{"id":749,"date":"2015-12-15T16:45:47","date_gmt":"2015-12-15T16:45:47","guid":{"rendered":"http:\/\/www.pannonia.si\/?page_id=749"},"modified":"2016-12-21T18:33:45","modified_gmt":"2016-12-21T18:33:45","slug":"open-monochrome-2","status":"publish","type":"page","link":"http:\/\/www.pannonia.si\/si\/open-monochrome-2\/","title":{"rendered":"OPEN MONOCHROME 2015"},"content":{"rendered":"<table width=\"821\">\n<tbody>\n<tr>\n<td colspan=\"6\" width=\"821\">PANNONIA REFLECTIONS 2015.<\/td>\n<\/tr>\n<tr>\n<td colspan=\"6\">LIST OF ACCEPTED AND AWARDED PHOTOS<\/td>\n<\/tr>\n<tr>\n<td colspan=\"6\">SECTION B : OPEN MONOCHROME<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table width=\"929\">\n<tbody>\n<tr>\n<td width=\"141\"><strong>NAME<\/strong><\/td>\n<td width=\"114\"><strong>FAMILY NAME<\/strong><\/td>\n<td width=\"157\"><strong>COUNTRY<\/strong><\/td>\n<td width=\"355\"><strong>NAME OF PHOTOGRAPHY<\/strong><\/td>\n<td width=\"162\"><strong>AWARD<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Abdulla<\/td>\n<td>AL-Mushaifri<\/td>\n<td>Qatar<\/td>\n<td>Take Me Home Bw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Abdulla<\/td>\n<td>AL-Mushaifri<\/td>\n<td>Qatar<\/td>\n<td>Classical Portrait<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ahmed<\/td>\n<td>Alibrahim<\/td>\n<td>Saudi Arabia<\/td>\n<td>Sick child<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ahmed<\/td>\n<td>Alibrahim<\/td>\n<td>Saudi Arabia<\/td>\n<td>Sadu 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ahmed<\/td>\n<td>Alibrahim<\/td>\n<td>Saudi Arabia<\/td>\n<td>Sadu 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ahmed<\/td>\n<td>Alibrahim<\/td>\n<td>Saudi Arabia<\/td>\n<td>Sad child<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ahmed<\/td>\n<td>Abdulazim<\/td>\n<td>Egypt<\/td>\n<td>Circles of Catch<\/td>\n<td>FZS Bronze medal<\/td>\n<\/tr>\n<tr>\n<td>Ahmed<\/td>\n<td>Abdulazim<\/td>\n<td>Egypt<\/td>\n<td>I Just Told You<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>AHMET<\/td>\n<td>YENMEZ<\/td>\n<td>Turkey<\/td>\n<td>KARA CADIRDA ANA-COCUK<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>AHMET<\/td>\n<td>YENMEZ<\/td>\n<td>Turkey<\/td>\n<td>MOTIVASYON<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Albert<\/td>\n<td>Peer<\/td>\n<td>Austria<\/td>\n<td>Compagnie Antipodes<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Aleksander<\/td>\n<td>\u010cufar<\/td>\n<td>Slovenia<\/td>\n<td>Image-XBW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ale\u0161<\/td>\n<td>\u017diberna<\/td>\n<td>Slovenia<\/td>\n<td>Rainy day<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alfred<\/td>\n<td>Mikus<\/td>\n<td>Belarus<\/td>\n<td>After the storm<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alfred<\/td>\n<td>Mikus<\/td>\n<td>Belarus<\/td>\n<td>Love through the years<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alfred<\/td>\n<td>Mikus<\/td>\n<td>Belarus<\/td>\n<td>Lonely old age<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Almaha<\/td>\n<td>Alnadabi<\/td>\n<td>Oman<\/td>\n<td>Black mask<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Almaha<\/td>\n<td>Alnadabi<\/td>\n<td>Oman<\/td>\n<td>profession<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Almaha<\/td>\n<td>Alnadabi<\/td>\n<td>Oman<\/td>\n<td>in my house<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Almando<\/td>\n<td>Reggio<\/td>\n<td>Italy<\/td>\n<td>Fencing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Almando<\/td>\n<td>Reggio<\/td>\n<td>Italy<\/td>\n<td>Fencing 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Almando<\/td>\n<td>Reggio<\/td>\n<td>Italy<\/td>\n<td>Fencing 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alois<\/td>\n<td>Bernkopf Dr.<\/td>\n<td>Austria<\/td>\n<td>Fascinating TT<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anatoliy<\/td>\n<td>Volokh<\/td>\n<td>Ukraine<\/td>\n<td>Dance of the soul<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anatoliy<\/td>\n<td>Volokh<\/td>\n<td>Ukraine<\/td>\n<td>girl with poppies<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>ANDREAS L<\/td>\n<td>ANDREOU<\/td>\n<td>Cyprus<\/td>\n<td>WORLD NEWS<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Andrej<\/td>\n<td>Slogovi\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Last Look<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Andy<\/td>\n<td>Fryer<\/td>\n<td>England<\/td>\n<td>Chainmaker<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Andy<\/td>\n<td>Fryer<\/td>\n<td>England<\/td>\n<td>West Stonesdale Barn<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Andy<\/td>\n<td>Polakowski<\/td>\n<td>Wales<\/td>\n<td>Travelling Hopefully<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Angiolo<\/td>\n<td>Manetti<\/td>\n<td>Italy<\/td>\n<td>Inside the geometry<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Angiolo<\/td>\n<td>Manetti<\/td>\n<td>Italy<\/td>\n<td>The cyclist<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anica<\/td>\n<td>Zupunski<\/td>\n<td>Serbia<\/td>\n<td>Thousands of words<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anica<\/td>\n<td>Kofol<\/td>\n<td>Slovenia<\/td>\n<td>Com&#8217;n in<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anita<\/td>\n<td>Vidic Grah<\/td>\n<td>Slovenia<\/td>\n<td>Street Art<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anthony<\/td>\n<td>Robin<\/td>\n<td>France<\/td>\n<td>Center of the world.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anthony<\/td>\n<td>Robin<\/td>\n<td>France<\/td>\n<td>Making your own choices.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Anthony<\/td>\n<td>Robin<\/td>\n<td>France<\/td>\n<td>Resting on the bench.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Antonin<\/td>\n<td>Valek<\/td>\n<td>Czech Republic<\/td>\n<td>Old village 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Antonin<\/td>\n<td>Valek<\/td>\n<td>Czech Republic<\/td>\n<td>Old village 2<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Atle<\/td>\n<td>Sveen<\/td>\n<td>Norway<\/td>\n<td>Fredau XII<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Atle<\/td>\n<td>Sveen<\/td>\n<td>Norway<\/td>\n<td>Fredau XIII<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Atle<\/td>\n<td>Sveen<\/td>\n<td>Norway<\/td>\n<td>Ilvy silouette<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ayman<\/td>\n<td>Khalil<\/td>\n<td>Egypt<\/td>\n<td>Hide<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ayman<\/td>\n<td>Khalil<\/td>\n<td>Egypt<\/td>\n<td>Dead or Alive<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>BASIL<\/td>\n<td>TITOV<\/td>\n<td>Belarus<\/td>\n<td>\u00a0HATS<\/td>\n<td>FZS Gold medal<\/td>\n<\/tr>\n<tr>\n<td>Bekir<\/td>\n<td>Tugcu<\/td>\n<td>Turkey<\/td>\n<td>angry<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bekir<\/td>\n<td>Tugcu<\/td>\n<td>Turkey<\/td>\n<td>ballerina<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bekir<\/td>\n<td>Tugcu<\/td>\n<td>Turkey<\/td>\n<td>hope<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bente<\/td>\n<td>Nedreboe<\/td>\n<td>Norway<\/td>\n<td>Dancing together<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bente<\/td>\n<td>Nedreboe<\/td>\n<td>Norway<\/td>\n<td>Two face<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Biljana<\/td>\n<td>Knebl<\/td>\n<td>Croatia<\/td>\n<td>Corner<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bingsheng<\/td>\n<td>Guo<\/td>\n<td>China<\/td>\n<td>Children 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bingsheng<\/td>\n<td>Guo<\/td>\n<td>China<\/td>\n<td>Hope<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bob<\/td>\n<td>Bishop<\/td>\n<td>England<\/td>\n<td>Discussing the Luggage<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bogdan<\/td>\n<td>Bricelj<\/td>\n<td>Slovenia<\/td>\n<td>Two Trees in the lake bw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bogdan<\/td>\n<td>Bricelj<\/td>\n<td>Slovenia<\/td>\n<td>Heaps of Hay before a storm SEP<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bo\u0161tjan<\/td>\n<td>Banfi<\/td>\n<td>Slovenia<\/td>\n<td>Suspicion<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Brian<\/td>\n<td>Hopper<\/td>\n<td>Ireland<\/td>\n<td>Nude by Window Light<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Brian<\/td>\n<td>Hopper<\/td>\n<td>Ireland<\/td>\n<td>Fredau&#8217;s Dream<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Brian<\/td>\n<td>Hopper<\/td>\n<td>Ireland<\/td>\n<td>Longing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Brigitta<\/td>\n<td>Toth<\/td>\n<td>Hungary<\/td>\n<td>Interlocking<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Brigitta<\/td>\n<td>Toth<\/td>\n<td>Hungary<\/td>\n<td>Dragonfly<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Brigitta<\/td>\n<td>Toth<\/td>\n<td>Hungary<\/td>\n<td>Flying<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Catherine<\/td>\n<td>Bushe<\/td>\n<td>Ireland<\/td>\n<td>Grand entrance<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chan Seng<\/td>\n<td>Tang<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Dont Go Away 5<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chan Seng<\/td>\n<td>Tang<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Loser<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chan Seng<\/td>\n<td>Tang<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Scrum<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Chih Sheng<\/td>\n<td>Huang<\/td>\n<td>Taiwan<\/td>\n<td>Pig traders<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Christina<\/td>\n<td>Baumann<\/td>\n<td>Germany<\/td>\n<td>Drought<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Christina<\/td>\n<td>Ni Dheaghaidh<\/td>\n<td>Ireland<\/td>\n<td>alone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Claude<\/td>\n<td>SIMON<\/td>\n<td>Belgium<\/td>\n<td>Dorze baby<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Colin<\/td>\n<td>Harrison<\/td>\n<td>England<\/td>\n<td>Dangerous fishing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CONSTANTIN<\/td>\n<td>DANCOGLU<\/td>\n<td>Romania<\/td>\n<td>Living statue(III)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CVETAN<\/td>\n<td>GAVROVSKI<\/td>\n<td>Macedonia<\/td>\n<td>Street Prayer 14<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>CVETAN<\/td>\n<td>GAVROVSKI<\/td>\n<td>Macedonia<\/td>\n<td>Children from Schutka<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>DAEMEN<\/td>\n<td>Harry<\/td>\n<td>Luxembourg<\/td>\n<td>De Chef<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dainius<\/td>\n<td>Dirgela<\/td>\n<td>Lithuania<\/td>\n<td>exit<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Daniel<\/td>\n<td>LYBAERT<\/td>\n<td>Netherlands<\/td>\n<td>Isendica Experiment 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Daniel<\/td>\n<td>LYBAERT<\/td>\n<td>Netherlands<\/td>\n<td>Treinmachinist<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Daniel<\/td>\n<td>LYBAERT<\/td>\n<td>Netherlands<\/td>\n<td>Mono Contpiep<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Daniel<\/td>\n<td>Mauko<\/td>\n<td>Slovenia<\/td>\n<td>Solitary tree<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>David Poey Cher<\/td>\n<td>TAY<\/td>\n<td>Singapore<\/td>\n<td>Old friends bw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>David Poey Cher<\/td>\n<td>TAY<\/td>\n<td>Singapore<\/td>\n<td>Someone is here bw<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Davor<\/td>\n<td>Trstenjak<\/td>\n<td>Croatia<\/td>\n<td>the model<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dejan<\/td>\n<td>Selakovic<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Wild horses 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dejan<\/td>\n<td>Selakovic<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Friends 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dejan<\/td>\n<td>Selakovic<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Grandmother Milena<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dejan<\/td>\n<td>Selakovic<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Jana FP4<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dejan<\/td>\n<td>Kokol<\/td>\n<td>Slovenia<\/td>\n<td>Memories<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Derville<\/td>\n<td>Conroy<\/td>\n<td>Ireland<\/td>\n<td>Alice 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Diana<\/td>\n<td>Keane<\/td>\n<td>England<\/td>\n<td>A new experience<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dika<\/td>\n<td>Vranc<\/td>\n<td>Slovenia<\/td>\n<td>BROKEN MEMORY<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dmitry<\/td>\n<td>Chastikov<\/td>\n<td>Russia<\/td>\n<td>Triptych<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Drago<\/td>\n<td>Metljak<\/td>\n<td>Slovenia<\/td>\n<td>Love in Venice<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dren<\/td>\n<td>Butkovi\u0107<\/td>\n<td>Croatia<\/td>\n<td>Lines<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Dren<\/td>\n<td>Butkovi\u0107<\/td>\n<td>Croatia<\/td>\n<td>Framed sea<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Eduard<\/td>\n<td>Gutescu<\/td>\n<td>Romania<\/td>\n<td>Memories of the past<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Eduard<\/td>\n<td>Gutescu<\/td>\n<td>Romania<\/td>\n<td>The Guardians<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Eva Maria<\/td>\n<td>Zernig<\/td>\n<td>Germany<\/td>\n<td>Between Lion and Lighthouse<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>FRANCESCA<\/td>\n<td>SALICE<\/td>\n<td>Italy<\/td>\n<td>BERLIN UNDERGROUND<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>FRANCESCA<\/td>\n<td>SALICE<\/td>\n<td>Italy<\/td>\n<td>UNDER THE BRIDGE<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Frank<\/td>\n<td>Hausdoerfer<\/td>\n<td>Germany<\/td>\n<td>Lights BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Frank<\/td>\n<td>Condra<\/td>\n<td>Ireland<\/td>\n<td>Xiao Wang<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Frank<\/td>\n<td>Condra<\/td>\n<td>Ireland<\/td>\n<td>Shellfish Market<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Frank<\/td>\n<td>Condra<\/td>\n<td>Ireland<\/td>\n<td>Street Chef<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Frank<\/td>\n<td>Condra<\/td>\n<td>Ireland<\/td>\n<td>Watering the Horse<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>GARGI<\/td>\n<td>DE<\/td>\n<td>India<\/td>\n<td>Desert safari<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Giuseppe<\/td>\n<td>TOMELLERI<\/td>\n<td>Italy<\/td>\n<td>Early morning nr 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Giuseppe<\/td>\n<td>TOMELLERI<\/td>\n<td>Italy<\/td>\n<td>Early morning nr 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Goran<\/td>\n<td>Kojadinovic<\/td>\n<td>Serbia<\/td>\n<td>Mira<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Goran<\/td>\n<td>Kojadinovic<\/td>\n<td>Serbia<\/td>\n<td>The string theory<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>GORAZD<\/td>\n<td>GOLOB<\/td>\n<td>Slovenia<\/td>\n<td>\u0160OLA<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Graham<\/td>\n<td>Kelly<\/td>\n<td>Ireland<\/td>\n<td>Alone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Graham<\/td>\n<td>Kelly<\/td>\n<td>Ireland<\/td>\n<td>The Birth<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Graham<\/td>\n<td>Kelly<\/td>\n<td>Ireland<\/td>\n<td>Whos Next<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gustavo Herman<\/td>\n<td>Schneider<\/td>\n<td>Argentina<\/td>\n<td>Menonita 219<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gustavo Herman<\/td>\n<td>Schneider<\/td>\n<td>Argentina<\/td>\n<td>Menonita<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Guy<\/td>\n<td>Schotte<\/td>\n<td>Belgium<\/td>\n<td>Relax<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>HAITHAM<\/td>\n<td>AL FARSI<\/td>\n<td>Oman<\/td>\n<td>INDIAN LOOK<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>HAITHAM<\/td>\n<td>AL FARSI<\/td>\n<td>Oman<\/td>\n<td>STORY OF CLASS<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hamed<\/td>\n<td>AlGhanboosi<\/td>\n<td>Oman<\/td>\n<td>Innocent-4<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hamed<\/td>\n<td>AlGhanboosi<\/td>\n<td>Oman<\/td>\n<td>Sequence<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hamed<\/td>\n<td>AlGhanboosi<\/td>\n<td>Oman<\/td>\n<td>Zahra-2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>hani<\/td>\n<td>alsuleimani<\/td>\n<td>Oman<\/td>\n<td>bullfighting2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Harald K<\/td>\n<td>Andersen<\/td>\n<td>Norway<\/td>\n<td>In The Dark<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hasan<\/td>\n<td>Gedik<\/td>\n<td>Turkey<\/td>\n<td>blacksmith<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hasan<\/td>\n<td>Gedik<\/td>\n<td>Turkey<\/td>\n<td>Kadin ve cocuk<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Henning Frode<\/td>\n<td>Dispen<\/td>\n<td>Norway<\/td>\n<td>Extending in the same direction<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>HOI YAN<\/td>\n<td>FONG<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Start to work<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>HOI YAN<\/td>\n<td>FONG<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Time to work<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Huib<\/td>\n<td>Limberg<\/td>\n<td>Netherlands<\/td>\n<td>The young performer<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Huib<\/td>\n<td>Limberg<\/td>\n<td>Netherlands<\/td>\n<td>And then there was light<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Huib<\/td>\n<td>Limberg<\/td>\n<td>Netherlands<\/td>\n<td>Following my shadow<\/td>\n<td>FIAP Silver medal<\/td>\n<\/tr>\n<tr>\n<td>Igor<\/td>\n<td>Ternar<\/td>\n<td>Slovenia<\/td>\n<td>Years traces<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Igor<\/td>\n<td>Ternar<\/td>\n<td>Slovenia<\/td>\n<td>In barber<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Igor<\/td>\n<td>Debevec<\/td>\n<td>Slovenia<\/td>\n<td>Family<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Igor<\/td>\n<td>Debevec<\/td>\n<td>Slovenia<\/td>\n<td>La Vie a L&#8217;amor<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Istvan<\/td>\n<td>Magdo<\/td>\n<td>Romania<\/td>\n<td>Going home<\/td>\n<td>PSA Gold medal<\/td>\n<\/tr>\n<tr>\n<td>Istvan<\/td>\n<td>Virag<\/td>\n<td>Serbia<\/td>\n<td>In fog06<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Istvan<\/td>\n<td>Virag<\/td>\n<td>Serbia<\/td>\n<td>Old woman with cat<\/td>\n<td>FIAP Bronze medal<\/td>\n<\/tr>\n<tr>\n<td>Istvan<\/td>\n<td>Virag<\/td>\n<td>Serbia<\/td>\n<td>Pogled<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ivana<\/td>\n<td>Miletic<\/td>\n<td>Croatia<\/td>\n<td>Forever young I<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ivana<\/td>\n<td>Miletic<\/td>\n<td>Croatia<\/td>\n<td>Time portal I<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ivo<\/td>\n<td>Borko<\/td>\n<td>Slovenia<\/td>\n<td>Fisherman with broaken net<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ivo<\/td>\n<td>Borko<\/td>\n<td>Slovenia<\/td>\n<td>Old farmer with fork<\/td>\n<td>Salon Gold medal<\/td>\n<\/tr>\n<tr>\n<td>Ivo<\/td>\n<td>Vucetic<\/td>\n<td>Croatia<\/td>\n<td>Crossing bridge<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Jana<\/td>\n<td>\u0160tok<\/td>\n<td>Slovenia<\/td>\n<td>Imaginary People<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Janez<\/td>\n<td>VRZEL<\/td>\n<td>Slovenia<\/td>\n<td>Danger High Voltage<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Janez<\/td>\n<td>VRZEL<\/td>\n<td>Slovenia<\/td>\n<td>Fellow Traveller<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Janez<\/td>\n<td>Tolar<\/td>\n<td>Slovenia<\/td>\n<td>Below the mountains<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Janez<\/td>\n<td>Tolar<\/td>\n<td>Slovenia<\/td>\n<td>Lady with a suitcase<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>JANUSZ<\/td>\n<td>MORAWSKI<\/td>\n<td>Germany<\/td>\n<td>Walk<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>JANUSZ<\/td>\n<td>MORAWSKI<\/td>\n<td>Germany<\/td>\n<td>Sadness<\/td>\n<td>Salon Silver medal<\/td>\n<\/tr>\n<tr>\n<td>Jasim<\/td>\n<td>Suljanovic<\/td>\n<td>Slovenia<\/td>\n<td>Lady and mirror<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jasim<\/td>\n<td>Suljanovic<\/td>\n<td>Slovenia<\/td>\n<td>Feliks<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jean-Paul<\/td>\n<td>Martin<\/td>\n<td>France<\/td>\n<td>Le passant<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jenni<\/td>\n<td>Horsnell<\/td>\n<td>Australia<\/td>\n<td>Preening Pelicans Mono<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jeno<\/td>\n<td>Koloszar<\/td>\n<td>Hungary<\/td>\n<td>Fanny 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jerry<\/td>\n<td>Klein<\/td>\n<td>Luxembourg<\/td>\n<td>Playground<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Joachim<\/td>\n<td>Schmitt<\/td>\n<td>Germany<\/td>\n<td>Spiegelbrille<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Joao<\/td>\n<td>Taborda<\/td>\n<td>Portugal<\/td>\n<td>Climb the Mountain<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Joao<\/td>\n<td>Taborda<\/td>\n<td>Portugal<\/td>\n<td>Learning<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Joao<\/td>\n<td>Taborda<\/td>\n<td>Portugal<\/td>\n<td>The New World<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>John<\/td>\n<td>McNairn<\/td>\n<td>Scotland<\/td>\n<td>Lulu Drapes<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>jokha<\/td>\n<td>alharthi<\/td>\n<td>Oman<\/td>\n<td>girl and apple<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>jordi<\/td>\n<td>egea torrent<\/td>\n<td>Spain<\/td>\n<td>munyint<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>jordi<\/td>\n<td>egea torrent<\/td>\n<td>Spain<\/td>\n<td>dones<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>jordi<\/td>\n<td>egea torrent<\/td>\n<td>Spain<\/td>\n<td>pastora<\/td>\n<td>FIAP Gold medal<\/td>\n<\/tr>\n<tr>\n<td>jordi<\/td>\n<td>egea torrent<\/td>\n<td>Spain<\/td>\n<td>dona i radio<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jose<\/td>\n<td>Beut Duato<\/td>\n<td>Spain<\/td>\n<td>Country life V<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jose<\/td>\n<td>Beut Duato<\/td>\n<td>Spain<\/td>\n<td>Country life XIII<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jose<\/td>\n<td>Beut Duato<\/td>\n<td>Spain<\/td>\n<td>Radio news<\/td>\n<td>FZS Silver medal<\/td>\n<\/tr>\n<tr>\n<td>Jose<\/td>\n<td>Beut Duato<\/td>\n<td>Spain<\/td>\n<td>Vidas rurales II<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jose Carlos<\/td>\n<td>Costa<\/td>\n<td>Portugal<\/td>\n<td>Games of Light and Shadow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jose Carlos<\/td>\n<td>Costa<\/td>\n<td>Portugal<\/td>\n<td>Into Another Dimension<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Josef<\/td>\n<td>Kastner<\/td>\n<td>Austria<\/td>\n<td>Duell<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Judit<\/td>\n<td>Hencz<\/td>\n<td>Hungary<\/td>\n<td>Coast lines<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jussi<\/td>\n<td>Jyvalahti<\/td>\n<td>Finland<\/td>\n<td>Grange Bridge<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jussi<\/td>\n<td>Jyvalahti<\/td>\n<td>Finland<\/td>\n<td>Pain<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Jussi<\/td>\n<td>Helimaki<\/td>\n<td>Finland<\/td>\n<td>Foggy winter day 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kai Lon<\/td>\n<td>Tang<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Ballet Dancing 8<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kai Lon<\/td>\n<td>Tang<\/td>\n<td>Macau S.A.R.<\/td>\n<td>Western Horror<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kam Chiu<\/td>\n<td>Tam<\/td>\n<td>Canada<\/td>\n<td>A red Indian girl<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kam Chiu<\/td>\n<td>Tam<\/td>\n<td>Canada<\/td>\n<td>Bull in air<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kam Chiu<\/td>\n<td>Tam<\/td>\n<td>Canada<\/td>\n<td>Paris Rodeo show<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Karoly<\/td>\n<td>Barakonyi<\/td>\n<td>Hungary<\/td>\n<td>Snow-wave<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Karoly<\/td>\n<td>Barakonyi<\/td>\n<td>Hungary<\/td>\n<td>Sunset<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kaushik<\/td>\n<td>Dolui<\/td>\n<td>India<\/td>\n<td>After death<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Klaus<\/td>\n<td>Strehlke<\/td>\n<td>Germany<\/td>\n<td>Ti. &amp; Tu. &#8211; 2430<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Koon Nam<\/td>\n<td>CHEUNG<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Osprey and Fish 2 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Koon Nam<\/td>\n<td>CHEUNG<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Osprey Caught a Fish 2 BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Krzysztof<\/td>\n<td>St\u00f3s<\/td>\n<td>Poland<\/td>\n<td>Form<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kylie-Ann<\/td>\n<td>Martin<\/td>\n<td>England<\/td>\n<td>Charlotte 3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kylie-Ann<\/td>\n<td>Martin<\/td>\n<td>England<\/td>\n<td>Graffiti Girl<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kylie-Ann<\/td>\n<td>Martin<\/td>\n<td>England<\/td>\n<td>Please Come Home Im Looking For You<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lajos<\/td>\n<td>Csaki<\/td>\n<td>Hungary<\/td>\n<td>Black Lady<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lajos<\/td>\n<td>Nagy<\/td>\n<td>Romania<\/td>\n<td>Concentration 03<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lakatos<\/td>\n<td>Krisztian<\/td>\n<td>Hungary<\/td>\n<td>Balance<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lakatos<\/td>\n<td>Krisztian<\/td>\n<td>Hungary<\/td>\n<td>I am thinking<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Leong Kiat<\/td>\n<td>Lim<\/td>\n<td>Singapore<\/td>\n<td>Xia Pu_BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Leong Kiat<\/td>\n<td>Lim<\/td>\n<td>Singapore<\/td>\n<td>Xia Pu_Two_BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Leonid<\/td>\n<td>Goldin<\/td>\n<td>Israel<\/td>\n<td>Off &#8211; time<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Leonid<\/td>\n<td>Goldin<\/td>\n<td>Israel<\/td>\n<td>Warm Rain<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Leonid<\/td>\n<td>Goldin<\/td>\n<td>Israel<\/td>\n<td>Every second<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>levent<\/td>\n<td>meric<\/td>\n<td>Turkey<\/td>\n<td>anma<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>levent<\/td>\n<td>meric<\/td>\n<td>Turkey<\/td>\n<td>osmannn<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lluis<\/td>\n<td>Remola Pages<\/td>\n<td>Spain<\/td>\n<td>After dance-2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lynn<\/td>\n<td>Clemons<\/td>\n<td>United States<\/td>\n<td>Elk Statue<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Lynn<\/td>\n<td>Clemons<\/td>\n<td>United States<\/td>\n<td>Man Camp<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MAJID<\/td>\n<td>ALAMRI<\/td>\n<td>Oman<\/td>\n<td>Children Martabouri<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MAJID<\/td>\n<td>ALAMRI<\/td>\n<td>Oman<\/td>\n<td>Lion<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>MAJID<\/td>\n<td>ALAMRI<\/td>\n<td>Oman<\/td>\n<td>Sad look2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mamdooh<\/td>\n<td>Alsaleh<\/td>\n<td>Bahrain<\/td>\n<td>Brecelets<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mamdooh<\/td>\n<td>Alsaleh<\/td>\n<td>Bahrain<\/td>\n<td>Kangaroo Style<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mamdooh<\/td>\n<td>Alsaleh<\/td>\n<td>Bahrain<\/td>\n<td>Little Sister<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mamdooh<\/td>\n<td>Alsaleh<\/td>\n<td>Bahrain<\/td>\n<td>Turmi<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Man-kui, Wisely<\/td>\n<td>Ng<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Working 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Man-kui, Wisely<\/td>\n<td>Ng<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Wishing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Man-kui, Wisely<\/td>\n<td>Ng<\/td>\n<td>Hong Kong S.A.R.<\/td>\n<td>Punch<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marcel<\/td>\n<td>van Balken<\/td>\n<td>Netherlands<\/td>\n<td>Tunnel<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marcel<\/td>\n<td>van Balken<\/td>\n<td>Netherlands<\/td>\n<td>Spacetrip<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marg<\/td>\n<td>Huxtable<\/td>\n<td>Australia<\/td>\n<td>Me &amp; My Mates<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marg<\/td>\n<td>Huxtable<\/td>\n<td>Australia<\/td>\n<td>Please Mister<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mariusz Pawel<\/td>\n<td>Mazur<\/td>\n<td>Poland<\/td>\n<td>Maternity<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marjan<\/td>\n<td>Cigoj<\/td>\n<td>Slovenia<\/td>\n<td>God&#8217;s sign<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marjan<\/td>\n<td>Cigoj<\/td>\n<td>Slovenia<\/td>\n<td>Just a little<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marjan<\/td>\n<td>Cigoj<\/td>\n<td>Slovenia<\/td>\n<td>Night walk<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marko<\/td>\n<td>Mladovan<\/td>\n<td>Slovenia<\/td>\n<td>Between angels<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marko<\/td>\n<td>Mladovan<\/td>\n<td>Slovenia<\/td>\n<td>Fear<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marko<\/td>\n<td>Mladovan<\/td>\n<td>Slovenia<\/td>\n<td>Tutu<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Martin<\/td>\n<td>Hankel<\/td>\n<td>Germany<\/td>\n<td>Stairs 4<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Martina<\/td>\n<td>Wolf<\/td>\n<td>Germany<\/td>\n<td>Tanja<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Matej<\/td>\n<td>Skubic<\/td>\n<td>Slovenia<\/td>\n<td>In the limelight<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mehmet<\/td>\n<td>Gokyigit<\/td>\n<td>Cyprus<\/td>\n<td>blessing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mehmet<\/td>\n<td>Gokyigit<\/td>\n<td>Cyprus<\/td>\n<td>copper master<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mehmet<\/td>\n<td>Gokyigit<\/td>\n<td>Cyprus<\/td>\n<td>deep in heart<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mehmet<\/td>\n<td>Gokyigit<\/td>\n<td>Cyprus<\/td>\n<td>spiritual union<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Milan<\/td>\n<td>Malovrh<\/td>\n<td>Slovenia<\/td>\n<td>Fild gallop<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Milo\u0161<\/td>\n<td>Prin\u010di\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Arcade<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Miran<\/td>\n<td>Krape\u017e<\/td>\n<td>Slovenia<\/td>\n<td>PORTRAIT 301<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Miran<\/td>\n<td>Dominko<\/td>\n<td>Slovenia<\/td>\n<td>Pokon\u010dno<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>mojmir<\/td>\n<td>klimek<\/td>\n<td>Czech Republic<\/td>\n<td>old women<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>mojmir<\/td>\n<td>klimek<\/td>\n<td>Czech Republic<\/td>\n<td>my room<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>mojmir<\/td>\n<td>klimek<\/td>\n<td>Czech Republic<\/td>\n<td>cafetaria Porto<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Montini<\/td>\n<td>Giulio<\/td>\n<td>Italy<\/td>\n<td>Indian woman N\u00b02<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Montini<\/td>\n<td>Giulio<\/td>\n<td>Italy<\/td>\n<td>Indonesian woman N\u00b02<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Moosa<\/td>\n<td>AlRezaiqi<\/td>\n<td>Oman<\/td>\n<td>Eye behind the lens<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Moosa<\/td>\n<td>AlRezaiqi<\/td>\n<td>Oman<\/td>\n<td>my soul 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Moosa<\/td>\n<td>AlRezaiqi<\/td>\n<td>Oman<\/td>\n<td>my soul<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Naif<\/td>\n<td>Al-Ruqaishi<\/td>\n<td>Oman<\/td>\n<td>Amazement<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Naif<\/td>\n<td>Al-Ruqaishi<\/td>\n<td>Oman<\/td>\n<td>Prisoner of Silence<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Nasser<\/td>\n<td>Malek<\/td>\n<td>United Arab Emirates<\/td>\n<td>The Cook 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Nenad<\/td>\n<td>Marti\u0107<\/td>\n<td>Croatia<\/td>\n<td>Lingering<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Nenad<\/td>\n<td>Marti\u0107<\/td>\n<td>Croatia<\/td>\n<td>Siren<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Nenad<\/td>\n<td>Marti\u0107<\/td>\n<td>Croatia<\/td>\n<td>Abbay road<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Normante<\/td>\n<td>Ribokaite<\/td>\n<td>Lithuania<\/td>\n<td>Old fellows<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ola<\/td>\n<td>Allouz<\/td>\n<td>United Arab Emirates<\/td>\n<td>Al Ayala Dance<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Olaf<\/td>\n<td>Aune<\/td>\n<td>Norway<\/td>\n<td>Waiting for school<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ole<\/td>\n<td>Suszkiewicz<\/td>\n<td>Denmark<\/td>\n<td>Evening Thoughts<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ole<\/td>\n<td>Suszkiewicz<\/td>\n<td>Denmark<\/td>\n<td>On that Time<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>onur<\/td>\n<td>saral<\/td>\n<td>Turkey<\/td>\n<td>lines<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>OZCAN<\/td>\n<td>YUCELT<\/td>\n<td>Turkey<\/td>\n<td>NOMAD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Radden<\/td>\n<td>England<\/td>\n<td>Alone<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Radden<\/td>\n<td>England<\/td>\n<td>Conducting<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Hoffman<\/td>\n<td>England<\/td>\n<td>Judith<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Hoffman<\/td>\n<td>England<\/td>\n<td>Thoughtful Moment<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Keene<\/td>\n<td>England<\/td>\n<td>Tibetan Student<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Keene<\/td>\n<td>England<\/td>\n<td>Puning Prayer<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Paul<\/td>\n<td>Keene<\/td>\n<td>England<\/td>\n<td>Despair<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Petar<\/td>\n<td>Sabol<\/td>\n<td>Croatia<\/td>\n<td>Crows<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Petar<\/td>\n<td>Sabol<\/td>\n<td>Croatia<\/td>\n<td>Baka<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Petar<\/td>\n<td>Sabol<\/td>\n<td>Croatia<\/td>\n<td>First pet play<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Peter<\/td>\n<td>Rees<\/td>\n<td>England<\/td>\n<td>Donna<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Peter<\/td>\n<td>Hammer<\/td>\n<td>Australia<\/td>\n<td>Beggar with Dog<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Peter<\/td>\n<td>Hammer<\/td>\n<td>Australia<\/td>\n<td>Feeling the Music<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Phillip<\/td>\n<td>Kwan<\/td>\n<td>Canada<\/td>\n<td>Inca Woman at Machu Picchu<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pia<\/td>\n<td>Mori\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Houses<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pia<\/td>\n<td>Mori\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Morning in the pans<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>R. M. Samara Bandara<\/td>\n<td>Ratnayake<\/td>\n<td>Sri Lanka<\/td>\n<td>Transit<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Radoje<\/td>\n<td>Elez<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>gladiators<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rafael<\/td>\n<td>Podobnik<\/td>\n<td>Slovenia<\/td>\n<td>Man with Scythe<\/td>\n<td>PSA Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Rafael<\/td>\n<td>Podobnik<\/td>\n<td>Slovenia<\/td>\n<td>Mother-s Return<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>RASHID UN<\/td>\n<td>NABI<\/td>\n<td>Bangladesh<\/td>\n<td>SHY<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>RASHID UN<\/td>\n<td>NABI<\/td>\n<td>Bangladesh<\/td>\n<td>MEDITATION<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>RASHID UN<\/td>\n<td>NABI<\/td>\n<td>Bangladesh<\/td>\n<td>MAKE UP<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Ra\u0161a<\/td>\n<td>Milojevi\u0107<\/td>\n<td>Serbia<\/td>\n<td>fish market in Venice<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Richard<\/td>\n<td>Nuernberger<\/td>\n<td>Germany<\/td>\n<td>Bernd<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Roald<\/td>\n<td>Synnevaag<\/td>\n<td>Norway<\/td>\n<td>The Bookseller<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Robert<\/td>\n<td>Strahinji\u0107<\/td>\n<td>Slovenia<\/td>\n<td>Nezado\u0161\u010deni<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Robert<\/td>\n<td>Strahinji\u0107<\/td>\n<td>Slovenia<\/td>\n<td>Zamrznjen \u010das I<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Robert<\/td>\n<td>Jones<\/td>\n<td>Wales<\/td>\n<td>HM Prison Pentonville<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Robert<\/td>\n<td>Jones<\/td>\n<td>Wales<\/td>\n<td>The Young Widow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Roberto<\/td>\n<td>Tagliani<\/td>\n<td>Italy<\/td>\n<td>The elements table<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Roberto<\/td>\n<td>Tagliani<\/td>\n<td>Italy<\/td>\n<td>The Korano reader<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Roberto<\/td>\n<td>Tagliani<\/td>\n<td>Italy<\/td>\n<td>The challange<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Robin<\/td>\n<td>Mellor<\/td>\n<td>England<\/td>\n<td>Setting Off<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rodica<\/td>\n<td>Tanase<\/td>\n<td>Romania<\/td>\n<td>A breathless point of time<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rodica<\/td>\n<td>Tanase<\/td>\n<td>Romania<\/td>\n<td>Swallow&#8217;s feet<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rodica<\/td>\n<td>Tanase<\/td>\n<td>Romania<\/td>\n<td>Black knight chess attack<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Roman<\/td>\n<td>Lipinski<\/td>\n<td>Poland<\/td>\n<td>Exit from the shadow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rosalie<\/td>\n<td>Wang<\/td>\n<td>United States<\/td>\n<td>Blessing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rosalie<\/td>\n<td>Wang<\/td>\n<td>United States<\/td>\n<td>Have a Drink<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>salim mohammed<\/td>\n<td>al hajri<\/td>\n<td>Oman<\/td>\n<td>bin ali<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sanda<\/td>\n<td>\u017d.Fajfari\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Other side<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sanda<\/td>\n<td>\u017d.Fajfari\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Trapped in their own world<\/td>\n<td>Salon Bronze medal<\/td>\n<\/tr>\n<tr>\n<td>sandra<\/td>\n<td>po\u017eun<\/td>\n<td>Slovenia<\/td>\n<td>Petras<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>SATHYANARAYANA<\/td>\n<td>C R<\/td>\n<td>India<\/td>\n<td>Old Man<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>seppo<\/td>\n<td>Tuomaala<\/td>\n<td>Finland<\/td>\n<td>Shoeshiners office<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>seppo<\/td>\n<td>Tuomaala<\/td>\n<td>Finland<\/td>\n<td>Life passing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>seppo<\/td>\n<td>Tuomaala<\/td>\n<td>Finland<\/td>\n<td>Lonely man<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sergey<\/td>\n<td>Anisimov<\/td>\n<td>Russia<\/td>\n<td>Children of Chukotka 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Serhii<\/td>\n<td>Shchehlevatyh<\/td>\n<td>Ukraine<\/td>\n<td>essence<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Shin Woo<\/td>\n<td>Ryu<\/td>\n<td>South Korea<\/td>\n<td>Imagination<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sigita<\/td>\n<td>Playdon<\/td>\n<td>Ireland<\/td>\n<td>Bedtime story<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sigita<\/td>\n<td>Playdon<\/td>\n<td>Ireland<\/td>\n<td>Little dreamer 2<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Silva<\/td>\n<td>Predali\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Are they looking for her<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Simon<\/td>\n<td>Krejan<\/td>\n<td>Slovenia<\/td>\n<td>Alone in a blizzard<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>SIMON<\/td>\n<td>KOVACIC<\/td>\n<td>Slovenia<\/td>\n<td>Staircase<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Simon<\/td>\n<td>Benedi\u010di\u010d<\/td>\n<td>Slovenia<\/td>\n<td>Can You Read My Mind BW<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>slamet<\/td>\n<td>adijuwono<\/td>\n<td>Indonesia<\/td>\n<td>morning activity two<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Slobodan<\/td>\n<td>Krstic<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Coming down from the mountain Lebrsnik 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Slobodan<\/td>\n<td>Krstic<\/td>\n<td>Bosnia and Herzegovina<\/td>\n<td>Shepherdess 8<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stanko<\/td>\n<td>Vidmar<\/td>\n<td>Slovenia<\/td>\n<td>Diagonal 2<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stefi<\/td>\n<td>P.Borko<\/td>\n<td>Slovenia<\/td>\n<td>Shepherd with pig<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stefi<\/td>\n<td>P.Borko<\/td>\n<td>Slovenia<\/td>\n<td>In concrete jungle<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stuart<\/td>\n<td>Daffin<\/td>\n<td>England<\/td>\n<td>His Masters Voice<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stuart<\/td>\n<td>Daffin<\/td>\n<td>England<\/td>\n<td>Runing with the Ball<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stuart<\/td>\n<td>Daffin<\/td>\n<td>England<\/td>\n<td>The Night Shift<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Stuart<\/td>\n<td>Daffin<\/td>\n<td>England<\/td>\n<td>The Night Watchman<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>SUBRATA<\/td>\n<td>BYSACK<\/td>\n<td>India<\/td>\n<td>Blessing<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sultan<\/td>\n<td>ALrawahi<\/td>\n<td>Oman<\/td>\n<td>at home<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sultan<\/td>\n<td>ALrawahi<\/td>\n<td>Oman<\/td>\n<td>Look<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>SUMAN<\/td>\n<td>BHATTACHARYYA<\/td>\n<td>India<\/td>\n<td>apocalypse now<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Szil\u00e1rd<\/td>\n<td>Varga<\/td>\n<td>Hungary<\/td>\n<td>Master of Puppets<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>tho<\/td>\n<td>dao<\/td>\n<td>Vietnam<\/td>\n<td>B1-INNOCENCO-3<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>tho<\/td>\n<td>dao<\/td>\n<td>Vietnam<\/td>\n<td>B2-MOTHER AND GRAND SON<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>tho<\/td>\n<td>dao<\/td>\n<td>Vietnam<\/td>\n<td>B4-WAY BACK HOME<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Thomas<\/td>\n<td>Crauwels<\/td>\n<td>Switzerland<\/td>\n<td>Burning<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tom<\/td>\n<td>Gore<\/td>\n<td>Canada<\/td>\n<td>On the Shores of Lake Bafa<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tom<\/td>\n<td>Gore<\/td>\n<td>Canada<\/td>\n<td>A New Arch of Titus<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tomasz<\/td>\n<td>Okoniewski<\/td>\n<td>Poland<\/td>\n<td>brotherhood<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tomasz<\/td>\n<td>Okoniewski<\/td>\n<td>Poland<\/td>\n<td>passing time<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tomasz<\/td>\n<td>Okoniewski<\/td>\n<td>Poland<\/td>\n<td>children rodeo<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tomasz<\/td>\n<td>Okoniewski<\/td>\n<td>Poland<\/td>\n<td>little miss<\/td>\n<td>FIAP Honorable mention<\/td>\n<\/tr>\n<tr>\n<td>Toma\u017e<\/td>\n<td>Lipicer<\/td>\n<td>Slovenia<\/td>\n<td>Part of me<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Toma\u017e<\/td>\n<td>Lipicer<\/td>\n<td>Slovenia<\/td>\n<td>Entangled<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Toma\u017e<\/td>\n<td>Lipicer<\/td>\n<td>Slovenia<\/td>\n<td>Drive me crazy<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tony<\/td>\n<td>Hill<\/td>\n<td>England<\/td>\n<td>Wise Old Man<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tony<\/td>\n<td>Hill<\/td>\n<td>England<\/td>\n<td>Well Heeled<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tony<\/td>\n<td>Hill<\/td>\n<td>England<\/td>\n<td>Window Light<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tracey<\/td>\n<td>Jones<\/td>\n<td>Australia<\/td>\n<td>Light and Shade<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Trond M.<\/td>\n<td>Skaret<\/td>\n<td>Norway<\/td>\n<td>Ilva Hands On Box<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Val<\/td>\n<td>Saxby<\/td>\n<td>England<\/td>\n<td>Banjo Pier<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vasja<\/td>\n<td>Doberlet<\/td>\n<td>Slovenia<\/td>\n<td>Hopeless<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vasja<\/td>\n<td>Doberlet<\/td>\n<td>Slovenia<\/td>\n<td>Teacher<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vesna<\/td>\n<td>\u0110uki\u0107<\/td>\n<td>Croatia<\/td>\n<td>Look at this Dad<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vesna<\/td>\n<td>\u0160poljar<\/td>\n<td>Croatia<\/td>\n<td>Happiness<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vesna<\/td>\n<td>\u0160poljar<\/td>\n<td>Croatia<\/td>\n<td>Friends<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Werner<\/td>\n<td>Baumann<\/td>\n<td>Germany<\/td>\n<td>Alte Buhnen<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Willy<\/td>\n<td>Vermaelen<\/td>\n<td>Belgium<\/td>\n<td>Coal trader<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zafer<\/td>\n<td>Koc<\/td>\n<td>Turkey<\/td>\n<td>Grannie<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zafer<\/td>\n<td>Koc<\/td>\n<td>Turkey<\/td>\n<td>Pasta<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zahir<\/td>\n<td>alsiyabi<\/td>\n<td>Oman<\/td>\n<td>ladakh dress<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zahir<\/td>\n<td>alsiyabi<\/td>\n<td>Oman<\/td>\n<td>old woman<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zahir<\/td>\n<td>alsiyabi<\/td>\n<td>Oman<\/td>\n<td>train brothers<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zdenka<\/td>\n<td>\u0160filigoj<\/td>\n<td>Slovenia<\/td>\n<td>Moving stairs<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zlatko<\/td>\n<td>Fi\u0161er<\/td>\n<td>Slovenia<\/td>\n<td>FIELD 1<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zlatko<\/td>\n<td>Fi\u0161er<\/td>\n<td>Slovenia<\/td>\n<td>FOGGY FIELD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zlatko<\/td>\n<td>Fi\u0161er<\/td>\n<td>Slovenia<\/td>\n<td>RACE<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zoran<\/td>\n<td>Kolaric<\/td>\n<td>Croatia<\/td>\n<td>life in the shadow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zoran<\/td>\n<td>Makarovic<\/td>\n<td>Croatia<\/td>\n<td>His cross<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zoran<\/td>\n<td>Makarovic<\/td>\n<td>Croatia<\/td>\n<td>Her love<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zoran<\/td>\n<td>Makarovic<\/td>\n<td>Croatia<\/td>\n<td>Ivan<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zoran<\/td>\n<td>Djordjevic<\/td>\n<td>Serbia<\/td>\n<td>3 rooms of sorrow<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zoran<\/td>\n<td>Djordjevic<\/td>\n<td>Serbia<\/td>\n<td>Zagreb, december 31 2012<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zsolt<\/td>\n<td>Ujhelyi<\/td>\n<td>Hungary<\/td>\n<td>Control<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zsolt<\/td>\n<td>Ujhelyi<\/td>\n<td>Hungary<\/td>\n<td>Habitus<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zsolt<\/td>\n<td>Ujhelyi<\/td>\n<td>Hungary<\/td>\n<td>Hairtwist<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zvonimir<\/td>\n<td>Rendeli<\/td>\n<td>Croatia<\/td>\n<td>Box Man<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zvonimir<\/td>\n<td>Rendeli<\/td>\n<td>Croatia<\/td>\n<td>Adrian Stout<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Zvonimir<\/td>\n<td>Rendeli<\/td>\n<td>Croatia<\/td>\n<td>Family Tree<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\u017deljko<\/td>\n<td>Novakovi\u0107<\/td>\n<td>Croatia<\/td>\n<td>Follow your dreams<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>PANNONIA REFLECTIONS 2015. LIST OF ACCEPTED AND AWARDED PHOTOS SECTION B : OPEN MONOCHROME &nbsp; NAME FAMILY NAME COUNTRY NAME OF PHOTOGRAPHY AWARD Abdulla AL-Mushaifri Qatar Take Me Home Bw Abdulla AL-Mushaifri Qatar Classical Portrait Ahmed Alibrahim Saudi Arabia Sick child Ahmed Alibrahim Saudi Arabia Sadu 2 Ahmed Alibrahim Saudi Arabia Sadu 3 Ahmed Alibrahim Saudi Arabia Sad child Ahmed Abdulazim Egypt Circles of Catch FZS Bronze medal Ahmed Abdulazim Egypt I Just Told You AHMET YENMEZ Turkey KARA CADIRDA ANA-COCUK AHMET YENMEZ Turkey MOTIVASYON Albert Peer Austria Compagnie Antipodes Aleksander \u010cufar Slovenia Image-XBW Ale\u0161 \u017diberna Slovenia Rainy day Alfred Mikus Belarus After the storm Alfred Mikus Belarus Love through the years Alfred Mikus Belarus Lonely old age Almaha Alnadabi Oman Black mask Almaha Alnadabi Oman profession Almaha Alnadabi Oman in my house Almando Reggio Italy Fencing Almando Reggio Italy Fencing 2 Almando Reggio Italy Fencing 3 Alois Bernkopf Dr. Austria Fascinating TT Anatoliy Volokh Ukraine Dance of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-749","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=749"}],"version-history":[{"count":3,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/749\/revisions"}],"predecessor-version":[{"id":1013,"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/749\/revisions\/1013"}],"wp:attachment":[{"href":"http:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}