{"id":187,"date":"2014-12-02T08:22:56","date_gmt":"2014-12-02T08:22:56","guid":{"rendered":"http:\/\/www.pannonia.si\/?page_id=187"},"modified":"2015-12-15T16:32:58","modified_gmt":"2015-12-15T16:32:58","slug":"open-color","status":"publish","type":"page","link":"http:\/\/www.pannonia.si\/si\/open-color\/","title":{"rendered":"OPEN COLOR 2014."},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
PANNONIA REFLECTIONS 2014.<\/td>\n<\/tr>\n
LIST OF ACCEPTED AND AWARDED PHOTOS<\/td>\n<\/tr>\n
SECTION A : ” OPEN COLOR ” \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 AWARD<\/td>\n<\/tr>\n
<\/td>\nFAMILY NAME<\/td>\nNAME<\/td>\nCOUNTRY<\/td>\nNAME OF PHOTOGRAPHY<\/td>\n<\/tr>\n
1<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nThat’S What We Do<\/td>\n<\/tr>\n
2<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nThings Left Unsaid<\/td>\n<\/tr>\n
3<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nThe Opposite Side<\/td>\n<\/tr>\n
4<\/td>\nAl Adawi<\/td>\nAbdulrahman<\/td>\nOM<\/td>\nFuture<\/td>\n<\/tr>\n
5<\/td>\nAl Adawi<\/td>\nAbdulrahman<\/td>\nOM<\/td>\nEscape<\/td>\n<\/tr>\n
6<\/td>\nAliBrahim<\/td>\nAhmed<\/td>\nSA<\/td>\nDressmaker<\/td>\n<\/tr>\n
7<\/td>\nAliBrahim<\/td>\nAhmed<\/td>\nSA<\/td>\nSchool Child 3<\/td>\n<\/tr>\n
8<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nBoy And Goats<\/td>\n<\/tr>\n
9<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nAn I Play<\/td>\n<\/tr>\n
10<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nThis Is My Life<\/td>\n<\/tr>\n
11<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nShip Breaker 2<\/td>\n<\/tr>\n
12<\/td>\nAl Mahrooqi<\/td>\nAhmed<\/td>\nOM<\/td>\nChild Of Ras Royce<\/td>\n<\/tr>\n
13<\/td>\nAl Mahrooqi<\/td>\nAhmed<\/td>\nOM<\/td>\nHarvest<\/td>\n<\/tr>\n
14<\/td>\nAl Mahrooqi<\/td>\nAhmed<\/td>\nOM<\/td>\nBoat And Stars<\/td>\n<\/tr>\n
15<\/td>\nAl Mahrooqi<\/td>\nAhmed<\/td>\nOM<\/td>\nSpring<\/td>\n<\/tr>\n
16<\/td>\nAl Sulaili<\/td>\nMohammed<\/td>\nSA<\/td>\nSchool<\/td>\n<\/tr>\n
17<\/td>\nAl Sulaili<\/td>\nMohammed<\/td>\nSA<\/td>\nBaby Girl<\/td>\n<\/tr>\n
18<\/td>\nAl Sulaili<\/td>\nMohammed<\/td>\nSA<\/td>\nIndian Student<\/td>\n<\/tr>\n
19<\/td>\nAlamri<\/td>\nMajid<\/td>\nOM<\/td>\nChild Barabay<\/td>\n<\/tr>\n
20<\/td>\nAlamri<\/td>\nMajid<\/td>\nOM<\/td>\nFisher7<\/td>\n<\/tr>\n
21<\/td>\nAlamri<\/td>\nMajid<\/td>\nOM<\/td>\nWaiting<\/td>\n<\/tr>\n
22<\/td>\nAlghanboosi<\/td>\nHamed<\/td>\nOM<\/td>\nInnocent<\/td>\n<\/tr>\n
23<\/td>\nAlghanboosi<\/td>\nHamed<\/td>\nOM<\/td>\nCareless<\/td>\n<\/tr>\n
24<\/td>\nAlghanboosi<\/td>\nHamed<\/td>\nOM<\/td>\nLooking-4<\/td>\n<\/tr>\n
25<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nSecuring The Future<\/td>\n<\/tr>\n
26<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nSuspicious Eye<\/td>\n<\/tr>\n
27<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nIndia<\/td>\n<\/tr>\n
28<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nOur Home<\/td>\n<\/tr>\n
29<\/td>\nAlnaser<\/td>\nMohammed<\/td>\nSA<\/td>\nColorful Family<\/td>\n<\/tr>\n
30<\/td>\nAlnaser<\/td>\nMohammed<\/td>\nSA<\/td>\nCharm<\/td>\n<\/tr>\n
31<\/td>\nAlsaleh<\/td>\nMamdooh<\/td>\nBH<\/td>\nSadhu Smile<\/td>\n<\/tr>\n
32<\/td>\nAlsaleh<\/td>\nMamdooh<\/td>\nBH<\/td>\nAgadir<\/td>\n<\/tr>\n
33<\/td>\nAlsaleh<\/td>\nMamdooh<\/td>\nBH<\/td>\nGrandson<\/td>\n<\/tr>\n
34<\/td>\nAlshanfari<\/td>\nHaitham<\/td>\nOM<\/td>\nSpiritual Man<\/td>\n<\/tr>\n
35<\/td>\nAlshanfari<\/td>\nHaitham<\/td>\nOM<\/td>\nInsightful Look<\/td>\n<\/tr>\n
36<\/td>\nAlshanfari<\/td>\nHaitham<\/td>\nOM<\/td>\nSpirituality1<\/td>\n<\/tr>\n
37<\/td>\nAlterkait<\/td>\nAbdulrahman<\/td>\nKW<\/td>\nWoods And Students<\/td>\n<\/tr>\n
38<\/td>\nAlterkait<\/td>\nAbdulrahman<\/td>\nKW<\/td>\nThe Blue<\/td>\n<\/tr>\n
39<\/td>\nAlterkait<\/td>\nAbdulrahman<\/td>\nKW<\/td>\nFamily In Ruins<\/td>\n<\/tr>\n
40<\/td>\nAlzadjali<\/td>\nHabib<\/td>\nOM<\/td>\nThree Windows<\/td>\n<\/tr>\n
41<\/td>\nAlzadjali<\/td>\nHabib<\/td>\nOM<\/td>\nVillage Girl 2<\/td>\n<\/tr>\n
42<\/td>\nAlzadjali<\/td>\nHabib<\/td>\nOM<\/td>\nThe Family<\/td>\n<\/tr>\n
43<\/td>\nAlzadjali<\/td>\nHabib<\/td>\nOM<\/td>\nWoman O4<\/td>\n<\/tr>\n
44<\/td>\nAnastasis<\/td>\nDespina<\/td>\nCY<\/td>\nSome Small Change<\/td>\n<\/tr>\n
45<\/td>\nAnderson<\/td>\nSandra<\/td>\nAU<\/td>\nReflective<\/td>\n<\/tr>\n
46<\/td>\nAnderson<\/td>\nSandra<\/td>\nAU<\/td>\nOne Glorious Morning<\/td>\n<\/tr>\n
47<\/td>\nAnisimov<\/td>\nSergey<\/td>\nRU<\/td>\nIn The Evening<\/td>\n<\/tr>\n
48<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nPlaying<\/td>\n<\/tr>\n
49<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nLili<\/td>\n<\/tr>\n
50<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nHadis<\/td>\n<\/tr>\n
51<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nPlaying In Garbage<\/td>\n<\/tr>\n
52<\/td>\nBanfi<\/td>\nBo\u0161tjan<\/td>\nSI<\/td>\nGreen I Love You Green<\/td>\n<\/tr>\n
53<\/td>\nBanfi<\/td>\nBo\u0161tjan<\/td>\nSI<\/td>\nStory Teller<\/td>\n<\/tr>\n
54<\/td>\nBartolini<\/td>\nMarco<\/td>\nIT<\/td>\nThe Monk<\/td>\n<\/tr>\n
55<\/td>\nBartolini<\/td>\nMarco<\/td>\nIT<\/td>\nWidows Of Vrindavan 3<\/td>\n<\/tr>\n
56<\/td>\nBartolini<\/td>\nMarco<\/td>\nIT<\/td>\nBlue City<\/td>\n<\/tr>\n
57<\/td>\nBenicewicz-Miazga<\/td>\nAnna<\/td>\nPL<\/td>\nBefore The Game 3<\/td>\nSALON BRONZE<\/td>\n<\/tr>\n
58<\/td>\nBenicewicz-Miazga<\/td>\nAnna<\/td>\nPL<\/td>\nBefore The Game 4<\/td>\n<\/tr>\n
59<\/td>\nBernkopf\u00a0 Dr.<\/td>\nAlois<\/td>\nAT<\/td>\nIm Herrgottswinkel<\/td>\n<\/tr>\n
60<\/td>\nBernkopf\u00a0 Dr.<\/td>\nAlois<\/td>\nAT<\/td>\nJulia_7<\/td>\n<\/tr>\n
61<\/td>\nBernkopf\u00a0 Dr.<\/td>\nAlois<\/td>\nAT<\/td>\nMax In Action_1<\/td>\n<\/tr>\n
62<\/td>\nBingham<\/td>\nRichard<\/td>\nSCT<\/td>\nWaiting<\/td>\n<\/tr>\n
63<\/td>\nBricelj<\/td>\nBogdan<\/td>\nSI<\/td>\nFamily Comming Out Of Mist<\/td>\n<\/tr>\n
64<\/td>\nBricelj<\/td>\nBogdan<\/td>\nSI<\/td>\nIn The Middle Of Misty Waves<\/td>\n<\/tr>\n
65<\/td>\nBui<\/td>\nVan Chung<\/td>\nVN<\/td>\nDaily Work<\/td>\n<\/tr>\n
66<\/td>\nBui<\/td>\nVan Chung<\/td>\nVN<\/td>\nOld Kitchen<\/td>\n<\/tr>\n
67<\/td>\nBui<\/td>\nMai Thien<\/td>\nVN<\/td>\nCrossing The Sand Hill 6<\/td>\n<\/tr>\n
68<\/td>\nBui<\/td>\nMai Thien<\/td>\nVN<\/td>\nLines 3<\/td>\n<\/tr>\n
69<\/td>\nBurnik<\/td>\nMarko<\/td>\nSI<\/td>\nPo\u0161evna Stolpnica<\/td>\n<\/tr>\n
70<\/td>\nBysack<\/td>\nSubrata<\/td>\nIN<\/td>\nWondering<\/td>\n<\/tr>\n
71<\/td>\nBysack<\/td>\nSubrata<\/td>\nIN<\/td>\nThirst<\/td>\n<\/tr>\n
72<\/td>\nBysack<\/td>\nSubrata<\/td>\nIN<\/td>\nCrying Child<\/td>\n<\/tr>\n
73<\/td>\nChan<\/td>\nH. W.<\/td>\nHK<\/td>\nOne Red Sail<\/td>\n<\/tr>\n
74<\/td>\nChan<\/td>\nH. W.<\/td>\nHK<\/td>\nOnly A Little Boat<\/td>\n<\/tr>\n
75<\/td>\nChape<\/td>\nStuart<\/td>\nWS<\/td>\nLisa<\/td>\n<\/tr>\n
76<\/td>\nCheang<\/td>\nSherman<\/td>\nMO<\/td>\nOpen My Heart<\/td>\n<\/tr>\n
77<\/td>\nChen<\/td>\nJinghui<\/td>\nCN<\/td>\nA Peacock In His Pride<\/td>\n<\/tr>\n
78<\/td>\nChen<\/td>\nJinghui<\/td>\nCN<\/td>\nLine<\/td>\n<\/tr>\n
79<\/td>\nCherubini<\/td>\nBruno<\/td>\nIT<\/td>\nAt The Fantasy Factory<\/td>\n<\/tr>\n
80<\/td>\nCherubini<\/td>\nBruno<\/td>\nIT<\/td>\nDancing In The Street<\/td>\n<\/tr>\n
81<\/td>\nCoumbias<\/td>\nJohn<\/td>\nZA<\/td>\nStage Act<\/td>\n<\/tr>\n
82<\/td>\nCuppens<\/td>\nJos<\/td>\nBE<\/td>\nRed Girl<\/td>\n<\/tr>\n
83<\/td>\nDanis<\/td>\nJanos<\/td>\nHU<\/td>\nIn Yellow Field<\/td>\n<\/tr>\n
84<\/td>\nDao<\/td>\nTho<\/td>\nVN<\/td>\nSmoke Lderly Wam<\/td>\n<\/tr>\n
85<\/td>\nDao<\/td>\nTho<\/td>\nVN<\/td>\nA Glance<\/td>\n<\/tr>\n
86<\/td>\nDao<\/td>\nTho<\/td>\nVN<\/td>\nRecollection<\/td>\n<\/tr>\n
87<\/td>\nDebevec<\/td>\nIgor<\/td>\nSI<\/td>\nLavender Fields Iv<\/td>\n<\/tr>\n
88<\/td>\nDebevec<\/td>\nIgor<\/td>\nSI<\/td>\nFields And Trees I<\/td>\n<\/tr>\n
89<\/td>\nDebevec<\/td>\nIgor<\/td>\nSI<\/td>\nOld Woman Ii<\/td>\n<\/tr>\n
90<\/td>\nDebono<\/td>\nJohann<\/td>\nMT<\/td>\nLeft Out<\/td>\n<\/tr>\n
91<\/td>\nDevine<\/td>\nBob<\/td>\nGB<\/td>\nMallard And Ducklings<\/td>\n<\/tr>\n
92<\/td>\nDo Hieu<\/td>\nLiem<\/td>\nVN<\/td>\nShining Sea<\/td>\n<\/tr>\n
93<\/td>\nDo Hieu<\/td>\nLiem<\/td>\nVN<\/td>\nMorning Dance<\/td>\n<\/tr>\n
94<\/td>\nDoberlet<\/td>\nVasja<\/td>\nSI<\/td>\nGolden Forest<\/td>\n<\/tr>\n
95<\/td>\nDominko<\/td>\nMiran<\/td>\nSI<\/td>\nLook Into My Eyes<\/td>\n<\/tr>\n
96<\/td>\nEbelt<\/td>\nThomas<\/td>\nDE<\/td>\nUntergrundbahnstation Hafen City<\/td>\n<\/tr>\n
97<\/td>\nEbelt<\/td>\nThomas<\/td>\nDE<\/td>\nIceland Church<\/td>\n<\/tr>\n
98<\/td>\nEdwin Ong<\/td>\nWee Kee<\/td>\nMY<\/td>\nWho You Are<\/td>\n<\/tr>\n
99<\/td>\nElgin<\/td>\nKeith<\/td>\nGB<\/td>\nRed On Black<\/td>\n<\/tr>\n
100<\/td>\nElgin<\/td>\nKeith<\/td>\nGB<\/td>\nChain Mail Maiden<\/td>\n<\/tr>\n
101<\/td>\nElgin<\/td>\nKeith<\/td>\nGB<\/td>\nScenic Ride<\/td>\n<\/tr>\n
102<\/td>\nFerraro<\/td>\nMoreno<\/td>\nIT<\/td>\nNew Look<\/td>\n<\/tr>\n
103<\/td>\nFerraro<\/td>\nMoreno<\/td>\nIT<\/td>\nAsanka<\/td>\n<\/tr>\n
104<\/td>\nFerraro<\/td>\nMoreno<\/td>\nIT<\/td>\nAt My Door<\/td>\n<\/tr>\n
105<\/td>\nFrancini<\/td>\nErnesto<\/td>\nIT<\/td>\nStork Nest<\/td>\n<\/tr>\n
106<\/td>\nFrancini<\/td>\nErnesto<\/td>\nIT<\/td>\nMum Give Me A Fish<\/td>\n<\/tr>\n
107<\/td>\nFryer<\/td>\nAlison J<\/td>\nGB<\/td>\nThree Trees One Barn<\/td>\n<\/tr>\n
108<\/td>\nGarabello<\/td>\nMarco<\/td>\nIT<\/td>\nMetallic<\/td>\n<\/tr>\n
109<\/td>\nGaruti<\/td>\nFabio<\/td>\nIT<\/td>\nSwimming_3<\/td>\n<\/tr>\n
110<\/td>\nGaruti<\/td>\nFabio<\/td>\nIT<\/td>\nSwimming_4<\/td>\n<\/tr>\n
111<\/td>\nGaruti<\/td>\nFabio<\/td>\nIT<\/td>\nTuscan Atmosphere 2<\/td>\n<\/tr>\n
112<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nMorning L2<\/td>\n<\/tr>\n
113<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nAutumn Colors L3<\/td>\n<\/tr>\n
114<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nAutumn On The Karst<\/td>\n<\/tr>\n
115<\/td>\nGoldin<\/td>\nLeonid<\/td>\nIL<\/td>\nVaccination<\/td>\n<\/tr>\n
116<\/td>\nGoldin<\/td>\nLeonid<\/td>\nIL<\/td>\nBehind Glass<\/td>\n<\/tr>\n
117<\/td>\nGoldin<\/td>\nLeonid<\/td>\nIL<\/td>\nPrincess<\/td>\n<\/tr>\n
118<\/td>\nGotal<\/td>\nMarko<\/td>\nHR<\/td>\nWaiting For The Green Wave<\/td>\n<\/tr>\n
119<\/td>\nGreguri\u010d Sili\u010d<\/td>\nBarbara<\/td>\nSI<\/td>\nRed Scarf<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
120<\/td>\nGreguri\u010d Sili\u010d<\/td>\nBarbara<\/td>\nSI<\/td>\nEye Contact<\/td>\n<\/tr>\n
121<\/td>\nHabringer<\/td>\nWolfgang<\/td>\nAT<\/td>\nLangbathsee 72<\/td>\n<\/tr>\n
122<\/td>\nHabringer<\/td>\nWolfgang<\/td>\nAT<\/td>\nAutumn Comes 17<\/td>\n<\/tr>\n
123<\/td>\nHameed<\/td>\nAhmed<\/td>\nBN<\/td>\nInnocence<\/td>\n<\/tr>\n
124<\/td>\nHammer<\/td>\nJacqueline<\/td>\nAU<\/td>\nExpanding Shadows<\/td>\n<\/tr>\n
125<\/td>\nHendriksen<\/td>\nIngrid<\/td>\nAU<\/td>\nLast Stop<\/td>\n<\/tr>\n
126<\/td>\nHieng<\/td>\nPrimo\u017e<\/td>\nSI<\/td>\nChurch In The Field<\/td>\n<\/tr>\n
127<\/td>\nHieng<\/td>\nPrimo\u017e<\/td>\nSI<\/td>\nDiagonal<\/td>\n<\/tr>\n
128<\/td>\nHieng<\/td>\nPrimo\u017e<\/td>\nSI<\/td>\nJester<\/td>\n<\/tr>\n
129<\/td>\nHodos<\/td>\nSandor<\/td>\nHU<\/td>\nWarriors<\/td>\n<\/tr>\n
130<\/td>\nHodos<\/td>\nSandor<\/td>\nHU<\/td>\nIrradiation<\/td>\n<\/tr>\n
131<\/td>\nHorgmo<\/td>\nGeir Ivar<\/td>\nNO<\/td>\nShopping<\/td>\n<\/tr>\n
132<\/td>\nHorgmo<\/td>\nGeir Ivar<\/td>\nNO<\/td>\nBrosundet<\/td>\n<\/tr>\n
133<\/td>\nHorsnell<\/td>\nJenni<\/td>\nAU<\/td>\nTandem Reflection 2<\/td>\n<\/tr>\n
134<\/td>\nHorsnell<\/td>\nJenni<\/td>\nAU<\/td>\nFlying High 13<\/td>\n<\/tr>\n
135<\/td>\nHorsnell<\/td>\nJenni<\/td>\nAU<\/td>\nRobberfly On Paspalum<\/td>\n<\/tr>\n
136<\/td>\nHuisz<\/td>\nIstvan<\/td>\nHU<\/td>\nS-Curve<\/td>\n<\/tr>\n
137<\/td>\nHuisz<\/td>\nIstvan<\/td>\nHU<\/td>\nArcher<\/td>\n<\/tr>\n
138<\/td>\nIkiz<\/td>\nIsmail<\/td>\nTR<\/td>\nS\u00fcr\u00fc<\/td>\n<\/tr>\n
139<\/td>\nIkiz<\/td>\nIsmail<\/td>\nTR<\/td>\nBalons<\/td>\n<\/tr>\n
140<\/td>\nJarni<\/td>\nAndrej<\/td>\nSI<\/td>\nTree<\/td>\n<\/tr>\n
141<\/td>\nJarni<\/td>\nAndrej<\/td>\nSI<\/td>\nMagic Light<\/td>\n<\/tr>\n
142<\/td>\nJarni<\/td>\nAndrej<\/td>\nSI<\/td>\nFriends<\/td>\n<\/tr>\n
143<\/td>\nJenkin<\/td>\nMalcolm<\/td>\nGB<\/td>\nPortrait Of Faith<\/td>\n<\/tr>\n
144<\/td>\nJenkin<\/td>\nBarbara<\/td>\nGB<\/td>\nHelen 2<\/td>\n<\/tr>\n
145<\/td>\nJenkin<\/td>\nBarbara<\/td>\nGB<\/td>\nFarrah<\/td>\n<\/tr>\n
146<\/td>\nJerinic<\/td>\nAlen<\/td>\nSI<\/td>\nAutumn<\/td>\n<\/tr>\n
147<\/td>\nJerinic<\/td>\nAlen<\/td>\nSI<\/td>\nPletna Boat<\/td>\n<\/tr>\n
148<\/td>\nJesenovi\u0107<\/td>\nKristijan<\/td>\nSI<\/td>\nMystical Forest<\/td>\n<\/tr>\n
149<\/td>\nJesenovi\u0107<\/td>\nKristijan<\/td>\nSI<\/td>\nMagical Field<\/td>\n<\/tr>\n
150<\/td>\nJorgen<\/td>\nSkaug<\/td>\nNO<\/td>\nOn The Top<\/td>\n<\/tr>\n
151<\/td>\nJourdain<\/td>\nRoger<\/td>\nFR<\/td>\nWater Pleasure<\/td>\n<\/tr>\n
152<\/td>\nJovanovi\u0107<\/td>\n\u017deljko<\/td>\nHR<\/td>\nPeaceful<\/td>\n<\/tr>\n
153<\/td>\nKerekes<\/td>\nIstvan<\/td>\nHU<\/td>\nYelena<\/td>\nFIAP GOLD<\/td>\n<\/tr>\n
154<\/td>\nKerekes<\/td>\nIstvan<\/td>\nHU<\/td>\nFragment<\/td>\n<\/tr>\n
155<\/td>\nKerekes<\/td>\nIstvan<\/td>\nHU<\/td>\nTearful Eyes<\/td>\n<\/tr>\n
156<\/td>\nK\u00e9v\u00e9s<\/td>\nAndor<\/td>\nHU<\/td>\nSea Girl<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
157<\/td>\nK\u00e9v\u00e9s<\/td>\nAndor<\/td>\nHU<\/td>\nDark Feeling<\/td>\n<\/tr>\n
158<\/td>\nK\u00e9v\u00e9s<\/td>\nAndor<\/td>\nHU<\/td>\nSyren<\/td>\n<\/tr>\n
159<\/td>\nKihlberg<\/td>\nTapio<\/td>\nFI<\/td>\nBrothers In Turkey<\/td>\n<\/tr>\n
160<\/td>\nKillen<\/td>\nRoy<\/td>\nAU<\/td>\nVietnamese Child<\/td>\n<\/tr>\n
161<\/td>\nKnebl<\/td>\nBiljana<\/td>\nHR<\/td>\nWinter In The City<\/td>\n<\/tr>\n
162<\/td>\nKova\u010d<\/td>\nPetar<\/td>\nHR<\/td>\nGreta<\/td>\n<\/tr>\n
163<\/td>\nKrape\u017e<\/td>\nMiran<\/td>\nSI<\/td>\nProvence 201<\/td>\n<\/tr>\n
164<\/td>\nKru\u0161nik<\/td>\nSa\u0161a<\/td>\nSI<\/td>\nCarpet<\/td>\n<\/tr>\n
165<\/td>\nKru\u0161nik<\/td>\nSa\u0161a<\/td>\nSI<\/td>\nWaiting<\/td>\nSALON SILVER<\/td>\n<\/tr>\n
166<\/td>\nKru\u0161nik<\/td>\nSa\u0161a<\/td>\nSI<\/td>\nHauses<\/td>\n<\/tr>\n
167<\/td>\nKru\u0161nik<\/td>\nSa\u0161a<\/td>\nSI<\/td>\nBread<\/td>\n<\/tr>\n
168<\/td>\nKu<\/td>\nMin-Sheng<\/td>\nTW<\/td>\nSailing On The Golden Sea<\/td>\n<\/tr>\n
169<\/td>\nKucelin<\/td>\nZvonko<\/td>\nHR<\/td>\nRed Umbrella<\/td>\n<\/tr>\n
170<\/td>\nKucelin<\/td>\nZvonko<\/td>\nHR<\/td>\nRhythm<\/td>\n<\/tr>\n
171<\/td>\nKulpa<\/td>\nBeate<\/td>\nDE<\/td>\nBanded Demoiselle<\/td>\n<\/tr>\n
172<\/td>\nKwan<\/td>\nPhillip<\/td>\nCA<\/td>\nAurora Curtain<\/td>\n<\/tr>\n
173<\/td>\nKwan<\/td>\nPhillip<\/td>\nCA<\/td>\nCrash By Bull<\/td>\n<\/tr>\n
174<\/td>\nLam<\/td>\nChau Kei Checky<\/td>\nHK<\/td>\nRushing Cow<\/td>\n<\/tr>\n
175<\/td>\nLambropoulou<\/td>\nEva<\/td>\nGR<\/td>\nA Dream On Earth<\/td>\n<\/tr>\n
176<\/td>\nLambropoulou<\/td>\nEva<\/td>\nGR<\/td>\nFisherman’S Hut, Messolonghi, Greece<\/td>\n<\/tr>\n
177<\/td>\nLambropoulou<\/td>\nEva<\/td>\nGR<\/td>\nFishermen’S Huts At Greece1<\/td>\n<\/tr>\n
178<\/td>\nLandi<\/td>\nSilvia<\/td>\nIT<\/td>\nThe Light Of Faith<\/td>\n<\/tr>\n
179<\/td>\nLe Hoang<\/td>\nNhan<\/td>\nVN<\/td>\nTre Tho Tay Bac<\/td>\n<\/tr>\n
180<\/td>\nLegrand<\/td>\nJean Luc<\/td>\nBE<\/td>\nLucia 1<\/td>\n<\/tr>\n
181<\/td>\nLesjak<\/td>\nMiljko<\/td>\nSI<\/td>\nShepherd<\/td>\n<\/tr>\n
182<\/td>\nLi<\/td>\nXunlei<\/td>\nCN<\/td>\nMelody<\/td>\n<\/tr>\n
183<\/td>\nLimberg<\/td>\nHuib<\/td>\nNL<\/td>\nMe Jealous? Tell Me Why….!<\/td>\n<\/tr>\n
184<\/td>\nLinks<\/td>\nViesturs<\/td>\nLV<\/td>\nWithout Title<\/td>\n<\/tr>\n
185<\/td>\nLinks<\/td>\nViesturs<\/td>\nLV<\/td>\nLittle Decadent Portrait<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
186<\/td>\nLinks<\/td>\nViesturs<\/td>\nLV<\/td>\nYou Can !<\/td>\n<\/tr>\n
187<\/td>\nLiu<\/td>\nYue<\/td>\nCN<\/td>\nDance Of The Earth<\/td>\nFZS GOLD<\/td>\n<\/tr>\n
188<\/td>\nLiu<\/td>\nYue<\/td>\nCN<\/td>\nKing Duo<\/td>\n<\/tr>\n
189<\/td>\nLomas<\/td>\nJohn<\/td>\nAU<\/td>\nNatasha<\/td>\n<\/tr>\n
190<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nRice Visit<\/td>\n<\/tr>\n
191<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nA Corner Of Kitchen<\/td>\n<\/tr>\n
192<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nFish Casting Net<\/td>\n<\/tr>\n
193<\/td>\nLudwig<\/td>\nPeter<\/td>\nDE<\/td>\nBlue Chair<\/td>\n<\/tr>\n
194<\/td>\nLudwig<\/td>\nPeter<\/td>\nDE<\/td>\nBeach Iii<\/td>\n<\/tr>\n
195<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nWinters Tafereel<\/td>\nFIAP BRONZE<\/td>\n<\/tr>\n
196<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nLandschap En Fietser<\/td>\n<\/tr>\n
197<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nGecorrigeerde Vlucht<\/td>\n<\/tr>\n
198<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nVrouwtje Achter Raam<\/td>\n<\/tr>\n
199<\/td>\nMantykangas<\/td>\nJarmo<\/td>\nFI<\/td>\nGround Floor<\/td>\n<\/tr>\n
200<\/td>\nMarcel Beauraind<\/td>\nMarcel Beauraind<\/td>\nBE<\/td>\nHymne A L Amour<\/td>\n<\/tr>\n
201<\/td>\nMarcel Beauraind<\/td>\nMarcel Beauraind<\/td>\nBE<\/td>\nEtoile D Un Jour<\/td>\n<\/tr>\n
202<\/td>\nMargon Vuga<\/td>\nKatu\u0161a<\/td>\nSI<\/td>\nDead End<\/td>\n<\/tr>\n
203<\/td>\nMargon Vuga<\/td>\nKatu\u0161a<\/td>\nSI<\/td>\nThe Entrance<\/td>\n<\/tr>\n
204<\/td>\nMarti\u0107<\/td>\nNenad<\/td>\nHR<\/td>\nBallerina<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
205<\/td>\nMarti\u0107<\/td>\nNenad<\/td>\nHR<\/td>\nCommemorating<\/td>\n<\/tr>\n
206<\/td>\nMarti\u0107<\/td>\nNenad<\/td>\nHR<\/td>\nFramed<\/td>\n<\/tr>\n
207<\/td>\nMartin Castan<\/td>\nDavid<\/td>\nES<\/td>\n11S Memorial<\/td>\n<\/tr>\n
208<\/td>\nMartin Castan<\/td>\nDavid<\/td>\nES<\/td>\nGullfoss<\/td>\n<\/tr>\n
209<\/td>\nMauko<\/td>\nDaniel<\/td>\nSI<\/td>\nOnly Me<\/td>\n<\/tr>\n
210<\/td>\nMavri\u010d<\/td>\nMaja<\/td>\nSI<\/td>\nAn Old Saltern House<\/td>\n<\/tr>\n
211<\/td>\nMikus<\/td>\nAlfred<\/td>\nBY<\/td>\nHeavy Road In Autumn<\/td>\n<\/tr>\n
212<\/td>\nMilojevic<\/td>\nRasa<\/td>\nRS<\/td>\nDragan Ilic_9369<\/td>\n<\/tr>\n
213<\/td>\nMilojevic<\/td>\nRasa<\/td>\nRS<\/td>\nCeramist 9536<\/td>\n<\/tr>\n
214<\/td>\nMimura<\/td>\nShin<\/td>\nJP<\/td>\nEyes Of Architects 4<\/td>\n<\/tr>\n
215<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nIn The Middle<\/td>\n<\/tr>\n
216<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nViewless<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
217<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nMemory Circuit<\/td>\n<\/tr>\n
218<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nIne Morning When The Sun Is …<\/td>\n<\/tr>\n
219<\/td>\nMori\u010d<\/td>\nPia<\/td>\nSI<\/td>\nAlone Little House<\/td>\n<\/tr>\n
220<\/td>\nMoritz<\/td>\nVicki<\/td>\nAU<\/td>\nVal Dorcia Pastures<\/td>\n<\/tr>\n
221<\/td>\nMuneer<\/td>\nMuhannad<\/td>\nOM<\/td>\nLight Of Education<\/td>\n<\/tr>\n
222<\/td>\nMuneer<\/td>\nMuhannad<\/td>\nOM<\/td>\nNandoo<\/td>\n<\/tr>\n
223<\/td>\nMuradi<\/td>\nHasan Hulki<\/td>\nTR<\/td>\nTired<\/td>\n<\/tr>\n
224<\/td>\nNagy<\/td>\nLajos<\/td>\nRO<\/td>\nMorning Fly<\/td>\nFIAP SILVER<\/td>\n<\/tr>\n
225<\/td>\nNagy<\/td>\nLajos<\/td>\nRO<\/td>\nBee Eaters With Grasshoppers<\/td>\n<\/tr>\n
226<\/td>\nNguyen<\/td>\nVan Danh<\/td>\nVN<\/td>\nDinner<\/td>\n<\/tr>\n
227<\/td>\nNguyen<\/td>\nVan Danh<\/td>\nVN<\/td>\nBefore Dawn<\/td>\n<\/tr>\n
228<\/td>\nNguyen<\/td>\nVan Danh<\/td>\nVN<\/td>\nTranquility<\/td>\n<\/tr>\n
229<\/td>\nNiem<\/td>\nYung<\/td>\nCA<\/td>\nMesa Arch In Utah<\/td>\n<\/tr>\n
230<\/td>\nNiem<\/td>\nYung<\/td>\nCA<\/td>\nYoung Monk Prayer<\/td>\n<\/tr>\n
231<\/td>\nNiem<\/td>\nYung<\/td>\nCA<\/td>\nTable Tennis Player 1<\/td>\n<\/tr>\n
232<\/td>\nNiven<\/td>\nJames<\/td>\nAU<\/td>\nDubrovnik, Croatia<\/td>\n<\/tr>\n
233<\/td>\nNovak<\/td>\nStanislav<\/td>\nHR<\/td>\nChalk It Up<\/td>\n<\/tr>\n
234<\/td>\nNovak<\/td>\nStanislav<\/td>\nHR<\/td>\nSpread The News<\/td>\n<\/tr>\n
235<\/td>\nOconnell<\/td>\nSue<\/td>\nGB<\/td>\nGossips Corner<\/td>\n<\/tr>\n
236<\/td>\nOeyen<\/td>\nRoger<\/td>\nBE<\/td>\nStilleven11<\/td>\n<\/tr>\n
237<\/td>\nOeyen<\/td>\nRoger<\/td>\nBE<\/td>\nBoteren1<\/td>\n<\/tr>\n
238<\/td>\nPapic<\/td>\nNevenka<\/td>\nSI<\/td>\nThe Window<\/td>\n<\/tr>\n
239<\/td>\nPaul<\/td>\nKuntal<\/td>\nIN<\/td>\nLord Shiva In Pushkar<\/td>\n<\/tr>\n
240<\/td>\nPaul<\/td>\nKuntal<\/td>\nIN<\/td>\nThey Are Coming<\/td>\n<\/tr>\n
241<\/td>\nPesterev<\/td>\nSergey<\/td>\nRU<\/td>\nGolden Autumn<\/td>\n<\/tr>\n
242<\/td>\nPesterev<\/td>\nSergey<\/td>\nRU<\/td>\nNight In Toronto<\/td>\n<\/tr>\n
243<\/td>\nPizzichi<\/td>\nGianluca<\/td>\nIT<\/td>\nTrequanda Tuscany 2011<\/td>\n<\/tr>\n
244<\/td>\nPizzichi<\/td>\nGianluca<\/td>\nIT<\/td>\nStorm Tuscany 2011<\/td>\n<\/tr>\n
245<\/td>\nPizzichi<\/td>\nGianluca<\/td>\nIT<\/td>\nSan Quirico Tuscany 2014<\/td>\n<\/tr>\n
246<\/td>\nPlaydon<\/td>\nSigita<\/td>\nIE<\/td>\nLittle Dreamer<\/td>\n<\/tr>\n
247<\/td>\nPop<\/td>\nOvi D.<\/td>\nRO<\/td>\nLeekoo2<\/td>\n<\/tr>\n
248<\/td>\nPop<\/td>\nOvi D.<\/td>\nRO<\/td>\nAt The End Of…<\/td>\n<\/tr>\n
249<\/td>\nPop<\/td>\nOvi D.<\/td>\nRO<\/td>\nAuburn<\/td>\n<\/tr>\n
250<\/td>\nPutti<\/td>\nElisa<\/td>\nFI<\/td>\nForms<\/td>\n<\/tr>\n
251<\/td>\nPutti<\/td>\nElisa<\/td>\nFI<\/td>\nMystique<\/td>\n<\/tr>\n
252<\/td>\nPutti<\/td>\nElisa<\/td>\nFI<\/td>\nWall<\/td>\n<\/tr>\n
253<\/td>\nRa\u010dki<\/td>\nNeda<\/td>\nHR<\/td>\nTkalca Street<\/td>\n<\/tr>\n
254<\/td>\nRa\u010dki<\/td>\nNeda<\/td>\nHR<\/td>\nMagic Forest<\/td>\n<\/tr>\n
255<\/td>\nRa\u010dki<\/td>\nNeda<\/td>\nHR<\/td>\nAbout To Leave<\/td>\n<\/tr>\n
256<\/td>\nRadi\u010danin<\/td>\nZvonko<\/td>\nHR<\/td>\nTouch Of Heaven<\/td>\n<\/tr>\n
257<\/td>\nRajan<\/td>\nAvanish<\/td>\nIN<\/td>\nChat<\/td>\n<\/tr>\n
258<\/td>\nRajan<\/td>\nAvanish<\/td>\nIN<\/td>\nGossip<\/td>\n<\/tr>\n
259<\/td>\nRau<\/td>\nFrank<\/td>\nDE<\/td>\nSteg Am Breitenauer See<\/td>\n<\/tr>\n
260<\/td>\nRau<\/td>\nFrank<\/td>\nDE<\/td>\nBeachwalkers 2<\/td>\nFZS BRONZE<\/td>\n<\/tr>\n
261<\/td>\nRau<\/td>\nFrank<\/td>\nDE<\/td>\nLandratsamt Hn<\/td>\n<\/tr>\n
262<\/td>\nRees<\/td>\nPeter<\/td>\nGB<\/td>\nInch Surfers<\/td>\n<\/tr>\n
263<\/td>\nRiehle<\/td>\nGunther<\/td>\nDE<\/td>\nArctic Fox Pups Dispute 2<\/td>\n<\/tr>\n
264<\/td>\nRoberts<\/td>\nCathy<\/td>\nGB<\/td>\nCar In The Corner<\/td>\n<\/tr>\n
265<\/td>\nRoberts<\/td>\nCathy<\/td>\nGB<\/td>\nDance Impressions Red Dress<\/td>\n<\/tr>\n
266<\/td>\nRoberts<\/td>\nCathy<\/td>\nGB<\/td>\nThe Gesture<\/td>\n<\/tr>\n
267<\/td>\nRoemisch<\/td>\nHeiko<\/td>\nDE<\/td>\nElbe Pasture<\/td>\n<\/tr>\n
268<\/td>\nSamoyault<\/td>\nGuy B.<\/td>\nFR<\/td>\nDerriere Les Barreaux<\/td>\n<\/tr>\n
269<\/td>\nSamoyault<\/td>\nGuy B.<\/td>\nFR<\/td>\nLight<\/td>\n<\/tr>\n
270<\/td>\nSaraiva<\/td>\nOscar<\/td>\nPT<\/td>\nBy The River<\/td>\n<\/tr>\n
271<\/td>\nSarigul Usta<\/td>\nF\u00fcsun<\/td>\nTR<\/td>\nSokak<\/td>\n<\/tr>\n
272<\/td>\nSarigul Usta<\/td>\nF\u00fcsun<\/td>\nTR<\/td>\nKorku<\/td>\n<\/tr>\n
273<\/td>\nSarkar<\/td>\nSandip<\/td>\nIN<\/td>\nPainting The City<\/td>\n<\/tr>\n
274<\/td>\nSarkar<\/td>\nSandip<\/td>\nIN<\/td>\nVeil<\/td>\n<\/tr>\n
275<\/td>\nSarkar<\/td>\nSandip<\/td>\nIN<\/td>\nConveyances<\/td>\n<\/tr>\n
276<\/td>\nSijari\u010d<\/td>\nBiserka<\/td>\nSI<\/td>\nHope<\/td>\nPSA GOLD<\/td>\n<\/tr>\n
277<\/td>\nSijari\u010d<\/td>\nBiserka<\/td>\nSI<\/td>\nPremonition<\/td>\n<\/tr>\n
278<\/td>\nSijari\u010d<\/td>\nBiserka<\/td>\nSI<\/td>\nMemories<\/td>\n<\/tr>\n
279<\/td>\nSimek<\/td>\nDino<\/td>\nHR<\/td>\nRiver Of Green<\/td>\n<\/tr>\n
280<\/td>\nSimek<\/td>\nDino<\/td>\nHR<\/td>\nMystic Of The River<\/td>\n<\/tr>\n
281<\/td>\nSimek<\/td>\nDino<\/td>\nHR<\/td>\nPlay<\/td>\n<\/tr>\n
282<\/td>\nSimon<\/td>\nOscar<\/td>\nES<\/td>\nBreak<\/td>\n<\/tr>\n
283<\/td>\nSimon<\/td>\nClaude<\/td>\nBE<\/td>\nSentenced To Death 14 18<\/td>\n<\/tr>\n
284<\/td>\nSimon<\/td>\nOscar<\/td>\nES<\/td>\nHorizont<\/td>\n<\/tr>\n
285<\/td>\nSimon<\/td>\nOscar<\/td>\nES<\/td>\nNight Reflections<\/td>\n<\/tr>\n
286<\/td>\nSimon<\/td>\nOscar<\/td>\nES<\/td>\nSummertime<\/td>\n<\/tr>\n
287<\/td>\nSomali-Chow<\/td>\nDavid<\/td>\nID<\/td>\nTaro Fields In Kauai Island<\/td>\n<\/tr>\n
288<\/td>\nSong<\/td>\nZhiguo<\/td>\nCN<\/td>\nGrassland Pastoral<\/td>\n<\/tr>\n
289<\/td>\nStein<\/td>\nCaleb\u00a0 Stein<\/td>\nUS<\/td>\nArt Deco Detail, 34Th Street<\/td>\n<\/tr>\n
290<\/td>\nStein<\/td>\nCaleb\u00a0 Stein<\/td>\nUS<\/td>\nMexico City Airport<\/td>\n<\/tr>\n
291<\/td>\nSu<\/td>\nXing Fang<\/td>\nHK<\/td>\nKingfisher<\/td>\n<\/tr>\n
292<\/td>\nSu<\/td>\nXing Fang<\/td>\nHK<\/td>\nSteel Making<\/td>\n<\/tr>\n
293<\/td>\nSu<\/td>\nXing Fang<\/td>\nHK<\/td>\nWay Home<\/td>\n<\/tr>\n
294<\/td>\nSveen<\/td>\nAtle<\/td>\nNO<\/td>\nIlva In The River<\/td>\n<\/tr>\n
295<\/td>\nSveen<\/td>\nAtle<\/td>\nNO<\/td>\nFredau Ii<\/td>\n<\/tr>\n
296<\/td>\nSveen<\/td>\nAtle<\/td>\nNO<\/td>\nKarla And Marija<\/td>\n<\/tr>\n
297<\/td>\n\u0160filigoj<\/td>\nZdenka<\/td>\nSI<\/td>\nBurano<\/td>\n<\/tr>\n
298<\/td>\n\u0160tok<\/td>\nJana<\/td>\nSI<\/td>\nFinding The Way<\/td>\n<\/tr>\n
299<\/td>\nTaborda<\/td>\nJoao<\/td>\nPT<\/td>\nYoung Festival<\/td>\n<\/tr>\n
300<\/td>\nTaborda<\/td>\nJoao<\/td>\nPT<\/td>\nWorking Girls<\/td>\n<\/tr>\n
301<\/td>\nTaborda<\/td>\nJoao<\/td>\nPT<\/td>\nGo To The Storm<\/td>\n<\/tr>\n
302<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nFlying Horse<\/td>\n<\/tr>\n
303<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nFishing<\/td>\n<\/tr>\n
304<\/td>\nTam<\/td>\nKam Chiu<\/td>\nCA<\/td>\nAccident 63<\/td>\n<\/tr>\n
305<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nSunrise At Great Wall<\/td>\n<\/tr>\n
306<\/td>\nTam<\/td>\nKam Chiu<\/td>\nCA<\/td>\nLong Jump 547<\/td>\n<\/tr>\n
307<\/td>\nTanase<\/td>\nRodica<\/td>\nRO<\/td>\nLong And Priceless Loving Moments Of A Shared Solitude<\/td>\n<\/tr>\n
308<\/td>\nTanase<\/td>\nRodica<\/td>\nRO<\/td>\nWe Are Like Islands In The Sea…<\/td>\n<\/tr>\n
309<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nAlone<\/td>\n<\/tr>\n
310<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nEndurance<\/td>\n<\/tr>\n
311<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nTeamwork<\/td>\n<\/tr>\n
312<\/td>\nTerentyev<\/td>\nAlexey<\/td>\nRU<\/td>\nBoy Asks Food From Taxi Passengers. India. Delhi<\/td>\n<\/tr>\n
313<\/td>\nTerentyev<\/td>\nAlexey<\/td>\nRU<\/td>\nPaganism<\/td>\n<\/tr>\n
314<\/td>\nTerrance<\/td>\nBill<\/td>\nGB<\/td>\nFrozen Potentilla<\/td>\n<\/tr>\n
315<\/td>\nThomas<\/td>\nTony<\/td>\nGB<\/td>\nMartin<\/td>\n<\/tr>\n
316<\/td>\nTibor<\/td>\nKercz<\/td>\nHU<\/td>\nBlue Dream<\/td>\n<\/tr>\n
317<\/td>\nTibor<\/td>\nKercz<\/td>\nHU<\/td>\nLove Is In The Air!<\/td>\n<\/tr>\n
318<\/td>\nTjongari<\/td>\nDaniel<\/td>\nID<\/td>\nThe Mystery …<\/td>\n<\/tr>\n
319<\/td>\nTjongari<\/td>\nDaniel<\/td>\nID<\/td>\nFrom Heaven …<\/td>\n<\/tr>\n
320<\/td>\nTjongari<\/td>\nDaniel<\/td>\nID<\/td>\nMorning Glory …<\/td>\n<\/tr>\n
321<\/td>\nTjongari<\/td>\nDaniel<\/td>\nID<\/td>\nCalmness …<\/td>\n<\/tr>\n
322<\/td>\nTun\u00e7<\/td>\nFeyzullah<\/td>\nTR<\/td>\nBazaar<\/td>\n<\/tr>\n
323<\/td>\nTun\u00e7<\/td>\nFeyzullah<\/td>\nTR<\/td>\n\u00c7oban Seyit<\/td>\n<\/tr>\n
324<\/td>\nTuominen<\/td>\nLassi<\/td>\nFI<\/td>\nAugust<\/td>\n<\/tr>\n
325<\/td>\nTurner<\/td>\nClive D<\/td>\nGB<\/td>\nThe Old Carter<\/td>\n<\/tr>\n
326<\/td>\nUsta<\/td>\nMustafa<\/td>\nTR<\/td>\nGaci<\/td>\n<\/tr>\n
327<\/td>\nVilla<\/td>\nRiccardo<\/td>\nIT<\/td>\nHaya Abdel Muhdi<\/td>\n<\/tr>\n
328<\/td>\nVilla<\/td>\nRiccardo<\/td>\nIT<\/td>\nIndian Barber<\/td>\n<\/tr>\n
329<\/td>\nVirag<\/td>\nI\u0161tvan<\/td>\nRS<\/td>\nRider In Red<\/td>\n<\/tr>\n
330<\/td>\nVirag<\/td>\nI\u0161tvan<\/td>\nRS<\/td>\nDurmitor100<\/td>\n<\/tr>\n
331<\/td>\nVoss<\/td>\nManfred<\/td>\nDE<\/td>\nHaffkrug Seebr\u00fccke<\/td>\n<\/tr>\n
332<\/td>\nVoss<\/td>\nManfred<\/td>\nDE<\/td>\nTuscany Light<\/td>\n<\/tr>\n
333<\/td>\nVoss<\/td>\nManfred<\/td>\nDE<\/td>\nWooden Stairs<\/td>\n<\/tr>\n
334<\/td>\nVrkljan<\/td>\nBerislav<\/td>\nHR<\/td>\nCliffhangers<\/td>\n<\/tr>\n
335<\/td>\nWan<\/td>\nYi<\/td>\nCN<\/td>\nHatred<\/td>\n<\/tr>\n
336<\/td>\nWan<\/td>\nYi<\/td>\nCN<\/td>\nSibling<\/td>\n<\/tr>\n
337<\/td>\nWan<\/td>\nYi<\/td>\nCN<\/td>\nSunset Scenery<\/td>\n<\/tr>\n
338<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nStruggling Threw<\/td>\nSALON GOLD<\/td>\n<\/tr>\n
339<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nSnow Fighting<\/td>\n<\/tr>\n
340<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nColorful Smile<\/td>\n<\/tr>\n
341<\/td>\nYousef<\/td>\nMohammed<\/td>\nKW<\/td>\nHomeless Shelter<\/td>\n<\/tr>\n
342<\/td>\nYousef<\/td>\nMohammed<\/td>\nKW<\/td>\nGenerations<\/td>\n<\/tr>\n
343<\/td>\nZ\u00e1gon<\/td>\nL\u00e1szl\u00f3<\/td>\nHU<\/td>\n1. After Harvest<\/td>\n<\/tr>\n
344<\/td>\nZahornacky<\/td>\nJan<\/td>\nCZ<\/td>\nLive Amid Deads<\/td>\n<\/tr>\n
345<\/td>\nZahornacky<\/td>\nJan<\/td>\nCZ<\/td>\nSoliter.<\/td>\n<\/tr>\n
346<\/td>\nZhu<\/td>\nJing<\/td>\nCN<\/td>\nCircles In The Water<\/td>\n<\/tr>\n
347<\/td>\nZhu<\/td>\nJing<\/td>\nCN<\/td>\nWhat Is Happening<\/td>\n<\/tr>\n
348<\/td>\nZilinskyy<\/td>\nYuriy<\/td>\nUA<\/td>\nSounds Of Violoncello<\/td>\n<\/tr>\n
349<\/td>\nZilinskyy<\/td>\nYuriy<\/td>\nUA<\/td>\nWindow In The Past<\/td>\nFZS SILVER<\/td>\n<\/tr>\n
350<\/td>\nZilinskyy<\/td>\nYuriy<\/td>\nUA<\/td>\nLife Behind<\/td>\n<\/tr>\n
351<\/td>\nZilinskyy<\/td>\nYuriy<\/td>\nUA<\/td>\nSunny Angel<\/td>\n<\/tr>\n
352<\/td>\nZupunski<\/td>\nAnica<\/td>\nRS<\/td>\nBlue<\/td>\n<\/tr>\n
353<\/td>\nZupunski<\/td>\nAnica<\/td>\nRS<\/td>\nOpen<\/td>\n<\/tr>\n
354<\/td>\n\u017d.Fajfari\u010d<\/td>\nSanda<\/td>\nSI<\/td>\nSapce1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PANNONIA REFLECTIONS 2014. LIST OF ACCEPTED AND AWARDED PHOTOS SECTION A : ” OPEN COLOR ” \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 AWARD FAMILY NAME NAME COUNTRY NAME OF PHOTOGRAPHY 1 Abdulazim Ahmed EG That’S What We Do 2 Abdulazim Ahmed EG Things Left Unsaid 3 Abdulazim Ahmed EG The Opposite Side 4 Al Adawi Abdulrahman OM Future 5 Al Adawi Abdulrahman OM Escape 6 AliBrahim Ahmed SA Dressmaker 7 AliBrahim Ahmed SA School Child 3 8 Al Farsi Haitham OM Boy And Goats 9 Al Farsi Haitham OM An I Play 10 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-187","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=187"}],"version-history":[{"count":8,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/187\/revisions"}],"predecessor-version":[{"id":743,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/187\/revisions\/743"}],"wp:attachment":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}