style=\"height: 10865px;\" width=\"960\">\n<tbody>\n<tr>\n<td width=\"148\"><strong>FAMILY NAME<\/strong><\/td>\n<td width=\"148\"><strong>NAME<\/strong><\/td>\n<td width=\"167\"><strong>COUNTRY<\/strong><\/td>\n<td width=\"322\"><strong>NAME OF PHOTOGRAPHY<\/strong><\/td>\n<td width=\"162\"><strong>AWARD<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Al Lawati<\/td>\n<td>Ali<\/td>\n<td>Oman<\/td>\n<td>The Holy Reading<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Al Lawati<\/td>\n<td>Ali<\/td>\n<td>Oman<\/td>\n<td>Sincerity worship<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Al Mandhari<\/td>\n<td>Maha<\/td>\n<td>Oman<\/td>\n<td>Hiding<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>ALABDULLATIF<\/td>\n<td>HUSSAIN<\/td>\n<td>Saudi Arabia<\/td>\n<td>ALI<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>ALABDULLATIF<\/td>\n<td>HUSSAIN<\/td>\n<td>Saudi Arabia<\/td>\n<td>Man and Wife 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>AlBusaidi<\/td>\n<td>Samir<\/td>\n<td>Oman<\/td>\n<td>Walk at Desert<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>AlFazari<\/td>\n<td>waheed<\/td>\n<td>Oman<\/td>\n<td>With Mom<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>AL-Mushaifri<\/td>\n<td>Abdulla<\/td>\n<td>Qatar<\/td>\n<td>Long Way<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>AL-Mushaifri<\/td>\n<td>Abdulla<\/td>\n<td>Qatar<\/td>\n<td>Take Me Home Bw<\/td>\n<td>PSA Gold medal<\/td>\n<\/tr>\n<tr>\n<td>AL-Mushaifri<\/td>\n<td>Abdulla<\/td>\n<td>Qatar<\/td>\n<td>Batan Face Bw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alojaili<\/td>\n<td>Abdulhakim<\/td>\n<td>Oman<\/td>\n<td>Sweet factory<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alojaili<\/td>\n<td>Abdulhakim<\/td>\n<td>Oman<\/td>\n<td>Childhood<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alzadjali<\/td>\n<td>Habib<\/td>\n<td>Oman<\/td>\n<td>Whirling Dervish<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alzadjali<\/td>\n<td>Habib<\/td>\n<td>Oman<\/td>\n<td>Hands N Faces<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anastasis<\/td>\n<td>Despina<\/td>\n<td>Cyprus<\/td>\n<td>Shadow walk<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Antonic<\/td>\n<td>Andraz<\/td>\n<td>Slovenia<\/td>\n<td>Take a dive&#8230;<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Arabzadeh<\/td>\n<td>Saeed<\/td>\n<td>Iran<\/td>\n<td>Mourning ceremony<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Armillotta<\/td>\n<td>Francesco<\/td>\n<td>Italy<\/td>\n<td>Santo Domingo street<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Baladakis<\/td>\n<td>George<\/td>\n<td>Greece<\/td>\n<td>car and woman<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Balla<\/td>\n<td>\u00c1rp\u00e1d Zolt\u00e1n<\/td>\n<td>Romania<\/td>\n<td>Photo education<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bawiec<\/td>\n<td>Marcin<\/td>\n<td>Poland<\/td>\n<td>scenery<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bershak<\/td>\n<td>Iuliia<\/td>\n<td>Russia<\/td>\n<td>Emergence<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Birkelund<\/td>\n<td>Hans<\/td>\n<td>Norway<\/td>\n<td>Weather is changing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>boyle<\/td>\n<td>judy<\/td>\n<td>Ireland<\/td>\n<td>gyspy baby in cart<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>boyle<\/td>\n<td>judy<\/td>\n<td>Ireland<\/td>\n<td>just playing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>boyle<\/td>\n<td>judy<\/td>\n<td>Ireland<\/td>\n<td>two faces<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>boyle<\/td>\n<td>judy<\/td>\n<td>Ireland<\/td>\n<td>emily eyes<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bozsik<\/td>\n<td>Jozsef<\/td>\n<td>Hungary<\/td>\n<td>Day to day<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bozsik<\/td>\n<td>Jozsef<\/td>\n<td>Hungary<\/td>\n<td>In memoriam<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bucalo<\/td>\n<td>Vlado<\/td>\n<td>Slovenia<\/td>\n<td>Daybreak<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Buesching<\/td>\n<td>Gunter<\/td>\n<td>Germany<\/td>\n<td>Spuren<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bushe<\/td>\n<td>Catherine<\/td>\n<td>Ireland<\/td>\n<td>On the line<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Buslenko<\/td>\n<td>Sergey<\/td>\n<td>Ukraine<\/td>\n<td>The spirit of rock<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chastikov<\/td>\n<td>Dmitry<\/td>\n<td>Russia<\/td>\n<td>Nesquik and her reflection<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chastikov<\/td>\n<td>Dmitry<\/td>\n<td>Russia<\/td>\n<td>Nymph in the flowers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chau<\/td>\n<td>Chun Yip<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Sea Scenery<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chau<\/td>\n<td>Chun Yip<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Window Cleaning<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chen<\/td>\n<td>Xinxin<\/td>\n<td>China<\/td>\n<td>Handling Coal1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chen<\/td>\n<td>Jinghui<\/td>\n<td>China<\/td>\n<td>THE SHADOW OF NETTS<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHEUNG<\/td>\n<td>Koon Nam<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Brown Bear Fishing 13 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHEUNG<\/td>\n<td>Koon Nam<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Brown Bear Fishing 09 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHEUNG<\/td>\n<td>Koon Nam<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Good Catch 26 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHEUNG<\/td>\n<td>Koon Nam<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Osprey Preying 02 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chiu<\/td>\n<td>Kwok<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Pattern ship<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chiu<\/td>\n<td>Kwok<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>The fireworks dragon<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chmiel<\/td>\n<td>Henryk<\/td>\n<td>Poland<\/td>\n<td>Anger<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHOW<\/td>\n<td>TSUN IP PATRICK<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Girl In Cave<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHOW<\/td>\n<td>TSUN IP PATRICK<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Mom Is Back<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CHOW<\/td>\n<td>TSUN IP PATRICK<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Strive To Win<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Cl\u00e9ment<\/td>\n<td>Arianne<\/td>\n<td>Canada<\/td>\n<td>100 years old, beauty age, rosary<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Cs\u00f6r\u00f6gi<\/td>\n<td>D\u00f3ra<\/td>\n<td>Hungary<\/td>\n<td>Between heaven and sky<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Cs\u00f6r\u00f6gi<\/td>\n<td>D\u00f3ra<\/td>\n<td>Hungary<\/td>\n<td>Laces of dawn<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Cs\u00f6r\u00f6gi<\/td>\n<td>D\u00f3ra<\/td>\n<td>Hungary<\/td>\n<td>Longing<\/td>\n<td>FZS Gold medal<\/td>\n<\/tr>\n<tr>\n<td>Cs\u00f6r\u00f6gi<\/td>\n<td>D\u00f3ra<\/td>\n<td>Hungary<\/td>\n<td>Shelter at dawn<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Cufar<\/td>\n<td>Aleksander<\/td>\n<td>Slovenia<\/td>\n<td>W-700BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dadone<\/td>\n<td>Marco<\/td>\n<td>Italy<\/td>\n<td>St. Monans pier n.1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dadone<\/td>\n<td>Marco<\/td>\n<td>Italy<\/td>\n<td>faith of stone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Daemen<\/td>\n<td>Harry<\/td>\n<td>Luxembourg<\/td>\n<td>De Chef<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>dao<\/td>\n<td>tho<\/td>\n<td>Vietnam<\/td>\n<td>02-SUNSHINE<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>dao<\/td>\n<td>tho<\/td>\n<td>Vietnam<\/td>\n<td>03- SALT TO SEASON-2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>dao<\/td>\n<td>tho<\/td>\n<td>Vietnam<\/td>\n<td>04-COW HERD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Debevec<\/td>\n<td>Igor<\/td>\n<td>Slovenia<\/td>\n<td>Seller II<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>D\u00e9ri<\/td>\n<td>Judit<\/td>\n<td>Hungary<\/td>\n<td>Tugging<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Di Candia<\/td>\n<td>Lorenzo<\/td>\n<td>Italy<\/td>\n<td>Desolata 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Di Candia<\/td>\n<td>Lorenzo<\/td>\n<td>Italy<\/td>\n<td>HOPE<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>discart<\/td>\n<td>chris<\/td>\n<td>Belgium<\/td>\n<td>fatalisme<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Doberlet<\/td>\n<td>Vasja<\/td>\n<td>Slovenia<\/td>\n<td>Winter Chat<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dolui<\/td>\n<td>Kaushik<\/td>\n<td>India<\/td>\n<td>Sagar Bath<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Doyle<\/td>\n<td>Dick<\/td>\n<td>Ireland<\/td>\n<td>MARLFIELD MIST<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Doyle<\/td>\n<td>Dick<\/td>\n<td>Ireland<\/td>\n<td>ROAMING WILD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>egea torrent<\/td>\n<td>jordi<\/td>\n<td>Spain<\/td>\n<td>Carrelets i foscor.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>egea torrent<\/td>\n<td>jordi<\/td>\n<td>Spain<\/td>\n<td>Passarel.la a l&#8217;estany d&#8217;Azur<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>egea torrent<\/td>\n<td>jordi<\/td>\n<td>Spain<\/td>\n<td>Pont del Petroli.<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Elgin<\/td>\n<td>Keith<\/td>\n<td>Northern Ireland<\/td>\n<td>Annas Pointe<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Elgin<\/td>\n<td>Keith<\/td>\n<td>Northern Ireland<\/td>\n<td>Viper Attack<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Fernando<\/td>\n<td>Mahesh Prasanna<\/td>\n<td>Sri Lanka<\/td>\n<td>Cold<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Fry<\/td>\n<td>Martin<\/td>\n<td>England<\/td>\n<td>Bale Out<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Fry<\/td>\n<td>Martin<\/td>\n<td>England<\/td>\n<td>Reflective Mood<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Fryer<\/td>\n<td>Alison J<\/td>\n<td>England<\/td>\n<td>The Lonely Road<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Fu<\/td>\n<td>Kin Keong<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Fishing in Morning Fog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Fu<\/td>\n<td>Kin Keong<\/td>\n<td>Macau S.A.R.<\/td>\n<td>On The Way<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>GOH<\/td>\n<td>WEE SENG<\/td>\n<td>Singapore<\/td>\n<td>brave future<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>GOH<\/td>\n<td>WEE SENG<\/td>\n<td>Singapore<\/td>\n<td>glamour<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>GOLDIN<\/td>\n<td>LEONID<\/td>\n<td>Israel<\/td>\n<td>New museum piece<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>GOLDIN<\/td>\n<td>LEONID<\/td>\n<td>Israel<\/td>\n<td>Serenade<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gonz\u00e1lez Jim\u00e9nez<\/td>\n<td>Fco. Javier<\/td>\n<td>Spain<\/td>\n<td>Bajo el Puente<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gonz\u00e1lez Jim\u00e9nez<\/td>\n<td>Fco. Javier<\/td>\n<td>Spain<\/td>\n<td>Ojos en la Roca<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gorup<\/td>\n<td>Stojan<\/td>\n<td>Slovenia<\/td>\n<td>Misty sunrise 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Grachev<\/td>\n<td>Oleg<\/td>\n<td>Russia<\/td>\n<td>Southern Ural mountains<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Grachev<\/td>\n<td>Oleg<\/td>\n<td>Russia<\/td>\n<td>Maya 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gronning<\/td>\n<td>Hakon<\/td>\n<td>Norway<\/td>\n<td>Under the ferns<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gutescu<\/td>\n<td>Eduard<\/td>\n<td>Romania<\/td>\n<td>Morning Light<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gutescu<\/td>\n<td>Eduard<\/td>\n<td>Romania<\/td>\n<td>Purgatory<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gy\u00f6ngy\u00f6si<\/td>\n<td>J\u00e1nos<\/td>\n<td>Hungary<\/td>\n<td>Alone at last<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gy\u00f6ngy\u00f6si<\/td>\n<td>J\u00e1nos<\/td>\n<td>Hungary<\/td>\n<td>Marvel at something<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Habringer<\/td>\n<td>Wolfgang<\/td>\n<td>Austria<\/td>\n<td>Ennsberg 66<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Habringer<\/td>\n<td>Wolfgang<\/td>\n<td>Austria<\/td>\n<td>First Morning Light<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hammer<\/td>\n<td>Peter<\/td>\n<td>Australia<\/td>\n<td>Silver Road<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Harrison<\/td>\n<td>Colin<\/td>\n<td>England<\/td>\n<td>My ghost town<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Harrison<\/td>\n<td>Colin<\/td>\n<td>England<\/td>\n<td>Picture deliverer<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hassan<\/td>\n<td>Ahmed Mohamed<\/td>\n<td>Qatar<\/td>\n<td>Holy Quran BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>H\u00e9ritier<\/td>\n<td>Jacques<\/td>\n<td>France<\/td>\n<td>Socoa<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>H\u00e9ritier<\/td>\n<td>Jacques<\/td>\n<td>France<\/td>\n<td>Brume en Livradois<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>HEUSLING<\/td>\n<td>Jean-Pierre<\/td>\n<td>Belgium<\/td>\n<td>Les deux tours<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hill<\/td>\n<td>Simon<\/td>\n<td>England<\/td>\n<td>Beech branch in sunlight, Timoleague, Ireland<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Huang<\/td>\n<td>Shang-Min<\/td>\n<td>Taiwan<\/td>\n<td>to dream 9<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Huang<\/td>\n<td>Weihua<\/td>\n<td>China<\/td>\n<td>In the snow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hwang<\/td>\n<td>Chae Chun<\/td>\n<td>South Korea<\/td>\n<td>The pine tree in the morning<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hyldgaard<\/td>\n<td>Bjarne<\/td>\n<td>Denmark<\/td>\n<td>Broken bunker 5006MCT<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jakopi\u010d<\/td>\n<td>Marko<\/td>\n<td>Slovenia<\/td>\n<td>Play<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jourdain<\/td>\n<td>Roger<\/td>\n<td>France<\/td>\n<td>Drummer Lilou No1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jourdain<\/td>\n<td>Roger<\/td>\n<td>France<\/td>\n<td>Freedom On Horseback<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jourdain<\/td>\n<td>Roger<\/td>\n<td>France<\/td>\n<td>Inspection in Masai School<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>JUNG<\/td>\n<td>KIETAE<\/td>\n<td>South Korea<\/td>\n<td>Walking In Dawn<\/td>\n<td>Salon Bronze medal<\/td>\n<\/tr>\n<tr>\n<td>Kacafura<\/td>\n<td>Mihael<\/td>\n<td>Slovenia<\/td>\n<td>Patern of street<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kallay<\/td>\n<td>Laszlo<\/td>\n<td>Hungary<\/td>\n<td>Folk Dance<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kallay<\/td>\n<td>Laszlo<\/td>\n<td>Hungary<\/td>\n<td>Portret of Csendes Laszlo<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Keranen<\/td>\n<td>Kauko<\/td>\n<td>Finland<\/td>\n<td>wind hair<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kerekes<\/td>\n<td>Istvan<\/td>\n<td>Hungary<\/td>\n<td>Morning<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kerekes<\/td>\n<td>Istvan<\/td>\n<td>Hungary<\/td>\n<td>Unworldly prayer<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kiss<\/td>\n<td>Imre<\/td>\n<td>Hungary<\/td>\n<td>Mystic light<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kiss<\/td>\n<td>Imre<\/td>\n<td>Hungary<\/td>\n<td>The road home<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kodela<\/td>\n<td>Elizabeth<\/td>\n<td>Australia<\/td>\n<td>Abyss<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kodela<\/td>\n<td>Elizabeth<\/td>\n<td>Australia<\/td>\n<td>Fruit And Flowers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Koepf<\/td>\n<td>Achim<\/td>\n<td>Germany<\/td>\n<td>Fanny 58<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kojadinovic<\/td>\n<td>Goran<\/td>\n<td>Serbia<\/td>\n<td>Morning walk<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kolari\u0107<\/td>\n<td>Zoran<\/td>\n<td>Croatia<\/td>\n<td>outlook<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kos<\/td>\n<td>Nata\u0161a<\/td>\n<td>Slovenia<\/td>\n<td>They will come<\/td>\n<td>Salon Silver medal<\/td>\n<\/tr>\n<tr>\n<td>Kos<\/td>\n<td>Nata\u0161a<\/td>\n<td>Slovenia<\/td>\n<td>\u00a0Loneliness kills<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kosi\u0107<\/td>\n<td>Ivan<\/td>\n<td>Croatia<\/td>\n<td>Queue<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kosov<\/td>\n<td>Boris<\/td>\n<td>Russia<\/td>\n<td>Cris<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kosov<\/td>\n<td>Boris<\/td>\n<td>Russia<\/td>\n<td>Priest on. Georgy<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Kovacs<\/td>\n<td>Krisztian<\/td>\n<td>Hungary<\/td>\n<td>Black metal<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kova\u010di\u010d<\/td>\n<td>Simon<\/td>\n<td>Slovenia<\/td>\n<td>Tuscany 074b<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Krivec<\/td>\n<td>Ale\u0161<\/td>\n<td>Slovenia<\/td>\n<td>St. Thomas Church<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Krstic<\/td>\n<td>Slobodan<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Putovanje 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kucelin<\/td>\n<td>Zvonko<\/td>\n<td>Croatia<\/td>\n<td>jump-13<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kucelin<\/td>\n<td>Zvonko<\/td>\n<td>Croatia<\/td>\n<td>passing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kukec Mezek<\/td>\n<td>Janez<\/td>\n<td>Slovenia<\/td>\n<td>I am holding!<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kukec Mezek<\/td>\n<td>Janez<\/td>\n<td>Slovenia<\/td>\n<td>Devils Tower 01<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kurlia<\/td>\n<td>Serhii<\/td>\n<td>Ukraine<\/td>\n<td>Dreams in New York<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kwan<\/td>\n<td>Phillip<\/td>\n<td>Canada<\/td>\n<td>Raven Landing 5 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lakatos<\/td>\n<td>Krisztian<\/td>\n<td>Hungary<\/td>\n<td>Alone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lakatos<\/td>\n<td>Krisztian<\/td>\n<td>Hungary<\/td>\n<td>Fragile world<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lam<\/td>\n<td>Choi-Cheun<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Dong Jiang Lake<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LE HOANG<\/td>\n<td>NHAN<\/td>\n<td>Vietnam<\/td>\n<td>CHO CHIM AN No 16<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lehtim\u00e4ki<\/td>\n<td>Paula<\/td>\n<td>Finland<\/td>\n<td>Feather<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LEUNG<\/td>\n<td>WING CHUNG KENNETH<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>In the shadow BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LEUNG<\/td>\n<td>WING CHUNG KENNETH<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Light Show BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LEUNG<\/td>\n<td>WING CHUNG KENNETH<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Surge forward BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Yushan<\/td>\n<td>China<\/td>\n<td>Mongolian man<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Yushan<\/td>\n<td>China<\/td>\n<td>Urges horses with whips<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Yushan<\/td>\n<td>China<\/td>\n<td>Master and his dog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Jianping<\/td>\n<td>China<\/td>\n<td>Households over plateau<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Hong<\/td>\n<td>China<\/td>\n<td>Country school1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Hong<\/td>\n<td>China<\/td>\n<td>Hard study<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Hong<\/td>\n<td>China<\/td>\n<td>Old street 20<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Hong<\/td>\n<td>China<\/td>\n<td>Stare<\/td>\n<td>PSA Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Peng<\/td>\n<td>China<\/td>\n<td>CooKing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Peng<\/td>\n<td>China<\/td>\n<td>Highland Life<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Peng<\/td>\n<td>China<\/td>\n<td>Tibetan is one of life 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Li<\/td>\n<td>Peng<\/td>\n<td>China<\/td>\n<td>TibetanwomenNima 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Limberg<\/td>\n<td>Huib<\/td>\n<td>Netherlands<\/td>\n<td>On their way to&#8230;.?<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Limberg<\/td>\n<td>Huib<\/td>\n<td>Netherlands<\/td>\n<td>A bit shy he is&#8230;.!<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Limberg<\/td>\n<td>Huib<\/td>\n<td>Netherlands<\/td>\n<td>Tunnelvision # 02<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Limberg<\/td>\n<td>Huib<\/td>\n<td>Netherlands<\/td>\n<td>It&#8217;s a sunny day&#8230;.!<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>ling<\/td>\n<td>yongxiong<\/td>\n<td>Australia<\/td>\n<td>Rodeo open 4 bw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>ling<\/td>\n<td>yongxiong<\/td>\n<td>Australia<\/td>\n<td>Stroll 6 bw<\/td>\n<td>FIAP Silver medal<\/td>\n<\/tr>\n<tr>\n<td>Links<\/td>\n<td>Viesturs<\/td>\n<td>Latvia<\/td>\n<td>All fairy tales end<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Links<\/td>\n<td>Viesturs<\/td>\n<td>Latvia<\/td>\n<td>Loneliness<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Links<\/td>\n<td>Viesturs<\/td>\n<td>Latvia<\/td>\n<td>Old window<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Links<\/td>\n<td>Viesturs<\/td>\n<td>Latvia<\/td>\n<td>Talents and admirers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LU<\/td>\n<td>CHING YU<\/td>\n<td>Taiwan<\/td>\n<td>Busy man<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ludwig<\/td>\n<td>Peter<\/td>\n<td>Germany<\/td>\n<td>Dune IIsw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LYBAERT<\/td>\n<td>Daniel<\/td>\n<td>Netherlands<\/td>\n<td>Isendica Experiment R<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>LYBAERT<\/td>\n<td>Daniel<\/td>\n<td>Netherlands<\/td>\n<td>Onheinde boom<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Magdo<\/td>\n<td>Istvan<\/td>\n<td>Romania<\/td>\n<td>Returning home<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Magdo<\/td>\n<td>Istvan<\/td>\n<td>Romania<\/td>\n<td>Sketch<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Magdo<\/td>\n<td>Istvan<\/td>\n<td>Romania<\/td>\n<td>Still water<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mahon<\/td>\n<td>James<\/td>\n<td>Ireland<\/td>\n<td>Resignation<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Makarovic<\/td>\n<td>Zoran<\/td>\n<td>Croatia<\/td>\n<td>Baranya woman artist<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Makarovic<\/td>\n<td>Zoran<\/td>\n<td>Croatia<\/td>\n<td>His horse 4<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Makarovic<\/td>\n<td>Zoran<\/td>\n<td>Croatia<\/td>\n<td>In her garden<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mandru<\/td>\n<td>Cantemir Aron<\/td>\n<td>Romania<\/td>\n<td>Moise 2<\/td>\n<td>Salon Gold medal<\/td>\n<\/tr>\n<tr>\n<td>Mandru<\/td>\n<td>Cantemir Aron<\/td>\n<td>Romania<\/td>\n<td>Moment<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mandru<\/td>\n<td>Cantemir Aron<\/td>\n<td>Romania<\/td>\n<td>Rush hour<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marijancic<\/td>\n<td>Bozo<\/td>\n<td>Croatia<\/td>\n<td>Arcades in the Fog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mar\u00edn Amatller<\/td>\n<td>Antoni<\/td>\n<td>Spain<\/td>\n<td>Martell i pomes<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mar\u00edn Amatller<\/td>\n<td>Antoni<\/td>\n<td>Spain<\/td>\n<td>Fruites i branca<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mar\u00edn Amatller<\/td>\n<td>Antoni<\/td>\n<td>Spain<\/td>\n<td>Magranes i carbassa<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mar\u00edn Amatller<\/td>\n<td>Antoni<\/td>\n<td>Spain<\/td>\n<td>Clau anglesa<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marti\u0107<\/td>\n<td>Nenad<\/td>\n<td>Croatia<\/td>\n<td>Runner, dog and tyre<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Martikainen<\/td>\n<td>Merja<\/td>\n<td>Finland<\/td>\n<td>Black and White<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Martikainen<\/td>\n<td>Merja<\/td>\n<td>Finland<\/td>\n<td>Feelings<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MARTIN<\/td>\n<td>Paul<\/td>\n<td>France<\/td>\n<td>la une au vent<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mauko<\/td>\n<td>Daniel<\/td>\n<td>Slovenia<\/td>\n<td>Checking the vine<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mavri\u010d<\/td>\n<td>Maja<\/td>\n<td>Slovenia<\/td>\n<td>Friends<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mavri\u010d<\/td>\n<td>Maja<\/td>\n<td>Slovenia<\/td>\n<td>Pupils<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mazur<\/td>\n<td>Jolanta<\/td>\n<td>Malaysia<\/td>\n<td>Geometry of Tennis<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MEAD<\/td>\n<td>BARRY<\/td>\n<td>England<\/td>\n<td>THE BYSTANDER<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Metljak<\/td>\n<td>Drago<\/td>\n<td>Slovenia<\/td>\n<td>Lotus<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Metljak<\/td>\n<td>Drago<\/td>\n<td>Slovenia<\/td>\n<td>Chat On The Terrace<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Milovanovic<\/td>\n<td>Borislav<\/td>\n<td>Serbia<\/td>\n<td>Master<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mishra<\/td>\n<td>Arabinda Kumar<\/td>\n<td>India<\/td>\n<td>Old Man of Durgapali<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MORAWSKI<\/td>\n<td>JANUSZ<\/td>\n<td>Germany<\/td>\n<td>Archive Voyeur<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MORAWSKI<\/td>\n<td>JANUSZ<\/td>\n<td>Germany<\/td>\n<td>Penetrating Gaze<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Moroziuk<\/td>\n<td>Oksana<\/td>\n<td>Russia<\/td>\n<td>Geometry cutlery 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Moroziuk<\/td>\n<td>Oksana<\/td>\n<td>Russia<\/td>\n<td>Runaway thoughts<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mozalewski<\/td>\n<td>Tadeusz<\/td>\n<td>Poland<\/td>\n<td>Waiting for the bus 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mozalewski<\/td>\n<td>Tadeusz<\/td>\n<td>Poland<\/td>\n<td>Halfway up the stairs<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mundy<\/td>\n<td>Steve<\/td>\n<td>England<\/td>\n<td>Godrevy Sunset<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>NGUYEN NGOC<\/td>\n<td>SON<\/td>\n<td>Vietnam<\/td>\n<td>Grandmother and grandchildren 03<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Novak<\/td>\n<td>Jani<\/td>\n<td>Slovenia<\/td>\n<td>Winter 7041 i.jpg<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>NOVAK<\/td>\n<td>SANDI<\/td>\n<td>Slovenia<\/td>\n<td>Family<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>NOVAK<\/td>\n<td>SANDI<\/td>\n<td>Slovenia<\/td>\n<td>In the museum<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Oeyen<\/td>\n<td>Roger<\/td>\n<td>Belgium<\/td>\n<td>Communicatie<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Oeyen<\/td>\n<td>Roger<\/td>\n<td>Belgium<\/td>\n<td>Labyrint2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>OLIVIER<\/td>\n<td>Zolger<\/td>\n<td>France<\/td>\n<td>X ballerina<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>OLIVIER<\/td>\n<td>Zolger<\/td>\n<td>France<\/td>\n<td>T ballerina<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pan<\/td>\n<td>Jiaying<\/td>\n<td>China<\/td>\n<td>Green day<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pan<\/td>\n<td>Jiaying<\/td>\n<td>China<\/td>\n<td>Moulding<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Papic<\/td>\n<td>Nevenka<\/td>\n<td>Slovenia<\/td>\n<td>Sand storm in Deadvlei<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Peer<\/td>\n<td>Albert<\/td>\n<td>Austria<\/td>\n<td>Landscape<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pellizzaro<\/td>\n<td>Vincenzo<\/td>\n<td>Italy<\/td>\n<td>nebbia a Padova<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Petaros<\/td>\n<td>Igor<\/td>\n<td>Slovenia<\/td>\n<td>Escape from Cruel Reality<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Podgurchenko<\/td>\n<td>Vitaliy<\/td>\n<td>Russia<\/td>\n<td>Boys<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Podgurchenko<\/td>\n<td>Vitaliy<\/td>\n<td>Russia<\/td>\n<td>immortal regiment<\/td>\n<td>FZS Bronze medal<\/td>\n<\/tr>\n<tr>\n<td>Podobnik<\/td>\n<td>Rafael<\/td>\n<td>Slovenia<\/td>\n<td>Stormy Petrel<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Podobnik<\/td>\n<td>Rafael<\/td>\n<td>Slovenia<\/td>\n<td>Transitoriness<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Podobnik<\/td>\n<td>Rafael<\/td>\n<td>Slovenia<\/td>\n<td>Photographer-s Hand<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pollak<\/td>\n<td>Ladislav<\/td>\n<td>Slovakia<\/td>\n<td>The Heart<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pou<\/td>\n<td>Toni<\/td>\n<td>Spain<\/td>\n<td>Lights and Shadows<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pou<\/td>\n<td>Toni<\/td>\n<td>Spain<\/td>\n<td>No way<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Poylio<\/td>\n<td>Mika<\/td>\n<td>Finland<\/td>\n<td>Bedtime story<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Poylio<\/td>\n<td>Mika<\/td>\n<td>Finland<\/td>\n<td>Whooper swan212<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Preston<\/td>\n<td>Burr<\/td>\n<td>United States<\/td>\n<td>Cape Town Bo-Kaap birds on wires hor b&amp;w<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Preston<\/td>\n<td>Burr<\/td>\n<td>United States<\/td>\n<td>Disney Concert Hall 1 b&amp;w<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Protasiuk<\/td>\n<td>Andrzej<\/td>\n<td>Poland<\/td>\n<td>Composition I<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Qian<\/td>\n<td>Shihu<\/td>\n<td>China<\/td>\n<td>Wintry charm<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Qian<\/td>\n<td>Shihu<\/td>\n<td>China<\/td>\n<td>Childishness<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Racki<\/td>\n<td>Neda<\/td>\n<td>Croatia<\/td>\n<td>Black and white<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Racki<\/td>\n<td>Neda<\/td>\n<td>Croatia<\/td>\n<td>Nude<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Racki<\/td>\n<td>Neda<\/td>\n<td>Croatia<\/td>\n<td>Silver snake<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Radicanin<\/td>\n<td>Zvonko<\/td>\n<td>Croatia<\/td>\n<td>Homage to Fan Ho<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Radicanin<\/td>\n<td>Zvonko<\/td>\n<td>Croatia<\/td>\n<td>On the Edge of the Law<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rau<\/td>\n<td>Frank<\/td>\n<td>Germany<\/td>\n<td>Sea Bridge 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rees<\/td>\n<td>Peter<\/td>\n<td>England<\/td>\n<td>And let thy Feet<\/td>\n<td>FIAP Bronze medal<\/td>\n<\/tr>\n<tr>\n<td>Reggio<\/td>\n<td>Almando<\/td>\n<td>Italy<\/td>\n<td>Diving 3 mono<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Reggio<\/td>\n<td>Almando<\/td>\n<td>Italy<\/td>\n<td>To the last 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rojko<\/td>\n<td>Miran<\/td>\n<td>Slovenia<\/td>\n<td>Clouds in windows<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rosik<\/td>\n<td>Beata<\/td>\n<td>Ireland<\/td>\n<td>Between Conscience<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Rozensztroch<\/td>\n<td>Carlos<\/td>\n<td>Argentina<\/td>\n<td>Seduced<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rubboli<\/td>\n<td>Veniero<\/td>\n<td>Italy<\/td>\n<td>Piety<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ryu<\/td>\n<td>Shin Woo<\/td>\n<td>South Korea<\/td>\n<td>Fog of Castle<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ryu<\/td>\n<td>Shin Woo<\/td>\n<td>South Korea<\/td>\n<td>Steamed Bread<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ryu<\/td>\n<td>Shin Woo<\/td>\n<td>South Korea<\/td>\n<td>Transmission Line<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sabol<\/td>\n<td>Petar<\/td>\n<td>Croatia<\/td>\n<td>Beli leptiri<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Schweden<\/td>\n<td>Wolfgang<\/td>\n<td>Germany<\/td>\n<td>Retro 12 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Scott<\/td>\n<td>Sandy<\/td>\n<td>United States<\/td>\n<td>Bringing Home Breakfast<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Serboli<\/td>\n<td>Claudio<\/td>\n<td>Italy<\/td>\n<td>Sul Ponte<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Shchehlevatyh<\/td>\n<td>Serhii<\/td>\n<td>Ukraine<\/td>\n<td>TANYA-103<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Silva Amadeo<\/td>\n<td>Carlos Pablo<\/td>\n<td>Argentina<\/td>\n<td>Face<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Siman dr.<\/td>\n<td>Laszlo<\/td>\n<td>Hungary<\/td>\n<td>Eyes<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stein-Leibold<\/td>\n<td>Isolde<\/td>\n<td>Germany<\/td>\n<td>verrinnende Zeit<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Suszkiewicz<\/td>\n<td>Ole<\/td>\n<td>Denmark<\/td>\n<td>Free Hugs<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Suszkiewicz<\/td>\n<td>Ole<\/td>\n<td>Denmark<\/td>\n<td>Trees and Runner<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\u0160filigoj<\/td>\n<td>Zdenka<\/td>\n<td>Slovenia<\/td>\n<td>Shadow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\u0160filigoj<\/td>\n<td>Zdenka<\/td>\n<td>Slovenia<\/td>\n<td>Man and fog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Taborda<\/td>\n<td>Joao<\/td>\n<td>Portugal<\/td>\n<td>Beehive II<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Taborda<\/td>\n<td>Joao<\/td>\n<td>Portugal<\/td>\n<td>Festival<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Taborda<\/td>\n<td>Joao<\/td>\n<td>Portugal<\/td>\n<td>Meditation and Reading II<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Taborda<\/td>\n<td>Joao<\/td>\n<td>Portugal<\/td>\n<td>Nightfall in the City<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tam<\/td>\n<td>Kam Chiu<\/td>\n<td>Canada<\/td>\n<td>Agonizing landing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tam<\/td>\n<td>Kam Chiu<\/td>\n<td>Canada<\/td>\n<td>Decisive moment<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tam<\/td>\n<td>Kam Chiu<\/td>\n<td>Canada<\/td>\n<td>Speed<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tan<\/td>\n<td>Lee Eng<\/td>\n<td>Singapore<\/td>\n<td>Phatthalung Dip<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tanase<\/td>\n<td>Rodica<\/td>\n<td>Romania<\/td>\n<td>The merroir 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tanase<\/td>\n<td>Rodica<\/td>\n<td>Romania<\/td>\n<td>Not all those who wonder are lost<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tanase<\/td>\n<td>Rodica<\/td>\n<td>Romania<\/td>\n<td>The dog Elliot<\/td>\n<td>FIAP Gold medal<\/td>\n<\/tr>\n<tr>\n<td>Tanase<\/td>\n<td>Rodica<\/td>\n<td>Romania<\/td>\n<td>Friends forever<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tang<\/td>\n<td>Kai Lon<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Terrified Viktoriya<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tang<\/td>\n<td>Chan Seng<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Eyes Attack<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tang<\/td>\n<td>Chan Seng<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Exciting Rugby Game<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tangmanpoowadol<\/td>\n<td>Hansa<\/td>\n<td>Thailand<\/td>\n<td>Alone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tangmanpoowadol<\/td>\n<td>Hansa<\/td>\n<td>Thailand<\/td>\n<td>In my Space<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TEO<\/td>\n<td>Wilson TS<\/td>\n<td>Malaysia<\/td>\n<td>Filtering BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TEO<\/td>\n<td>Wilson TS<\/td>\n<td>Malaysia<\/td>\n<td>Nanny The Charcoal Worker in BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Thomson<\/td>\n<td>Ian<\/td>\n<td>England<\/td>\n<td>Balconies<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TITOV<\/td>\n<td>Basil<\/td>\n<td>Belarus<\/td>\n<td>Vivat !<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TITOV<\/td>\n<td>Basil<\/td>\n<td>Belarus<\/td>\n<td>Dance<\/td>\n<td>PSA Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>TITOV<\/td>\n<td>Basil<\/td>\n<td>Belarus<\/td>\n<td>Summer cafe<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TOFARIDOU<\/td>\n<td>MARIA<\/td>\n<td>Cyprus<\/td>\n<td>MARRAKESH<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TOMELLERI<\/td>\n<td>Giuseppe<\/td>\n<td>Italy<\/td>\n<td>Early morning nr.7<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TOMELLERI<\/td>\n<td>Giuseppe<\/td>\n<td>Italy<\/td>\n<td>Kiklades nr.3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>TOMELLERI<\/td>\n<td>Giuseppe<\/td>\n<td>Italy<\/td>\n<td>Kiklades nr.5<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tomulic<\/td>\n<td>Aleksandar<\/td>\n<td>Croatia<\/td>\n<td>Life passes 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tran<\/td>\n<td>Phong<\/td>\n<td>Vietnam<\/td>\n<td>Exported coconut fibre<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tran<\/td>\n<td>Phong<\/td>\n<td>Vietnam<\/td>\n<td>Hard working<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tran<\/td>\n<td>Phong<\/td>\n<td>Vietnam<\/td>\n<td>On the villager road<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tsyhanova<\/td>\n<td>Tatsiana<\/td>\n<td>Belarus<\/td>\n<td>Father&#8217;s hands<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tsyhanova<\/td>\n<td>Tatsiana<\/td>\n<td>Belarus<\/td>\n<td>Tears in her eyes<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ujhelyi<\/td>\n<td>Zsolt<\/td>\n<td>Hungary<\/td>\n<td>Naturally<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ujhelyi<\/td>\n<td>Zsolt<\/td>\n<td>Hungary<\/td>\n<td>Scratch<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Ujhelyi<\/td>\n<td>Zsolt<\/td>\n<td>Hungary<\/td>\n<td>Forgotten Time<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>van Balken<\/td>\n<td>Marcel<\/td>\n<td>Netherlands<\/td>\n<td>Monk praying<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Varga<\/td>\n<td>Szilard<\/td>\n<td>Hungary<\/td>\n<td>Closed Course<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Varga<\/td>\n<td>Szilard<\/td>\n<td>Hungary<\/td>\n<td>Foggy Pasture<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Varga<\/td>\n<td>Szilard<\/td>\n<td>Hungary<\/td>\n<td>White Blot<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>VERHEESEN<\/td>\n<td>Will<\/td>\n<td>Netherlands<\/td>\n<td>walking the dog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>VERHEESEN<\/td>\n<td>Will<\/td>\n<td>Netherlands<\/td>\n<td>privacy<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vidic Grah<\/td>\n<td>Anita<\/td>\n<td>Slovenia<\/td>\n<td>Into the History<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vidic Grah<\/td>\n<td>Anita<\/td>\n<td>Slovenia<\/td>\n<td>Time is Passing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vidic Grah<\/td>\n<td>Anita<\/td>\n<td>Slovenia<\/td>\n<td>On the Slope<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Virag<\/td>\n<td>Istvan<\/td>\n<td>Serbia<\/td>\n<td>In greenhouse<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Virag<\/td>\n<td>Istvan<\/td>\n<td>Serbia<\/td>\n<td>Old woman with cat 03<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vla\u0161i\u0107<\/td>\n<td>Miro<\/td>\n<td>Slovenia<\/td>\n<td>Potovanje v preteklost<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vodopivec<\/td>\n<td>Andrej<\/td>\n<td>Italy<\/td>\n<td>When I grow up, I will&#8230;<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>VRZEL<\/td>\n<td>Janez<\/td>\n<td>Slovenia<\/td>\n<td>Intertwinement<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>WAN<\/td>\n<td>YI<\/td>\n<td>China<\/td>\n<td>communicate by telephone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Wang<\/td>\n<td>Li<\/td>\n<td>China<\/td>\n<td>Setting sun<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Watson<\/td>\n<td>Margaret<\/td>\n<td>Spain<\/td>\n<td>The Lonesome Tree<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Wei<\/td>\n<td>Fangru<\/td>\n<td>China<\/td>\n<td>Morning fishing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Wen<\/td>\n<td>Hui<\/td>\n<td>China<\/td>\n<td>Warm<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Wen<\/td>\n<td>Hui<\/td>\n<td>China<\/td>\n<td>Looking<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Whelan<\/td>\n<td>Niall<\/td>\n<td>Ireland<\/td>\n<td>Hands laid bare<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>WOJCIESZAK<\/td>\n<td>Janusz<\/td>\n<td>Poland<\/td>\n<td>Morning clouds<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>WOJCIESZAK<\/td>\n<td>Janusz<\/td>\n<td>Poland<\/td>\n<td>Landscape with church<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Wong<\/td>\n<td>Shiu Gun<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>No Photo<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Wong<\/td>\n<td>Shiu Gun<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Me and My Grandmother<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Xie<\/td>\n<td>Songshan<\/td>\n<td>China<\/td>\n<td>Quiet<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yan<\/td>\n<td>Jinsong<\/td>\n<td>China<\/td>\n<td>The Silence of the Lambs<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ye<\/td>\n<td>Wei<\/td>\n<td>China<\/td>\n<td>Through dense fog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ye<\/td>\n<td>Wei<\/td>\n<td>China<\/td>\n<td>Church in the rock cave<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yeung<\/td>\n<td>Hiu Wan<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Dance<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yeung<\/td>\n<td>Hiu Wan<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Falling from horse<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yeung<\/td>\n<td>Hiu Wan<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Happiness of dusting<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yeung<\/td>\n<td>Hiu Wan<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>The little shepherd<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yi<\/td>\n<td>Du<\/td>\n<td>China<\/td>\n<td>Lost<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Z.Fajfaric<\/td>\n<td>Sanda<\/td>\n<td>Slovenia<\/td>\n<td>Cyclist<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Z.Fajfaric<\/td>\n<td>Sanda<\/td>\n<td>Slovenia<\/td>\n<td>His path<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zhang<\/td>\n<td>Deqiang<\/td>\n<td>China<\/td>\n<td>Journey to heaven<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zheng<\/td>\n<td>Xiaoyun<\/td>\n<td>China<\/td>\n<td>In the wind<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zheng<\/td>\n<td>Xiaoyun<\/td>\n<td>China<\/td>\n<td>Float<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zheng<\/td>\n<td>Bingwen<\/td>\n<td>China<\/td>\n<td>Life and growth in nature<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zhou<\/td>\n<td>Wei<\/td>\n<td>China<\/td>\n<td>Happy childhood<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zhou<\/td>\n<td>Lichun<\/td>\n<td>China<\/td>\n<td>Rhyme of field<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zhu<\/td>\n<td>Hanju<\/td>\n<td>China<\/td>\n<td>Dream of the wings<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zhu<\/td>\n<td>Hanju<\/td>\n<td>China<\/td>\n<td>Lonely figure<\/td>\n<td>FZS Silver medal<\/td>\n<\/tr>\n<tr>\n<td>Zhu<\/td>\n<td>Hanju<\/td>\n<td>China<\/td>\n<td>Shadow of temptation<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zupunski<\/td>\n<td>Anica<\/td>\n<td>Serbia<\/td>\n<td>Lost in the fog<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>PANNONIA REFLECTIONS 2016. LIST OF ACCEPTED AND AWARDED PHOTOS SECTION B : OPEN MONOCHROME &nbsp; FAMILY NAME NAME COUNTRY NAME OF PHOTOGRAPHY AWARD Al Lawati Ali Oman The Holy Reading Al Lawati Ali Oman Sincerity worship Al Mandhari Maha Oman Hiding ALABDULLATIF HUSSAIN Saudi Arabia ALI ALABDULLATIF HUSSAIN Saudi Arabia Man and Wife 2 AlBusaidi Samir Oman Walk at Desert AlFazari waheed Oman With Mom AL-Mushaifri Abdulla Qatar Long Way AL-Mushaifri Abdulla Qatar Take Me Home Bw PSA Gold medal AL-Mushaifri Abdulla Qatar Batan Face Bw Alojaili Abdulhakim Oman Sweet factory Alojaili Abdulhakim Oman Childhood Alzadjali Habib Oman Whirling Dervish Alzadjali Habib Oman Hands N Faces Anastasis Despina Cyprus Shadow walk Antonic Andraz Slovenia Take a dive&#8230; Arabzadeh Saeed Iran Mourning ceremony Armillotta Francesco Italy Santo Domingo street Baladakis George Greece car and woman Balla \u00c1rp\u00e1d Zolt\u00e1n Romania Photo education Bawiec Marcin Poland scenery Bershak Iuliia Russia Emergence Birkelund Hans Norway Weather is changing boyle judy Ireland gyspy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1021","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":3,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/1021\/revisions"}],"predecessor-version":[{"id":1255,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/1021\/revisions\/1255"}],"wp:attachment":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}