{"id":192,"date":"2014-12-02T08:35:12","date_gmt":"2014-12-02T08:35:12","guid":{"rendered":"http:\/\/www.pannonia.si\/?page_id=192"},"modified":"2015-12-15T16:33:46","modified_gmt":"2015-12-15T16:33:46","slug":"open-monochrome","status":"publish","type":"page","link":"http:\/\/www.pannonia.si\/si\/open-monochrome\/","title":{"rendered":"OPEN MONOCHROME 2014."},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
PANNONIA REFLECTIONS 2014.<\/td>\n<\/tr>\n
LIST OF ACCEPTED AND AWARDED PHOTOS<\/td>\n<\/tr>\n
SECTION B : ” MONOCHROME ” \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0AWARD<\/td>\n<\/tr>\n
<\/td>\nFAMILY NAME<\/td>\nNAME<\/td>\nCOUNTRY<\/td>\nNAME OF PHOTOGRAPHY<\/td>\n<\/tr>\n
1<\/td>\nAbani<\/td>\nPaul<\/td>\nIN<\/td>\nVery Happy<\/td>\n<\/tr>\n
2<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nHeart Of Darkness Ii<\/td>\n<\/tr>\n
3<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nThe Little Guardian<\/td>\n<\/tr>\n
4<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nFuture, Is It Bright?<\/td>\n<\/tr>\n
5<\/td>\nAbdulazim<\/td>\nAhmed<\/td>\nEG<\/td>\nFrom Here We Start<\/td>\n<\/tr>\n
6<\/td>\nAl Adawi<\/td>\nAbdulrahman<\/td>\nOM<\/td>\nEyes<\/td>\n<\/tr>\n
7<\/td>\nAliBrahim<\/td>\nAhmed<\/td>\nSA<\/td>\nDreaming<\/td>\n<\/tr>\n
8<\/td>\nAliBrahim<\/td>\nAhmed<\/td>\nSA<\/td>\nInnocent Look<\/td>\n<\/tr>\n
9<\/td>\nAliBrahim<\/td>\nAhmed<\/td>\nSA<\/td>\nThinking<\/td>\n<\/tr>\n
10<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nHiding My Self<\/td>\n<\/tr>\n
11<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nOld Man From Bangladesh<\/td>\n<\/tr>\n
12<\/td>\nAl Farsi<\/td>\nHaitham<\/td>\nOM<\/td>\nI Love School<\/td>\n<\/tr>\n
13<\/td>\nAl Mahrooqi<\/td>\nAhmed<\/td>\nOM<\/td>\nGirl From Mumbai<\/td>\n<\/tr>\n
14<\/td>\nAl Mahrooqi<\/td>\nAhmed<\/td>\nOM<\/td>\nPottery Maker<\/td>\n<\/tr>\n
15<\/td>\nAl Sulaili<\/td>\nMohammed<\/td>\nSA<\/td>\nHores<\/td>\n<\/tr>\n
16<\/td>\nAl Sulaili<\/td>\nMohammed<\/td>\nSA<\/td>\nThe Look<\/td>\n<\/tr>\n
17<\/td>\nAl Sulaili<\/td>\nMohammed<\/td>\nSA<\/td>\nOld Woman<\/td>\n<\/tr>\n
18<\/td>\nAlamri<\/td>\nMajid<\/td>\nOM<\/td>\nFisher10<\/td>\n<\/tr>\n
19<\/td>\nAlamri<\/td>\nMajid<\/td>\nOM<\/td>\nMuslim Life<\/td>\n<\/tr>\n
20<\/td>\nAlghanboosi<\/td>\nHamed<\/td>\nOM<\/td>\nZahra-2<\/td>\n<\/tr>\n
21<\/td>\nAlghanboosi<\/td>\nHamed<\/td>\nOM<\/td>\nZahra-Renad<\/td>\n<\/tr>\n
22<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nFace From India<\/td>\n<\/tr>\n
23<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nGrandma<\/td>\n<\/tr>\n
24<\/td>\nAlmutaghawi<\/td>\nFadhel<\/td>\nBH<\/td>\nAysha<\/td>\n<\/tr>\n
25<\/td>\nAlnaser<\/td>\nMohammed<\/td>\nSA<\/td>\nMono King<\/td>\nFZS BRONZE<\/td>\n<\/tr>\n
26<\/td>\nAlnaser<\/td>\nMohammed<\/td>\nSA<\/td>\nWild Run<\/td>\n<\/tr>\n
27<\/td>\nAlnaser<\/td>\nMohammed<\/td>\nSA<\/td>\nCluster<\/td>\n<\/tr>\n
28<\/td>\nAlnaser<\/td>\nMohammed<\/td>\nSA<\/td>\nTake Off<\/td>\n<\/tr>\n
29<\/td>\nAlsaleh<\/td>\nMamdooh<\/td>\nBH<\/td>\nLooking For Mom<\/td>\n<\/tr>\n
30<\/td>\nAlsaleh<\/td>\nMamdooh<\/td>\nBH<\/td>\nRoses 2<\/td>\n<\/tr>\n
31<\/td>\nAlterkait<\/td>\nAbdulrahman<\/td>\nKW<\/td>\nMy Goats<\/td>\n<\/tr>\n
32<\/td>\nAlzadjali<\/td>\nHabib<\/td>\nOM<\/td>\nFace From Past<\/td>\n<\/tr>\n
33<\/td>\nAlzadjali<\/td>\nHabib<\/td>\nOM<\/td>\nThe Smile<\/td>\n<\/tr>\n
34<\/td>\nAnisimov<\/td>\nSergey<\/td>\nRU<\/td>\nI Love You 2<\/td>\n<\/tr>\n
35<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nTwo Sister<\/td>\n<\/tr>\n
36<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nAlone Grandmother<\/td>\n<\/tr>\n
37<\/td>\nArabzadeh<\/td>\nSaeed<\/td>\nIR<\/td>\nAfghan Oldman<\/td>\n<\/tr>\n
38<\/td>\nBanfi<\/td>\nBo\u0161tjan<\/td>\nSI<\/td>\nSnack-Time<\/td>\n<\/tr>\n
39<\/td>\nBanfi<\/td>\nBo\u0161tjan<\/td>\nSI<\/td>\nThe Shadow Of Doubt<\/td>\n<\/tr>\n
40<\/td>\nBanfi<\/td>\nBo\u0161tjan<\/td>\nSI<\/td>\nThe Followers<\/td>\n<\/tr>\n
41<\/td>\nBartolini<\/td>\nMarco<\/td>\nIT<\/td>\nAfrican Beach<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
42<\/td>\nBartolini<\/td>\nMarco<\/td>\nIT<\/td>\nNamita<\/td>\n<\/tr>\n
43<\/td>\nBartolini<\/td>\nMarco<\/td>\nIT<\/td>\nMusic On The Move<\/td>\n<\/tr>\n
44<\/td>\nBaumann<\/td>\nWerner<\/td>\nDE<\/td>\nTime<\/td>\n<\/tr>\n
45<\/td>\nBaumann<\/td>\nWerner<\/td>\nDE<\/td>\nBestelltes Feld<\/td>\n<\/tr>\n
46<\/td>\nBaumann<\/td>\nWerner<\/td>\nDE<\/td>\nEvening<\/td>\n<\/tr>\n
47<\/td>\nBegus<\/td>\nJanez<\/td>\nSI<\/td>\nTrail<\/td>\n<\/tr>\n
48<\/td>\nBegus<\/td>\nJanez<\/td>\nSI<\/td>\nKras Smell<\/td>\n<\/tr>\n
49<\/td>\nBernkopf\u00a0 Dr.<\/td>\nAlois<\/td>\nAT<\/td>\nHappy With Tt<\/td>\n<\/tr>\n
50<\/td>\nBernkopf\u00a0 Dr.<\/td>\nAlois<\/td>\nAT<\/td>\nVictorious Cast<\/td>\n<\/tr>\n
51<\/td>\nBui<\/td>\nVan Chung<\/td>\nVN<\/td>\nTo Make A Sortie<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
52<\/td>\nBui<\/td>\nMai Thien<\/td>\nVN<\/td>\nSculptor 2<\/td>\n<\/tr>\n
53<\/td>\nBui<\/td>\nMai Thien<\/td>\nVN<\/td>\nChampa Girl 4<\/td>\n<\/tr>\n
54<\/td>\nBui<\/td>\nVan Chung<\/td>\nVN<\/td>\nThe Eldest Sister<\/td>\n<\/tr>\n
55<\/td>\nBysack<\/td>\nSubrata<\/td>\nIN<\/td>\nEye To Eye 2<\/td>\n<\/tr>\n
56<\/td>\nBysack<\/td>\nSubrata<\/td>\nIN<\/td>\nStarry<\/td>\n<\/tr>\n
57<\/td>\nChan<\/td>\nH. W.<\/td>\nHK<\/td>\nMorning Wait<\/td>\n<\/tr>\n
58<\/td>\nChan<\/td>\nH. W.<\/td>\nHK<\/td>\nRepair Net Frame 2<\/td>\n<\/tr>\n
59<\/td>\nChan<\/td>\nH. W.<\/td>\nHK<\/td>\nNavigate Alone<\/td>\n<\/tr>\n
60<\/td>\nChan<\/td>\nH. W.<\/td>\nHK<\/td>\nFierce Wave<\/td>\n<\/tr>\n
61<\/td>\nChen<\/td>\nJinghui<\/td>\nCN<\/td>\nCountry<\/td>\n<\/tr>\n
62<\/td>\nChen<\/td>\nJinghui<\/td>\nCN<\/td>\nAs A Beautiful<\/td>\n<\/tr>\n
63<\/td>\nChen<\/td>\nJinghui<\/td>\nCN<\/td>\nThe Shadow Of Netts<\/td>\n<\/tr>\n
64<\/td>\nChen<\/td>\nFeng-Lin<\/td>\nTW<\/td>\nFishing With Brimstone<\/td>\n<\/tr>\n
65<\/td>\nCherubini<\/td>\nBruno<\/td>\nIT<\/td>\nHair Cutting In Cuba<\/td>\n<\/tr>\n
66<\/td>\nCherubini<\/td>\nBruno<\/td>\nIT<\/td>\nMaggie’S Dog<\/td>\n<\/tr>\n
67<\/td>\nCorsini<\/td>\nCarlo<\/td>\nIT<\/td>\nThe Old Mill<\/td>\n<\/tr>\n
68<\/td>\nCoumbias<\/td>\nJohn<\/td>\nZA<\/td>\nRetired<\/td>\n<\/tr>\n
69<\/td>\nCoumbias<\/td>\nJohn<\/td>\nZA<\/td>\nMisty Reflection<\/td>\n<\/tr>\n
70<\/td>\nCuppens<\/td>\nJos<\/td>\nBE<\/td>\nMeisje<\/td>\n<\/tr>\n
71<\/td>\n\u010cufar<\/td>\nAleksander<\/td>\nSI<\/td>\nMinka-Bw<\/td>\n<\/tr>\n
72<\/td>\nDaniel<\/td>\nCacheux<\/td>\nFR<\/td>\nLa Dune<\/td>\nSALON SILVER<\/td>\n<\/tr>\n
73<\/td>\nDao<\/td>\nTho<\/td>\nVN<\/td>\nTear-2<\/td>\n<\/tr>\n
74<\/td>\nDevine<\/td>\nBob<\/td>\nGB<\/td>\nElephant And Calf B&W<\/td>\n<\/tr>\n
75<\/td>\nDevine<\/td>\nBob<\/td>\nGB<\/td>\nMating Lions Aggression B&W<\/td>\n<\/tr>\n
76<\/td>\nDo Hieu<\/td>\nLiem<\/td>\nVN<\/td>\nAfforestation<\/td>\n<\/tr>\n
77<\/td>\nDo Hieu<\/td>\nLiem<\/td>\nVN<\/td>\nLife<\/td>\n<\/tr>\n
78<\/td>\nDominko<\/td>\nMiran<\/td>\nSI<\/td>\nShy Girl<\/td>\n<\/tr>\n
79<\/td>\n\u0110uki\u0107<\/td>\nVesna<\/td>\nHR<\/td>\nAfter All<\/td>\n<\/tr>\n
80<\/td>\nEgea Torrent<\/td>\nJordi<\/td>\nES<\/td>\nCam\u00ed Dins El Delta<\/td>\n<\/tr>\n
81<\/td>\nEgea Torrent<\/td>\nJordi<\/td>\nES<\/td>\nArbre Nu<\/td>\n<\/tr>\n
82<\/td>\nEgea Torrent<\/td>\nJordi<\/td>\nES<\/td>\nPassarel.La Badalona<\/td>\n<\/tr>\n
83<\/td>\nEgea Torrent<\/td>\nJordi<\/td>\nES<\/td>\nXarxes Al Delta<\/td>\n<\/tr>\n
84<\/td>\nElgin<\/td>\nKeith<\/td>\nGB<\/td>\nReflective<\/td>\n<\/tr>\n
85<\/td>\nElgin<\/td>\nKeith<\/td>\nGB<\/td>\nThe Arm Chair<\/td>\n<\/tr>\n
86<\/td>\nElgin<\/td>\nKeith<\/td>\nGB<\/td>\nDelicate<\/td>\n<\/tr>\n
87<\/td>\nFerraro<\/td>\nMoreno<\/td>\nIT<\/td>\nSmile<\/td>\n<\/tr>\n
88<\/td>\nFryer<\/td>\nAlison J<\/td>\nGB<\/td>\nLochside Cottage<\/td>\n<\/tr>\n
89<\/td>\nFryer<\/td>\nAlison J<\/td>\nGB<\/td>\nBurnham At Low Tide<\/td>\n<\/tr>\n
90<\/td>\nGahari<\/td>\nDibyo<\/td>\nID<\/td>\nLonely<\/td>\n<\/tr>\n
91<\/td>\nGahari<\/td>\nDibyo<\/td>\nID<\/td>\nCommunication<\/td>\n<\/tr>\n
92<\/td>\nGarabello<\/td>\nMarco<\/td>\nIT<\/td>\nReflejos<\/td>\n<\/tr>\n
93<\/td>\nGarabello<\/td>\nMarco<\/td>\nIT<\/td>\nRiverbero<\/td>\n<\/tr>\n
94<\/td>\nGarabello<\/td>\nMarco<\/td>\nIT<\/td>\nThe Ball<\/td>\n<\/tr>\n
95<\/td>\nGarabello<\/td>\nMarco<\/td>\nIT<\/td>\nStairs<\/td>\n<\/tr>\n
96<\/td>\nGaruti<\/td>\nFabio<\/td>\nIT<\/td>\nPalio Di Siena 2<\/td>\n<\/tr>\n
97<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nWinter Graphic_L3<\/td>\n<\/tr>\n
98<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nWhy_L4<\/td>\n<\/tr>\n
99<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nWinter Grphic_L2<\/td>\n<\/tr>\n
100<\/td>\nGodnic<\/td>\nBoris<\/td>\nSI<\/td>\nWiinter L1<\/td>\n<\/tr>\n
101<\/td>\nGoldin<\/td>\nLeonid<\/td>\nIL<\/td>\nGrandfather Grandson And Time<\/td>\n<\/tr>\n
102<\/td>\nGoldin<\/td>\nLeonid<\/td>\nIL<\/td>\nLife As A Zebra<\/td>\n<\/tr>\n
103<\/td>\nGotal<\/td>\nMarko<\/td>\nHR<\/td>\nLost<\/td>\n<\/tr>\n
104<\/td>\nGotal<\/td>\nMarko<\/td>\nHR<\/td>\nVarazdin Old Castle<\/td>\n<\/tr>\n
105<\/td>\nGreguri\u010d Sili\u010d<\/td>\nBarbara<\/td>\nSI<\/td>\nWind In Her Hair<\/td>\n<\/tr>\n
106<\/td>\nGreguri\u010d Sili\u010d<\/td>\nBarbara<\/td>\nSI<\/td>\nCurious<\/td>\n<\/tr>\n
107<\/td>\nGreguri\u010d Sili\u010d<\/td>\nBarbara<\/td>\nSI<\/td>\nContrasts II<\/td>\n<\/tr>\n
108<\/td>\nGreguri\u010d Sili\u010d<\/td>\nBarbara<\/td>\nSI<\/td>\nContrasts<\/td>\n<\/tr>\n
109<\/td>\nHammer<\/td>\nJacqueline<\/td>\nAU<\/td>\nWaves<\/td>\n<\/tr>\n
110<\/td>\nHammer<\/td>\nJacqueline<\/td>\nAU<\/td>\nCity Of Energy<\/td>\n<\/tr>\n
111<\/td>\nHodos<\/td>\nSandor<\/td>\nHU<\/td>\nTrance<\/td>\n<\/tr>\n
112<\/td>\nIkiz<\/td>\nIsmail<\/td>\nTR<\/td>\nFuneral<\/td>\n<\/tr>\n
113<\/td>\nJarni<\/td>\nAndrej<\/td>\nSI<\/td>\nTrees<\/td>\n<\/tr>\n
114<\/td>\nJorgen<\/td>\nSkaug<\/td>\nNO<\/td>\nIn The Morning<\/td>\n<\/tr>\n
115<\/td>\nJorgen<\/td>\nSkaug<\/td>\nNO<\/td>\nPolar Bear In The Rocks<\/td>\n<\/tr>\n
116<\/td>\nKastner<\/td>\nJosef<\/td>\nAT<\/td>\nThe Cave<\/td>\n<\/tr>\n
117<\/td>\nKerekes<\/td>\nIstvan<\/td>\nHU<\/td>\nBest Friends<\/td>\n<\/tr>\n
118<\/td>\nKerekes<\/td>\nIstvan<\/td>\nHU<\/td>\nTravellers<\/td>\n<\/tr>\n
119<\/td>\nKerekes<\/td>\nIstvan<\/td>\nHU<\/td>\nHindu Look<\/td>\n<\/tr>\n
120<\/td>\nK\u00e9v\u00e9s<\/td>\nAndor<\/td>\nHU<\/td>\nSymmetry<\/td>\n<\/tr>\n
121<\/td>\nK\u00e9v\u00e9s<\/td>\nAndor<\/td>\nHU<\/td>\nSurface<\/td>\n<\/tr>\n
122<\/td>\nK\u00e9v\u00e9s<\/td>\nAndor<\/td>\nHU<\/td>\nFusion<\/td>\n<\/tr>\n
123<\/td>\nKhan<\/td>\nManas<\/td>\nUS<\/td>\nIntrospection<\/td>\n<\/tr>\n
124<\/td>\nKillen<\/td>\nRoy<\/td>\nAU<\/td>\nWhite Tailed Eagles Fighting<\/td>\n<\/tr>\n
125<\/td>\nKillen<\/td>\nRoy<\/td>\nAU<\/td>\nGirl And Gulls<\/td>\n<\/tr>\n
126<\/td>\nKillen<\/td>\nRoy<\/td>\nAU<\/td>\nMeeting Lily<\/td>\n<\/tr>\n
127<\/td>\nKokol<\/td>\nDejan<\/td>\nSI<\/td>\nInto Unknown<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
128<\/td>\nKokol<\/td>\nDejan<\/td>\nSI<\/td>\nYes I Can<\/td>\n<\/tr>\n
129<\/td>\nKolari\u0107<\/td>\nZoran<\/td>\nHR<\/td>\nGlance<\/td>\n<\/tr>\n
130<\/td>\nKovacs<\/td>\nKrisztian<\/td>\nHU<\/td>\nShine<\/td>\n<\/tr>\n
131<\/td>\nKova\u010d<\/td>\nPetar<\/td>\nHR<\/td>\nWhat?<\/td>\n<\/tr>\n
132<\/td>\nKova\u010d<\/td>\nPetar<\/td>\nHR<\/td>\nAglomerate<\/td>\n<\/tr>\n
133<\/td>\nKrape\u017e<\/td>\nMiran<\/td>\nSI<\/td>\nWinter Evening In Trenta<\/td>\n<\/tr>\n
134<\/td>\nKru\u0161nik<\/td>\nSa\u0161a<\/td>\nSI<\/td>\nHope<\/td>\n<\/tr>\n
135<\/td>\nKwan<\/td>\nPhillip<\/td>\nCA<\/td>\nGreat Egret Calling<\/td>\n<\/tr>\n
136<\/td>\nKyttala<\/td>\nOsmo Kyttala<\/td>\nFI<\/td>\nGetle Look<\/td>\n<\/tr>\n
137<\/td>\nLam<\/td>\nChau Kei Checky<\/td>\nHK<\/td>\nSparking<\/td>\n<\/tr>\n
138<\/td>\nLam<\/td>\nChau Kei Checky<\/td>\nHK<\/td>\nSea Eagle Catching<\/td>\n<\/tr>\n
139<\/td>\nLambropoulou<\/td>\nEva<\/td>\nGR<\/td>\nMorning Mood<\/td>\n<\/tr>\n
140<\/td>\nLani\u0161ek<\/td>\nToma\u017e<\/td>\nSI<\/td>\nCourting<\/td>\n<\/tr>\n
141<\/td>\nLechanski<\/td>\nMichal M.<\/td>\nGB<\/td>\nCity Of London 1<\/td>\n<\/tr>\n
142<\/td>\nLegrand<\/td>\nJean Luc<\/td>\nBE<\/td>\nAmber 1<\/td>\n<\/tr>\n
143<\/td>\nLesjak<\/td>\nMiljko<\/td>\nSI<\/td>\nPower Of Nature<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
144<\/td>\nLimberg<\/td>\nHuib<\/td>\nNL<\/td>\nWalking The Circle<\/td>\n<\/tr>\n
145<\/td>\nLimberg<\/td>\nHuib<\/td>\nNL<\/td>\nWatching Exhibition # 03<\/td>\n<\/tr>\n
146<\/td>\nLinks<\/td>\nViesturs<\/td>\nLV<\/td>\nMy Little Sunshine<\/td>\n<\/tr>\n
147<\/td>\nLinks<\/td>\nViesturs<\/td>\nLV<\/td>\nMost Lowest Note<\/td>\n<\/tr>\n
148<\/td>\nLomas<\/td>\nJohn<\/td>\nAU<\/td>\nSamantha<\/td>\n<\/tr>\n
149<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nCham Old Man<\/td>\n<\/tr>\n
150<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nTracks Of Time<\/td>\n<\/tr>\n
151<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nNo Bounderies<\/td>\n<\/tr>\n
152<\/td>\nLu Huynh Thanh<\/td>\nHuy<\/td>\nVN<\/td>\nWoman In Daily Works<\/td>\n<\/tr>\n
153<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nVerdriet In Doel In Zww<\/td>\n<\/tr>\n
154<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nStiekem<\/td>\n<\/tr>\n
155<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nDrie Schapen<\/td>\n<\/tr>\n
156<\/td>\nLybaert<\/td>\nDaniel<\/td>\nNL<\/td>\nWijds Landschap<\/td>\n<\/tr>\n
157<\/td>\nMauko<\/td>\nDaniel<\/td>\nSI<\/td>\nLines<\/td>\n<\/tr>\n
158<\/td>\nMauko<\/td>\nDaniel<\/td>\nSI<\/td>\nVineyard Lines<\/td>\n<\/tr>\n
159<\/td>\nMekli<\/td>\nZolt\u00e1n<\/td>\nHU<\/td>\nWreath Dance<\/td>\nPSA GOLD<\/td>\n<\/tr>\n
160<\/td>\nMekli<\/td>\nZolt\u00e1n<\/td>\nHU<\/td>\nLast Way<\/td>\n<\/tr>\n
161<\/td>\nMikus<\/td>\nAlfred<\/td>\nBY<\/td>\nLove Through The Years<\/td>\n<\/tr>\n
162<\/td>\nMilojevic<\/td>\nRasa<\/td>\nRS<\/td>\nGypsy Luck_1912<\/td>\n<\/tr>\n
163<\/td>\nMilojevic<\/td>\nRasa<\/td>\nRS<\/td>\nFish Market In Hong Kong_7829<\/td>\n<\/tr>\n
164<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nJulia<\/td>\n<\/tr>\n
165<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nWhere We Go?<\/td>\n<\/tr>\n
166<\/td>\nMladovan<\/td>\nMarko<\/td>\nSI<\/td>\nTairway To Heaven<\/td>\n<\/tr>\n
167<\/td>\nMuller<\/td>\nHans Wolfgang<\/td>\nAR<\/td>\nThe Grandfather<\/td>\n<\/tr>\n
168<\/td>\nMuller<\/td>\nHans Wolfgang<\/td>\nAR<\/td>\nThe Last Shot<\/td>\n<\/tr>\n
169<\/td>\nMuller<\/td>\nHans Wolfgang<\/td>\nAR<\/td>\nBar De Cao<\/td>\n<\/tr>\n
170<\/td>\nMuller<\/td>\nHans Wolfgang<\/td>\nAR<\/td>\nKoyak<\/td>\n<\/tr>\n
171<\/td>\nMuneer<\/td>\nMuhannad<\/td>\nOM<\/td>\nThe Uniqueness<\/td>\n<\/tr>\n
172<\/td>\nMuradi<\/td>\nHasan Hulki<\/td>\nTR<\/td>\nCaves And Life<\/td>\n<\/tr>\n
173<\/td>\nNagy<\/td>\nLajos<\/td>\nRO<\/td>\nRunning With The Wind<\/td>\n<\/tr>\n
174<\/td>\nNagy<\/td>\nLajos<\/td>\nRO<\/td>\nField<\/td>\n<\/tr>\n
175<\/td>\nNagy<\/td>\nLajos<\/td>\nRO<\/td>\nThe Smile<\/td>\n<\/tr>\n
176<\/td>\nNguyen<\/td>\nVan Danh<\/td>\nVN<\/td>\nLoyal Friend<\/td>\n<\/tr>\n
177<\/td>\nNiven<\/td>\nJames<\/td>\nAU<\/td>\nAvila, Spain<\/td>\n<\/tr>\n
178<\/td>\nNovak<\/td>\nStanislav<\/td>\nHR<\/td>\nLucky 13<\/td>\n<\/tr>\n
179<\/td>\nOeyen<\/td>\nRoger<\/td>\nBE<\/td>\nBedtijd<\/td>\n<\/tr>\n
180<\/td>\nAune<\/td>\nOlaf<\/td>\nNO<\/td>\n102 000 Stones<\/td>\nFZS GOLD<\/td>\n<\/tr>\n
181<\/td>\nAune<\/td>\nOlaf<\/td>\nNO<\/td>\nEastern Tangent<\/td>\n<\/tr>\n
182<\/td>\nPantazis<\/td>\nChris<\/td>\nGR<\/td>\nApocalypse<\/td>\n<\/tr>\n
183<\/td>\nPapic<\/td>\nNevenka<\/td>\nSI<\/td>\nOut Of This World<\/td>\n<\/tr>\n
184<\/td>\nPapic<\/td>\nNevenka<\/td>\nSI<\/td>\nThe Creature<\/td>\n<\/tr>\n
185<\/td>\nPavlinovic<\/td>\nDaniel<\/td>\nHR<\/td>\nExtreme Thunderstom<\/td>\n<\/tr>\n
186<\/td>\nPavlinovic<\/td>\nDaniel<\/td>\nHR<\/td>\nDubrovnik Old Town<\/td>\n<\/tr>\n
187<\/td>\nPeer<\/td>\nAlbert<\/td>\nAT<\/td>\nWaterski<\/td>\n<\/tr>\n
188<\/td>\nPeer<\/td>\nAlbert<\/td>\nAT<\/td>\nVulture<\/td>\n<\/tr>\n
189<\/td>\nPettett<\/td>\nMike<\/td>\nGB<\/td>\nHigh Plateau<\/td>\n<\/tr>\n
190<\/td>\nPettett<\/td>\nMike<\/td>\nGB<\/td>\nThe Old Shoemender<\/td>\n<\/tr>\n
191<\/td>\nPop<\/td>\nOvi D.<\/td>\nRO<\/td>\nNero<\/td>\n<\/tr>\n
192<\/td>\nPoylio<\/td>\nMika<\/td>\nFI<\/td>\nMisty Morning<\/td>\n<\/tr>\n
193<\/td>\nPo\u017eun<\/td>\nSandra<\/td>\nSI<\/td>\nSamson<\/td>\nSALON BRONZE<\/td>\n<\/tr>\n
194<\/td>\nPo\u017eun<\/td>\nSandra<\/td>\nSI<\/td>\nCirce<\/td>\n<\/tr>\n
195<\/td>\nPo\u017eun<\/td>\nSandra<\/td>\nSI<\/td>\nAntoinette<\/td>\n<\/tr>\n
196<\/td>\nPrin\u010di\u010d<\/td>\nMilo\u0161<\/td>\nSI<\/td>\n4. Flooded Trees<\/td>\n<\/tr>\n
197<\/td>\nPrin\u010di\u010d<\/td>\nMilo\u0161<\/td>\nSI<\/td>\n3. Snowy Vineyard<\/td>\n<\/tr>\n
198<\/td>\nPustelnik<\/td>\nBirgit<\/td>\nDE<\/td>\nDeep<\/td>\n<\/tr>\n
199<\/td>\nPutti<\/td>\nElisa<\/td>\nFI<\/td>\nDreamgirl<\/td>\n<\/tr>\n
200<\/td>\nPutti<\/td>\nElisa<\/td>\nFI<\/td>\nBad Manners<\/td>\n<\/tr>\n
201<\/td>\nRa\u010dki<\/td>\nNeda<\/td>\nHR<\/td>\nSherlock<\/td>\n<\/tr>\n
202<\/td>\nRadi\u010danin<\/td>\nZvonko<\/td>\nHR<\/td>\nWaiting<\/td>\n<\/tr>\n
203<\/td>\nRadi\u010danin<\/td>\nZvonko<\/td>\nHR<\/td>\nCat Territory<\/td>\n<\/tr>\n
204<\/td>\nRadi\u010danin<\/td>\nZvonko<\/td>\nHR<\/td>\nCollector<\/td>\n<\/tr>\n
205<\/td>\nRadi\u010danin<\/td>\nZvonko<\/td>\nHR<\/td>\nMirror Mirror<\/td>\n<\/tr>\n
206<\/td>\nRajan<\/td>\nAvanish<\/td>\nIN<\/td>\nLooking At Future<\/td>\n<\/tr>\n
207<\/td>\nRajan<\/td>\nAvanish<\/td>\nIN<\/td>\nEmpty Pot<\/td>\n<\/tr>\n
208<\/td>\nRees<\/td>\nPeter<\/td>\nGB<\/td>\nGypsy<\/td>\nFZS SILVER<\/td>\n<\/tr>\n
209<\/td>\nRichardson<\/td>\nTom<\/td>\nGB<\/td>\nWhite Cottage Oronsay<\/td>\n<\/tr>\n
210<\/td>\nRiehle<\/td>\nGunther<\/td>\nDE<\/td>\nMy Favourite 26<\/td>\n<\/tr>\n
211<\/td>\nRoemisch<\/td>\nHeiko<\/td>\nDE<\/td>\nAt Sea Box Beach 2130<\/td>\n<\/tr>\n
212<\/td>\nRoemisch<\/td>\nHeiko<\/td>\nDE<\/td>\nBehind 0578<\/td>\n<\/tr>\n
213<\/td>\nRubboli<\/td>\nVeniero<\/td>\nIT<\/td>\nItalian Music<\/td>\n<\/tr>\n
214<\/td>\nSantiago<\/td>\nCholiz<\/td>\nES<\/td>\nChild 21<\/td>\n<\/tr>\n
215<\/td>\nSarkar<\/td>\nSandip<\/td>\nIN<\/td>\nGaze<\/td>\n<\/tr>\n
216<\/td>\nSellers<\/td>\nJon<\/td>\nGB<\/td>\nThe Victorian Gentleman<\/td>\n<\/tr>\n
217<\/td>\nSellers<\/td>\nJon<\/td>\nGB<\/td>\nTemptation<\/td>\n<\/tr>\n
218<\/td>\nSijari\u010d<\/td>\nBiserka<\/td>\nSI<\/td>\nTrinity<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
219<\/td>\nSijari\u010d<\/td>\nBiserka<\/td>\nSI<\/td>\nCheckmate<\/td>\n<\/tr>\n
220<\/td>\nSijari\u010d<\/td>\nBiserka<\/td>\nSI<\/td>\nThe Last Song<\/td>\n<\/tr>\n
221<\/td>\nSimek<\/td>\nDino<\/td>\nHR<\/td>\nAstronaut On Planet Snow<\/td>\n<\/tr>\n
222<\/td>\nSimek<\/td>\nDino<\/td>\nHR<\/td>\nLonely Surfer<\/td>\n<\/tr>\n
223<\/td>\nSimon<\/td>\nClaude<\/td>\nBE<\/td>\nMona Luna<\/td>\n<\/tr>\n
224<\/td>\nSimon<\/td>\nClaude<\/td>\nBE<\/td>\nLa Fille Au Foulard<\/td>\n<\/tr>\n
225<\/td>\nStreitfelder<\/td>\nTheo<\/td>\nAT<\/td>\nBattlefield<\/td>\n<\/tr>\n
226<\/td>\nSu<\/td>\nXing Fang<\/td>\nHK<\/td>\nRide<\/td>\nFIAP MENTION<\/td>\n<\/tr>\n
227<\/td>\nSu<\/td>\nXing Fang<\/td>\nHK<\/td>\nHorse Grazing<\/td>\n<\/tr>\n
228<\/td>\nSu<\/td>\nXing Fang<\/td>\nHK<\/td>\nChasing<\/td>\n<\/tr>\n
229<\/td>\nSveen<\/td>\nAtle<\/td>\nNO<\/td>\nIlva By The Window<\/td>\n<\/tr>\n
230<\/td>\nSveen<\/td>\nAtle<\/td>\nNO<\/td>\nTo Silence A Scream<\/td>\n<\/tr>\n
231<\/td>\nTaborda<\/td>\nJoao<\/td>\nPT<\/td>\nThe New World<\/td>\n<\/tr>\n
232<\/td>\nTaborda<\/td>\nJoao<\/td>\nPT<\/td>\nLearning<\/td>\n<\/tr>\n
233<\/td>\nTaborda<\/td>\nJoao<\/td>\nPT<\/td>\nMoments Of Love<\/td>\n<\/tr>\n
234<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nOuch<\/td>\n<\/tr>\n
235<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nUp In The Air<\/td>\n<\/tr>\n
236<\/td>\nTam<\/td>\nKam Chiu<\/td>\nCA<\/td>\nShaking Off<\/td>\n<\/tr>\n
237<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nDown You Go<\/td>\n<\/tr>\n
238<\/td>\nTam<\/td>\nJoseph<\/td>\nAU<\/td>\nTeam Roping<\/td>\n<\/tr>\n
239<\/td>\nTam<\/td>\nKam Chiu<\/td>\nCA<\/td>\nDogsled 37<\/td>\n<\/tr>\n
240<\/td>\nTam<\/td>\nKam Chiu<\/td>\nCA<\/td>\nWinning Moment<\/td>\n<\/tr>\n
241<\/td>\nTanase<\/td>\nRodica<\/td>\nRO<\/td>\nThe Prison Shell<\/td>\nFIAP BRONZE<\/td>\n<\/tr>\n
242<\/td>\nTanase<\/td>\nRodica<\/td>\nRO<\/td>\nHidden<\/td>\n<\/tr>\n
243<\/td>\nTanase<\/td>\nRodica<\/td>\nRO<\/td>\nInsomnia<\/td>\n<\/tr>\n
244<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nReminiscing<\/td>\n<\/tr>\n
245<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nDrink With Me<\/td>\n<\/tr>\n
246<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nClearing Rubbish<\/td>\n<\/tr>\n
247<\/td>\nTay<\/td>\nDavid Poey-Cher<\/td>\nSG<\/td>\nHigh Noon<\/td>\n<\/tr>\n
248<\/td>\nTeodor Radu<\/td>\nPantea<\/td>\nRO<\/td>\nCairo Cafe<\/td>\n<\/tr>\n
249<\/td>\nTerrance<\/td>\nBill<\/td>\nGB<\/td>\nPreparing To Good<\/td>\n<\/tr>\n
250<\/td>\nThomas<\/td>\nTony<\/td>\nGB<\/td>\nVictorian<\/td>\n<\/tr>\n
251<\/td>\nThomas<\/td>\nTony<\/td>\nGB<\/td>\nCosford Hangar<\/td>\n<\/tr>\n
252<\/td>\nTjongari<\/td>\nDaniel<\/td>\nID<\/td>\nHope …<\/td>\n<\/tr>\n
253<\/td>\nTjongari<\/td>\nDaniel<\/td>\nID<\/td>\nIn Heaven …<\/td>\n<\/tr>\n
254<\/td>\nTuominen<\/td>\nLassi<\/td>\nFI<\/td>\nMyself<\/td>\n<\/tr>\n
255<\/td>\nTurner<\/td>\nClive D<\/td>\nGB<\/td>\nDeath Camp<\/td>\n<\/tr>\n
256<\/td>\nTurner<\/td>\nClive D<\/td>\nGB<\/td>\nTunnel Vision<\/td>\n<\/tr>\n
257<\/td>\nTurton<\/td>\nNeville<\/td>\nGB<\/td>\nLaos Girl 1<\/td>\n<\/tr>\n
258<\/td>\nTurton<\/td>\nNeville<\/td>\nGB<\/td>\nLaos Mother Son And Daughter<\/td>\n<\/tr>\n
259<\/td>\nUjhelyi<\/td>\nZsolt<\/td>\nHU<\/td>\n_Pellets_U_Zs_<\/td>\nSALON GOLD<\/td>\n<\/tr>\n
260<\/td>\nUnal<\/td>\nMurat<\/td>\nTR<\/td>\nLight And Shadow<\/td>\n<\/tr>\n
261<\/td>\nUnal<\/td>\nMurat<\/td>\nTR<\/td>\nMelancholy<\/td>\n<\/tr>\n
262<\/td>\nUnal<\/td>\nMurat<\/td>\nTR<\/td>\nBird Seller<\/td>\n<\/tr>\n
263<\/td>\nUnal<\/td>\nMurat<\/td>\nTR<\/td>\nLost In The City Lines<\/td>\n<\/tr>\n
264<\/td>\nVarga<\/td>\nSzil\u00e1rd<\/td>\nHU<\/td>\nDia De Los Muertos<\/td>\n<\/tr>\n
265<\/td>\nVarga<\/td>\nSzil\u00e1rd<\/td>\nHU<\/td>\nExpiation<\/td>\n<\/tr>\n
266<\/td>\nVidmar<\/td>\nStane<\/td>\nSI<\/td>\nCloud<\/td>\n<\/tr>\n
267<\/td>\nVidmar<\/td>\nStane<\/td>\nSI<\/td>\nV<\/td>\n<\/tr>\n
268<\/td>\nVidmar<\/td>\nStane<\/td>\nSI<\/td>\n3<\/td>\n<\/tr>\n
269<\/td>\nVilla<\/td>\nRiccardo<\/td>\nIT<\/td>\nFireplace<\/td>\n<\/tr>\n
270<\/td>\nVirag<\/td>\nI\u0161tvan<\/td>\nRS<\/td>\nOld Woman<\/td>\nFIAP GOLD<\/td>\n<\/tr>\n
271<\/td>\nVirag<\/td>\nI\u0161tvan<\/td>\nRS<\/td>\nCross<\/td>\n<\/tr>\n
272<\/td>\nVoss<\/td>\nManfred<\/td>\nDE<\/td>\nSunny Fields<\/td>\n<\/tr>\n
273<\/td>\nVrkljan<\/td>\nBerislav<\/td>\nHR<\/td>\nThanks Time No 3<\/td>\n<\/tr>\n
274<\/td>\nVrzel<\/td>\nJanez<\/td>\nSI<\/td>\nBicycle Rider<\/td>\n<\/tr>\n
275<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nCatch First 2<\/td>\n<\/tr>\n
276<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nPraying<\/td>\n<\/tr>\n
277<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nStory Telling<\/td>\n<\/tr>\n
278<\/td>\nWang<\/td>\nLung-Tsai<\/td>\nTW<\/td>\nSnow Rush<\/td>\n<\/tr>\n
279<\/td>\nWhitson<\/td>\nDave<\/td>\nUS<\/td>\nLauren With Veil\u00a0 Bw<\/td>\n<\/tr>\n
280<\/td>\nWhitson<\/td>\nDave<\/td>\nUS<\/td>\nAirborne Alexa\u00a0 Bw<\/td>\n<\/tr>\n
281<\/td>\nWong<\/td>\nDanny Yen Sin<\/td>\nMY<\/td>\nOld Tea House<\/td>\n<\/tr>\n
282<\/td>\nWong<\/td>\nDanny Yen Sin<\/td>\nMY<\/td>\nGeneral Maos Comrade<\/td>\n<\/tr>\n
283<\/td>\nWong<\/td>\nDanny Yen Sin<\/td>\nMY<\/td>\nOne Family<\/td>\n<\/tr>\n
284<\/td>\nYousef<\/td>\nMohammed<\/td>\nKW<\/td>\nFocus<\/td>\n<\/tr>\n
285<\/td>\nYousef<\/td>\nMohammed<\/td>\nKW<\/td>\nSorrow<\/td>\n<\/tr>\n
286<\/td>\nZ\u00e1gon<\/td>\nL\u00e1szl\u00f3<\/td>\nHU<\/td>\n1. Dusted Memory<\/td>\n<\/tr>\n
287<\/td>\nZahornacky<\/td>\nJan<\/td>\nCZ<\/td>\nSvaty Hostyn.<\/td>\n<\/tr>\n
288<\/td>\nZahornacky<\/td>\nJan<\/td>\nCZ<\/td>\nNurse School.<\/td>\n<\/tr>\n
289<\/td>\nZahornacky<\/td>\nJan<\/td>\nCZ<\/td>\nBeauty Mounts.<\/td>\n<\/tr>\n
290<\/td>\nZhu<\/td>\nJing<\/td>\nCN<\/td>\nReturn Fully Loaded<\/td>\n<\/tr>\n
291<\/td>\nZilinskyy<\/td>\nYuriy<\/td>\nUA<\/td>\nAccent<\/td>\n<\/tr>\n
292<\/td>\nZilinskyy<\/td>\nYuriy<\/td>\nUA<\/td>\nLiving Merger<\/td>\n<\/tr>\n
293<\/td>\nZupunski<\/td>\nAnica<\/td>\nRS<\/td>\nThe Fog<\/td>\nFIAP SILVER<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PANNONIA REFLECTIONS 2014. LIST OF ACCEPTED AND AWARDED PHOTOS SECTION B : ” MONOCHROME ” \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0AWARD FAMILY NAME NAME COUNTRY NAME OF PHOTOGRAPHY 1 Abani Paul IN Very Happy 2 Abdulazim Ahmed EG Heart Of Darkness Ii 3 Abdulazim Ahmed EG The Little Guardian 4 Abdulazim Ahmed EG Future, Is It Bright? 5 Abdulazim Ahmed EG From Here We Start 6 Al Adawi Abdulrahman OM Eyes 7 AliBrahim Ahmed SA Dreaming 8 AliBrahim Ahmed SA Innocent Look 9 AliBrahim Ahmed SA Thinking 10 Al Farsi Haitham OM Hiding My Self 11 Al Farsi Haitham OM Old Man From Bangladesh 12 Al Farsi Haitham OM I Love School 13 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-192","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=192"}],"version-history":[{"count":7,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/192\/revisions"}],"predecessor-version":[{"id":744,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/192\/revisions\/744"}],"wp:attachment":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}