{"id":2105,"date":"2020-12-16T17:41:55","date_gmt":"2020-12-16T17:41:55","guid":{"rendered":"http:\/\/www.pannonia.si\/?page_id=2105"},"modified":"2025-02-22T19:48:36","modified_gmt":"2025-02-22T19:48:36","slug":"2105-2","status":"publish","type":"page","link":"https:\/\/www.pannonia.si\/si\/2105-2\/","title":{"rendered":"Sprejete in nagrajene v temi Svetloba in Sence"},"content":{"rendered":"

<\/p>\n\n\n\n\n\n
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11. PANNONIA REFLECTIONS 2025<\/strong><\/p>\n<\/td>\n<\/tr>\n

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Seznam sprejetih in nagrajenih fotografij<\/p>\n<\/td>\n<\/tr>\n

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C) SVETLOBA IN SENCE <\/strong><\/p>\n

Prispele fotografije: 1371 \u2013 Sprejete fotografije: 347 \u2013 Sprejete fotografije v procentih: 25%<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Priimek<\/strong><\/td>\nIme<\/strong><\/td>\nDr\u017eava<\/strong><\/td>\nFotografija<\/strong><\/td>\nNagrada<\/strong><\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nBrick porter<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nOn the hill<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nSun and shadow<\/td>\n <\/td>\n<\/tr>\n
Alfheim<\/td>\nOlav Inge<\/td>\nNorway<\/td>\nEngeloya III<\/td>\n <\/td>\n<\/tr>\n
Alqahtani<\/td>\nAmani<\/td>\nSaudi Arabia<\/td>\nDunes Liwa<\/td>\n <\/td>\n<\/tr>\n
Ang<\/td>\nKen<\/td>\nSingapore<\/td>\nMirror Mirror<\/td>\n <\/td>\n<\/tr>\n
Arcagok<\/td>\nVeysi<\/td>\nTurkey<\/td>\nNamaza_giderken<\/td>\n <\/td>\n<\/tr>\n
Arcagok<\/td>\nVeysi<\/td>\nTurkey<\/td>\nSosyal_mesafe<\/td>\nFIAP Silver<\/td>\n<\/tr>\n
Arta\u010d<\/td>\nMatej<\/td>\nSlovenia<\/td>\nPerspektiva<\/td>\n <\/td>\n<\/tr>\n
Baio<\/td>\nRita<\/td>\nItaly<\/td>\nAttraverso<\/td>\n <\/td>\n<\/tr>\n
Baio<\/td>\nRita<\/td>\nItaly<\/td>\nDiagonal line<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nShadow on the wall<\/td>\nFZS Gold<\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nUpstair<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nV<\/td>\n <\/td>\n<\/tr>\n
Bark\u00f3czi<\/td>\nBogl\u00e1rka<\/td>\nHungary<\/td>\nStairs<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nEmelie 22<\/td>\nFZS Bronze<\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nFanny 3<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nPrele 1<\/td>\n <\/td>\n<\/tr>\n
Basha<\/td>\nRabia<\/td>\nIsrael<\/td>\nOne man 171<\/td>\n <\/td>\n<\/tr>\n
Becsi<\/td>\nJohanna<\/td>\nHungary<\/td>\nEveryday calm<\/td>\n <\/td>\n<\/tr>\n
Benkic<\/td>\nIgor<\/td>\nAustria<\/td>\nStyria Landscape<\/td>\n <\/td>\n<\/tr>\n
Bertin<\/td>\nJean-Claude<\/td>\nFrance<\/td>\nLumiere dans la nuit<\/td>\n <\/td>\n<\/tr>\n
Bhattacharyya<\/td>\nSaurabh<\/td>\nIndia<\/td>\nShadows on mountains<\/td>\n <\/td>\n<\/tr>\n
Biagi<\/td>\nRoberto<\/td>\nItaly<\/td>\nPortico di Ottavia<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nIn a balloon<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nSelf-portrait<\/td>\n <\/td>\n<\/tr>\n
Bogov\u010di\u010d<\/td>\nVladimir<\/td>\nCroatia<\/td>\n\u010cik<\/td>\n <\/td>\n<\/tr>\n
Bogov\u010di\u010d<\/td>\nVladimir<\/td>\nCroatia<\/td>\nZmija<\/td>\n <\/td>\n<\/tr>\n
Bojanic<\/td>\nDjordje<\/td>\nCroatia<\/td>\nOn a stone bench<\/td>\n <\/td>\n<\/tr>\n
Bosak<\/td>\nJosef<\/td>\nCzech Republic<\/td>\nSkyline<\/td>\n <\/td>\n<\/tr>\n
Botond<\/td>\nNagy<\/td>\nRomania<\/td>\nFence<\/td>\n <\/td>\n<\/tr>\n
Botond<\/td>\nNagy<\/td>\nRomania<\/td>\nTimeless Elegance<\/td>\n <\/td>\n<\/tr>\n
Boznar<\/td>\nEmil<\/td>\nSlovenia<\/td>\nGame of shadows<\/td>\n <\/td>\n<\/tr>\n
Buni\u0107<\/td>\nValentina<\/td>\nCroatia<\/td>\nMarionette<\/td>\n <\/td>\n<\/tr>\n
Buni\u0107<\/td>\nValentina<\/td>\nCroatia<\/td>\nMonster<\/td>\n <\/td>\n<\/tr>\n
Cagalj<\/td>\nIvan<\/td>\nCroatia<\/td>\nAfternoon’s diary<\/td>\n <\/td>\n<\/tr>\n
Cagalj<\/td>\nIvan<\/td>\nCroatia<\/td>\nHarsh sun<\/td>\n <\/td>\n<\/tr>\n
Calin<\/td>\nRucsandra<\/td>\nRomania<\/td>\nLooking for the light BW <\/td>\n <\/td>\n<\/tr>\n
Calin<\/td>\nRucsandra<\/td>\nRomania<\/td>\nPassing through the face of light<\/td>\n <\/td>\n<\/tr>\n
Casey<\/td>\nBronwen<\/td>\nAustralia<\/td>\nGrampians View at Dawn<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Catania<\/td>\nGottfried<\/td>\nMalta<\/td>\nHilltop Chapel Slovenia 2<\/td>\n <\/td>\n<\/tr>\n
Cegner<\/td>\nAleksej<\/td>\nSlovenia<\/td>\nDiversity<\/td>\n <\/td>\n<\/tr>\n
Cegner<\/td>\nAleksej<\/td>\nSlovenia<\/td>\nLost<\/td>\n <\/td>\n<\/tr>\n
Chen <\/td>\nJunjie <\/td>\nChina<\/td>\nAurora<\/td>\n <\/td>\n<\/tr>\n
Clement<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nCorridor<\/td>\n <\/td>\n<\/tr>\n
Clement<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nMy last cigarette<\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nKsenia <\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nShadow and light <\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nShadow and light 2.<\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nSiesta <\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nOkno<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nZebra<\/td>\n <\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nSha-196<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nAnjan<\/td>\nIndia<\/td>\nAfter days work<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nAnjan<\/td>\nIndia<\/td>\nPlaying at dusk<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nDebanjan<\/td>\nIndia<\/td>\nDaily Struggle<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nRupak Kumar<\/td>\nIndia<\/td>\nBalance<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nRupak Kumar<\/td>\nIndia<\/td>\nScared out<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nRupak Kumar<\/td>\nIndia<\/td>\nSpider<\/td>\n <\/td>\n<\/tr>\n
de Jong<\/td>\nFranke<\/td>\nNetherlands<\/td>\nAt the End of the Day<\/td>\n <\/td>\n<\/tr>\n
Delecluse<\/td>\nMarc<\/td>\nFrance<\/td>\nEmbracing herself<\/td>\n <\/td>\n<\/tr>\n
Delecluse<\/td>\nMarc<\/td>\nFrance<\/td>\nLola 3<\/td>\n <\/td>\n<\/tr>\n
Delecluse<\/td>\nMarc<\/td>\nFrance<\/td>\nSubtile<\/td>\n <\/td>\n<\/tr>\n
Deti\u010dek<\/td>\nEdvard<\/td>\nSlovenia<\/td>\nOgnjene sanje 1<\/td>\n <\/td>\n<\/tr>\n
Deti\u010dek<\/td>\nEdvard<\/td>\nSlovenia<\/td>\nOgnjene sanje 2<\/td>\n <\/td>\n<\/tr>\n
Dr. Smidla<\/td>\nJozsef<\/td>\nHungary<\/td>\nBallet’s Quiet Moment<\/td>\n <\/td>\n<\/tr>\n
Dr. Smidla<\/td>\nJozsef<\/td>\nHungary<\/td>\nShadows<\/td>\n <\/td>\n<\/tr>\n
Dr. Smidla<\/td>\nJozsef<\/td>\nHungary<\/td>\nWoman in smoke<\/td>\n <\/td>\n<\/tr>\n
Eifert<\/td>\nJanos<\/td>\nHungary<\/td>\nBehind the curtain 2<\/td>\n <\/td>\n<\/tr>\n
Eifert<\/td>\nJanos<\/td>\nHungary<\/td>\nLight shifts the Shadow<\/td>\n <\/td>\n<\/tr>\n
Eifert<\/td>\nJanos<\/td>\nHungary<\/td>\nTowards the light<\/td>\n <\/td>\n<\/tr>\n
Erceg<\/td>\nMilena<\/td>\nBosnia and Herzegovina<\/td>\nShadows of geese<\/td>\n <\/td>\n<\/tr>\n
Filipczak<\/td>\nJanusz<\/td>\nPoland<\/td>\nBeata<\/td>\n <\/td>\n<\/tr>\n
Filipczak<\/td>\nJanusz<\/td>\nPoland<\/td>\nMartha_1<\/td>\n <\/td>\n<\/tr>\n
Fowler<\/td>\nRuss<\/td>\nEngland<\/td>\nLaying in a Puddle<\/td>\n <\/td>\n<\/tr>\n
Franke<\/td>\nLuis Alberto<\/td>\nArgentina<\/td>\nDunas Blancas<\/td>\n <\/td>\n<\/tr>\n
Franke<\/td>\nLuis Alberto<\/td>\nArgentina<\/td>\nLa misa<\/td>\n <\/td>\n<\/tr>\n
Franke<\/td>\nLuis Alberto<\/td>\nArgentina<\/td>\nLa sombra del cono<\/td>\n <\/td>\n<\/tr>\n
Freidl<\/td>\nRuna <\/td>\nAustria<\/td>\nA silent mirror<\/td>\n <\/td>\n<\/tr>\n
Gali\u010d<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nIn the middle<\/td>\n <\/td>\n<\/tr>\n
Gali\u010d<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nPreperations<\/td>\n <\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCosmin<\/td>\nRomania<\/td>\nThe gang<\/td>\n <\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCosmin<\/td>\nRomania<\/td>\nThe smoker<\/td>\nSALON HM<\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCristina<\/td>\nRomania<\/td>\nAnother type of poetry<\/td>\n <\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCristina<\/td>\nRomania<\/td>\nHang in there<\/td>\n <\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nThe Giant<\/td>\nSALON Silver<\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nTop view<\/td>\n <\/td>\n<\/tr>\n
Gorup<\/td>\nStojan<\/td>\nSlovenia<\/td>\nA caravan<\/td>\n <\/td>\n<\/tr>\n
Gorup<\/td>\nVlasta<\/td>\nSlovenia<\/td>\nIn fog 1<\/td>\n <\/td>\n<\/tr>\n
Gorup<\/td>\nVlasta<\/td>\nSlovenia<\/td>\nMorning in the desert<\/td>\n <\/td>\n<\/tr>\n
Gruner<\/td>\nEberhard<\/td>\nGermany<\/td>\nDesert Rose<\/td>\n <\/td>\n<\/tr>\n
Gruner<\/td>\nEberhard<\/td>\nGermany<\/td>\nHolzturm<\/td>\n <\/td>\n<\/tr>\n
Gruner<\/td>\nEberhard<\/td>\nGermany<\/td>\nSculpture<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Gudendorf<\/td>\nPaul<\/td>\nLuxembourg<\/td>\nThe 2 triangles<\/td>\n <\/td>\n<\/tr>\n
Gustafson<\/td>\nKlas<\/td>\nSweden<\/td>\nMorning Mrauk<\/td>\n <\/td>\n<\/tr>\n
Gustafson<\/td>\nKlas<\/td>\nSweden<\/td>\nThe light for the future<\/td>\n <\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nHochhaeuser SFO<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nIn the sunset<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nTwo cross<\/td>\n <\/td>\n<\/tr>\n
Hampamer<\/td>\nDaniel<\/td>\nCroatia<\/td>\n\u0160ibenik<\/td>\n <\/td>\n<\/tr>\n
Hauta-aho<\/td>\nEero<\/td>\nFinland<\/td>\nGentoo Penguins in the sandstorm<\/td>\n <\/td>\n<\/tr>\n
Hauta-aho<\/td>\nEero<\/td>\nFinland<\/td>\nRed-throated divers home pond<\/td>\n <\/td>\n<\/tr>\n
Herendy<\/td>\nAdrienn<\/td>\nHungary<\/td>\nMonument<\/td>\n <\/td>\n<\/tr>\n
Hersom<\/td>\nAndrew<\/td>\nEngland<\/td>\nShadows Four<\/td>\n <\/td>\n<\/tr>\n
H\u00f6nigmann<\/td>\nRenata<\/td>\nSlovenia<\/td>\nScared Girl<\/td>\n <\/td>\n<\/tr>\n
Hribernik<\/td>\nNejc<\/td>\nSlovenia<\/td>\nBetween the shadows<\/td>\n <\/td>\n<\/tr>\n
Iglic<\/td>\nEdo<\/td>\nSerbia<\/td>\nCuriosity<\/td>\n <\/td>\n<\/tr>\n
Iglic<\/td>\nEdo<\/td>\nSerbia<\/td>\nDelivery of commercials 2<\/td>\n <\/td>\n<\/tr>\n
Iglic<\/td>\nEdo<\/td>\nSerbia<\/td>\nShadow hunter 1<\/td>\n <\/td>\n<\/tr>\n
Ileni\u010d<\/td>\nNejc<\/td>\nSlovenia<\/td>\nShadows of ourselves<\/td>\n <\/td>\n<\/tr>\n
Jafarov<\/td>\nIlgar<\/td>\nAzerbaijan<\/td>\nA bombed -out house<\/td>\n <\/td>\n<\/tr>\n
Jafarov<\/td>\nIlgar<\/td>\nAzerbaijan<\/td>\nLight spotlights<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nSre\u010dnih nekaj minut<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a Gazi\u010d<\/td>\nSonja<\/td>\nSlovenia<\/td>\nSunset Promenade<\/td>\n <\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nMountaineer<\/td>\n <\/td>\n<\/tr>\n
Jerszi<\/td>\nGabriella<\/td>\nHungary<\/td>\nHades<\/td>\n <\/td>\n<\/tr>\n
Jiang <\/td>\nZhizhou <\/td>\nChina<\/td>\nCellar<\/td>\n <\/td>\n<\/tr>\n
Jiang <\/td>\nZhizhou <\/td>\nChina<\/td>\nGod of the sun 1<\/td>\n <\/td>\n<\/tr>\n
Jiang <\/td>\nZhizhou <\/td>\nChina<\/td>\nGod of the sun <\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nAlegoria of love 01<\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nBallon shadows<\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nBrick tunnel<\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nShadow girl<\/td>\n <\/td>\n<\/tr>\n
Kapan<\/td>\nMurat<\/td>\nTurkey<\/td>\nRead in beams of light<\/td>\n <\/td>\n<\/tr>\n
Kasznar<\/td>\nKatalin<\/td>\nHungary<\/td>\nBodylight<\/td>\n <\/td>\n<\/tr>\n
Kasznar<\/td>\nKatalin<\/td>\nHungary<\/td>\nDancer<\/td>\n <\/td>\n<\/tr>\n
Kelemen<\/td>\nS\u00e1ndor<\/td>\nHungary<\/td>\nBoys and girl<\/td>\n <\/td>\n<\/tr>\n
Kelemen<\/td>\nS\u00e1ndor<\/td>\nHungary<\/td>\nScavenger<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nAfternoon mood<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nThe little ballerina<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nWalkers<\/td>\n <\/td>\n<\/tr>\n
Kilicoglu<\/td>\nMehmet<\/td>\nTurkey<\/td>\nHan<\/td>\n <\/td>\n<\/tr>\n
Kilicoglu<\/td>\nMehmet<\/td>\nTurkey<\/td>\nOku<\/td>\n <\/td>\n<\/tr>\n
Kilicoglu<\/td>\nMehmet<\/td>\nTurkey<\/td>\nOyun<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nSandor <\/td>\nHungary<\/td>\nHands<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nCaged<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nFever<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nHope<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nMystery<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nback to black<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nHommage to Dritikol_004<\/td>\n <\/td>\n<\/tr>\n
Kolenko<\/td>\nIvan<\/td>\nSlovenia<\/td>\nIn the mirror<\/td>\n <\/td>\n<\/tr>\n
Kontar<\/td>\nCsaba<\/td>\nHungary<\/td>\nHorse statue<\/td>\n <\/td>\n<\/tr>\n
Koprivc<\/td>\nMija<\/td>\nSlovenia<\/td>\nShadow<\/td>\n <\/td>\n<\/tr>\n
Koprulu<\/td>\nFiliz<\/td>\nTurkey<\/td>\nAynadan<\/td>\n <\/td>\n<\/tr>\n
Koprulu<\/td>\nFiliz<\/td>\nTurkey<\/td>\nKaranlikta<\/td>\n <\/td>\n<\/tr>\n
Kos<\/td>\nGordan<\/td>\nCroatia<\/td>\nTouch of the light<\/td>\n <\/td>\n<\/tr>\n
Kova\u010di\u010d<\/td>\nSimon<\/td>\nSlovenia<\/td>\nReturn<\/td>\n <\/td>\n<\/tr>\n
Kova\u010di\u010d<\/td>\nSimon<\/td>\nSlovenia<\/td>\nSan di Ego 03<\/td>\n <\/td>\n<\/tr>\n
Kova\u010di\u010d<\/td>\nSimon<\/td>\nSlovenia<\/td>\nSan di Ego 69<\/td>\n <\/td>\n<\/tr>\n
Kramar<\/td>\nJanez<\/td>\nSlovenia<\/td>\nChimney<\/td>\n <\/td>\n<\/tr>\n
Kranos<\/td>\nPantelis<\/td>\nCyprus<\/td>\nExit Acrodiri caves<\/td>\n <\/td>\n<\/tr>\n
Kranos<\/td>\nPantelis<\/td>\nCyprus<\/td>\nOne breath two divers<\/td>\n <\/td>\n<\/tr>\n
Kranos<\/td>\nPantelis<\/td>\nCyprus<\/td>\nShadows and body lines 101<\/td>\n <\/td>\n<\/tr>\n
Krape\u017e<\/td>\nMiran<\/td>\nSlovenia<\/td>\nMorning Talk<\/td>\n <\/td>\n<\/tr>\n
Krape\u017e<\/td>\nMiran<\/td>\nSlovenia<\/td>\nTraces and shadows<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nOn a walk<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nPhotographer<\/td>\n <\/td>\n<\/tr>\n
Krejan<\/td>\nSimon<\/td>\nSlovenia<\/td>\nJoy<\/td>\n <\/td>\n<\/tr>\n
Krejan<\/td>\nSimon<\/td>\nSlovenia<\/td>\nSpider web<\/td>\n <\/td>\n<\/tr>\n
Kriszti\u00e1n<\/td>\nBalogh<\/td>\nHungary<\/td>\nChoice<\/td>\n <\/td>\n<\/tr>\n
Kukec Mezek<\/td>\nJanez<\/td>\nSlovenia<\/td>\nDialog 1<\/td>\n <\/td>\n<\/tr>\n
Kuzmanovic<\/td>\nJovana<\/td>\nSerbia<\/td>\nKicking against reality<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nFour Friends<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nLight and Shadows<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nShadow Window Zagreb<\/td>\n <\/td>\n<\/tr>\n
L\u00e1szl\u00f3<\/td>\nM\u00e9sz\u00e1ros T.<\/td>\nHungary<\/td>\nF\u00e9nyvar\u00e1zsl\u00f3k<\/td>\n <\/td>\n<\/tr>\n
Lehotzky<\/td>\nIstv\u00e1n<\/td>\nHungary<\/td>\nDuna-flower<\/td>\n <\/td>\n<\/tr>\n
Lehotzky<\/td>\nIstv\u00e1n<\/td>\nHungary<\/td>\nSzvoboda_Bence<\/td>\n <\/td>\n<\/tr>\n
Lex<\/td>\nMih\u00e1ly<\/td>\nHungary<\/td>\nSelf portrait<\/td>\n <\/td>\n<\/tr>\n
Lex<\/td>\nM\u00f3nika<\/td>\nHungary<\/td>\nAbandoned chapel<\/td>\n <\/td>\n<\/tr>\n
Loren\u010dak<\/td>\nAleksander<\/td>\nSlovenia<\/td>\nThe curve<\/td>\n <\/td>\n<\/tr>\n
Lovric<\/td>\nZrinka<\/td>\nCroatia<\/td>\nA break<\/td>\n <\/td>\n<\/tr>\n
Lukovic<\/td>\nVojislav<\/td>\nSerbia<\/td>\nAltar talks<\/td>\n <\/td>\n<\/tr>\n
Lukovic<\/td>\nVojislav<\/td>\nSerbia<\/td>\nGood light<\/td>\n <\/td>\n<\/tr>\n
Lukovic<\/td>\nVojislav<\/td>\nSerbia<\/td>\nLight and sence<\/td>\n <\/td>\n<\/tr>\n
Magarao<\/td>\nAndre<\/td>\nBrazil<\/td>\nCoconut trees<\/td>\n <\/td>\n<\/tr>\n
Magarao<\/td>\nAndre<\/td>\nBrazil<\/td>\nSunset<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nArchaic<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nDumesti<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nThe cross<\/td>\n <\/td>\n<\/tr>\n
Malovrh<\/td>\nMilan<\/td>\nSlovenia<\/td>\nMorning Wiev<\/td>\n <\/td>\n<\/tr>\n
Malovrh<\/td>\nMilan<\/td>\nSlovenia<\/td>\nShadows of power<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nDone Deal<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nTrapped<\/td>\n <\/td>\n<\/tr>\n
Markovic<\/td>\nMilan<\/td>\nSerbia<\/td>\nLight and shadows 15<\/td>\n <\/td>\n<\/tr>\n
Markovic<\/td>\nMilan<\/td>\nSerbia<\/td>\nWinter light<\/td>\n <\/td>\n<\/tr>\n
Marti\u010d<\/td>\nNenad<\/td>\nCroatia<\/td>\nMr X expresses his condolences<\/td>\n <\/td>\n<\/tr>\n
Marti\u010d<\/td>\nNenad<\/td>\nCroatia<\/td>\nNight birds 1<\/td>\n <\/td>\n<\/tr>\n
Martin<\/td>\nJose Maria<\/td>\nSpain<\/td>\nGenerations<\/td>\n <\/td>\n<\/tr>\n
Martin<\/td>\nJose Maria<\/td>\nSpain<\/td>\nMan with cap<\/td>\n <\/td>\n<\/tr>\n
Martin<\/td>\nJose Maria<\/td>\nSpain<\/td>\nRider 2<\/td>\n <\/td>\n<\/tr>\n
Matijas<\/td>\nKristina<\/td>\nCroatia<\/td>\nDiferent shapes<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Matijas<\/td>\nKristina<\/td>\nCroatia<\/td>\nShadows on the Wall<\/td>\n <\/td>\n<\/tr>\n
Mavri\u010d<\/td>\nMaja<\/td>\nSlovenia<\/td>\nI am late<\/td>\nGPU HM<\/td>\n<\/tr>\n
Mavri\u010d<\/td>\nMaja<\/td>\nSlovenia<\/td>\nIce Cream<\/td>\n <\/td>\n<\/tr>\n
Mazloomi<\/td>\nErshad<\/td>\nIran<\/td>\nA serious look of uncle<\/td>\nSpecial PR Award<\/td>\n<\/tr>\n
Metljak<\/td>\nDrago<\/td>\nSlovenia<\/td>\nMisty Forest 1<\/td>\n <\/td>\n<\/tr>\n
Mladjenovic<\/td>\nMarina<\/td>\nSerbia<\/td>\nSvetlana<\/td>\n <\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nShadows<\/td>\nSALON Gold<\/td>\n<\/tr>\n
Mr\u00e1z<\/td>\nEdina<\/td>\nHungary<\/td>\nAllusion of the horse<\/td>\n <\/td>\n<\/tr>\n
Mr\u00e1z<\/td>\nEdina<\/td>\nHungary<\/td>\nReflections<\/td>\n <\/td>\n<\/tr>\n
Muhtasib<\/td>\nMohammed<\/td>\nSaudi Arabia<\/td>\nBadia Desert 4<\/td>\n <\/td>\n<\/tr>\n
Muhtasib<\/td>\nMohammed<\/td>\nSaudi Arabia<\/td>\nBirds market Bogor<\/td>\n <\/td>\n<\/tr>\n
Muhtasib<\/td>\nMohammed<\/td>\nSaudi Arabia<\/td>\nMom and I<\/td>\n <\/td>\n<\/tr>\n
Mukherjee<\/td>\nDebarshi<\/td>\nIndia<\/td>\nLight Tunnel<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nFrom the mountains<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nMorning Sun<\/td>\n <\/td>\n<\/tr>\n
Mysore<\/td>\nAnitha<\/td>\nIndia<\/td>\nSunset standoff<\/td>\n <\/td>\n<\/tr>\n
Nabi<\/td>\nDr. Rashid Un<\/td>\nBangladesh<\/td>\nDance dance and dance<\/td>\n <\/td>\n<\/tr>\n
Nagy<\/td>\nDavid Agoston<\/td>\nHungary<\/td>\nPoles<\/td>\n <\/td>\n<\/tr>\n
Nagy<\/td>\nDavid Agoston<\/td>\nHungary<\/td>\nWind turbines<\/td>\nFIAP Bronze<\/td>\n<\/tr>\n
Nath<\/td>\nSubrata<\/td>\nIndia<\/td>\nTHE Cyclist<\/td>\n <\/td>\n<\/tr>\n
Okoniewski<\/td>\nTomasz<\/td>\nPoland<\/td>\ncome out in the wash 3<\/td>\n <\/td>\n<\/tr>\n
Okoniewski<\/td>\nTomasz<\/td>\nPoland<\/td>\nLiwocz – power of light<\/td>\n <\/td>\n<\/tr>\n
Okoniewski<\/td>\nTomasz<\/td>\nPoland<\/td>\nReal man of smoke 2<\/td>\n <\/td>\n<\/tr>\n
Oro\u017eim<\/td>\nMiran<\/td>\nSlovenia<\/td>\nTerase<\/td>\n <\/td>\n<\/tr>\n
Oskouei<\/td>\nMehrdad<\/td>\nIran<\/td>\nGenerations Entwined<\/td>\n <\/td>\n<\/tr>\n
Ozturk<\/td>\nMetin<\/td>\nTurkey<\/td>\nShadows<\/td>\n <\/td>\n<\/tr>\n
Pal<\/td>\nGoutam<\/td>\nIndia<\/td>\nFather of the nation<\/td>\n <\/td>\n<\/tr>\n
Pal<\/td>\nGoutam<\/td>\nIndia<\/td>\nVillage Boy<\/td>\n <\/td>\n<\/tr>\n
Paletti<\/td>\nSilvestro<\/td>\nItaly<\/td>\nScene photo 11<\/td>\n <\/td>\n<\/tr>\n
Panic<\/td>\nJovica<\/td>\nBosnia and Herzegovina<\/td>\nDetail from the village<\/td>\n <\/td>\n<\/tr>\n
Panic<\/td>\nJovica<\/td>\nBosnia and Herzegovina<\/td>\nMorning fishing<\/td>\n <\/td>\n<\/tr>\n
Passuello<\/td>\nElizabeth<\/td>\nNew Zealand<\/td>\nAmidst the Mists<\/td>\n <\/td>\n<\/tr>\n
Passuello<\/td>\nElizabeth<\/td>\nNew Zealand<\/td>\nFaith<\/td>\n <\/td>\n<\/tr>\n
Passuello<\/td>\nElizabeth<\/td>\nNew Zealand<\/td>\nNatures Fury<\/td>\n <\/td>\n<\/tr>\n
Peklaj<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nDvojnik<\/td>\n <\/td>\n<\/tr>\n
Peklaj<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nPo\u010ditek<\/td>\n <\/td>\n<\/tr>\n
Petkovi\u0107<\/td>\nTomislav<\/td>\nCroatia<\/td>\nBirds<\/td>\n <\/td>\n<\/tr>\n
Petkovi\u0107<\/td>\nTomislav<\/td>\nCroatia<\/td>\nImpressed<\/td>\n <\/td>\n<\/tr>\n
Petlevski<\/td>\nRoberta<\/td>\nCroatia<\/td>\nFestival of Lights II<\/td>\n <\/td>\n<\/tr>\n
Petocz<\/td>\nTamas<\/td>\nHungary<\/td>\nAbove the clouds<\/td>\n <\/td>\n<\/tr>\n
Pinke<\/td>\nGy\u00f6rgy<\/td>\nHungary<\/td>\nWalking<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nLaundry day<\/td>\nSALON HM<\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nStrange<\/td>\n <\/td>\n<\/tr>\n
Playdon<\/td>\nSigita<\/td>\nIreland<\/td>\nRobin<\/td>\n <\/td>\n<\/tr>\n
Pr\u0161a<\/td>\nMartina<\/td>\nSlovenia<\/td>\nOn the flower at night <\/td>\n <\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nCity Winter<\/td>\n <\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nLight Space<\/td>\n <\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nMan and Dragon<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Radicanin<\/td>\nZvonko<\/td>\nCroatia<\/td>\nMister and Missis Smith<\/td>\n <\/td>\n<\/tr>\n
Radolovi\u0107<\/td>\nMladen<\/td>\nCroatia<\/td>\nShadows_02<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nI see your true colors<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nMama<\/td>\nSALON Bronze<\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nParalell universe<\/td>\n <\/td>\n<\/tr>\n
Remec<\/td>\nSimon<\/td>\nSlovenia<\/td>\nReligious direction<\/td>\n <\/td>\n<\/tr>\n
Remec<\/td>\nSimon<\/td>\nSlovenia<\/td>\nSinpapeles<\/td>\n <\/td>\n<\/tr>\n
Resch<\/td>\nHelmut<\/td>\nAustria<\/td>\nKarren im Gegenlicht<\/td>\n <\/td>\n<\/tr>\n
Resch<\/td>\nHelmut<\/td>\nAustria<\/td>\nLange Schatten<\/td>\n <\/td>\n<\/tr>\n
Roibu<\/td>\nGrigore<\/td>\nRomania<\/td>\nMystical Meditation<\/td>\n <\/td>\n<\/tr>\n
Roibu<\/td>\nGrigore<\/td>\nRomania<\/td>\nBlack and White<\/td>\n <\/td>\n<\/tr>\n
Rojko<\/td>\nMiran<\/td>\nSlovenia<\/td>\nThree yellow pipes<\/td>\n <\/td>\n<\/tr>\n
Sagen<\/td>\nBjoern Olav<\/td>\nNorway<\/td>\nKaterina with one light<\/td>\n <\/td>\n<\/tr>\n
Sagen<\/td>\nBjoern Olav<\/td>\nNorway<\/td>\nLaying in nature\u00b4s fingerprints<\/td>\n <\/td>\n<\/tr>\n
Sagen<\/td>\nBjoern Olav<\/td>\nNorway<\/td>\nLight and shadow<\/td>\n <\/td>\n<\/tr>\n
Senser<\/td>\nNorbert<\/td>\nGermany<\/td>\nBaum im Abendlicht<\/td>\n <\/td>\n<\/tr>\n
Siman<\/td>\nLaszlo<\/td>\nHungary<\/td>\nBohemien<\/td>\n <\/td>\n<\/tr>\n
Siman<\/td>\nLaszlo<\/td>\nHungary<\/td>\nFog<\/td>\n <\/td>\n<\/tr>\n
Siman<\/td>\nLaszlo<\/td>\nHungary<\/td>\nForest<\/td>\n <\/td>\n<\/tr>\n
Simon<\/td>\nClaude<\/td>\nBelgium<\/td>\nSad life<\/td>\n <\/td>\n<\/tr>\n
Sirevaag<\/td>\nJohn <\/td>\nNorway<\/td>\nBridge<\/td>\n <\/td>\n<\/tr>\n
Sirevaag<\/td>\nJohn <\/td>\nNorway<\/td>\nSildpollnes church<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nAim High<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nHome Court<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nLevitation<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nWish You Were Here<\/td>\n <\/td>\n<\/tr>\n
Smoljic<\/td>\nJosip<\/td>\nCroatia<\/td>\nA bridge between worlds<\/td>\n <\/td>\n<\/tr>\n
Smoljic<\/td>\nJosip<\/td>\nCroatia<\/td>\nWaiting for a train<\/td>\n <\/td>\n<\/tr>\n
Spannbauer<\/td>\nNikolaus <\/td>\nAustria<\/td>\nNo king without a queen<\/td>\n <\/td>\n<\/tr>\n
Stanley<\/td>\nIan<\/td>\nEngland<\/td>\nOffice Worker<\/td>\n <\/td>\n<\/tr>\n
Steunenberg<\/td>\nMaarten<\/td>\nNetherlands<\/td>\nMisty view on the Amstel riverbank<\/td>\n <\/td>\n<\/tr>\n
Stevens<\/td>\nMark <\/td>\nAustralia<\/td>\nMsheireb<\/td>\n <\/td>\n<\/tr>\n
Strahinji\u0107<\/td>\nRobert<\/td>\nSlovenia<\/td>\nOn a walk VII<\/td>\n <\/td>\n<\/tr>\n
Stuppazzoni<\/td>\nPaolo<\/td>\nItaly<\/td>\nJose le ombre in gabbia<\/td>\n <\/td>\n<\/tr>\n
Stuppazzoni<\/td>\nPaolo<\/td>\nItaly<\/td>\nLuci e ombre<\/td>\n <\/td>\n<\/tr>\n
Subhra<\/td>\nSubhra Basu<\/td>\nIndia<\/td>\nPaddy Field<\/td>\n <\/td>\n<\/tr>\n
Subhra<\/td>\nSubhra Basu<\/td>\nIndia<\/td>\nRed and white<\/td>\n <\/td>\n<\/tr>\n
Sun <\/td>\nQingsheng <\/td>\nChina<\/td>\nAntelope Canyon<\/td>\n <\/td>\n<\/tr>\n
Sun <\/td>\nQingsheng <\/td>\nChina<\/td>\nMorning village in autumn<\/td>\n <\/td>\n<\/tr>\n
Sun <\/td>\nQingsheng <\/td>\nChina<\/td>\nRange upon range of hills<\/td>\n <\/td>\n<\/tr>\n
Suszkiewicz<\/td>\nOle<\/td>\nDenmark<\/td>\nOn the way<\/td>\n <\/td>\n<\/tr>\n
Szil\u00e1rd<\/td>\nVarga<\/td>\nHungary<\/td>\nBack-light<\/td>\n <\/td>\n<\/tr>\n
Szil\u00e1rd<\/td>\nVarga<\/td>\nHungary<\/td>\nLegs and Shadows<\/td>\n <\/td>\n<\/tr>\n
\u0160ebrek<\/td>\nVinko<\/td>\nCroatia<\/td>\nEach in their own thoughts<\/td>\n <\/td>\n<\/tr>\n
\u0160imic<\/td>\nJo\u0161ko<\/td>\nSlovenia<\/td>\nEvening rest<\/td>\n <\/td>\n<\/tr>\n
\u0160imic<\/td>\nJo\u0161ko<\/td>\nSlovenia<\/td>\nMongolian morning<\/td>\n <\/td>\n<\/tr>\n
\u0160imic<\/td>\nMatja\u017e<\/td>\nSlovenia<\/td>\nFirst light<\/td>\n <\/td>\n<\/tr>\n
\u0160pendal<\/td>\nMaja<\/td>\nSlovenia<\/td>\nInto the light<\/td>\n <\/td>\n<\/tr>\n
\u0160uko<\/td>\nZenir<\/td>\nBosnia and Herzegovina<\/td>\nPozdrav<\/td>\n <\/td>\n<\/tr>\n
Tajn\u0161ek<\/td>\nVanja<\/td>\nSlovenia<\/td>\nInvitation<\/td>\n <\/td>\n<\/tr>\n
Tajn\u0161ek<\/td>\nVanja<\/td>\nSlovenia<\/td>\nKnights of Celje<\/td>\n <\/td>\n<\/tr>\n
Tajn\u0161ek<\/td>\nVanja<\/td>\nSlovenia<\/td>\nQuo vadis, Domine<\/td>\n <\/td>\n<\/tr>\n
Tancar<\/td>\nMarko<\/td>\nSlovenia<\/td>\nAnger<\/td>\n <\/td>\n<\/tr>\n
Tancar<\/td>\nMarko<\/td>\nSlovenia<\/td>\nEarly morning<\/td>\n <\/td>\n<\/tr>\n
Tang <\/td>\nGaoyi <\/td>\nChina<\/td>\nGrazing<\/td>\n <\/td>\n<\/tr>\n
Tatliturk<\/td>\nYusuf<\/td>\nTurkey<\/td>\nAcrobatics<\/td>\n <\/td>\n<\/tr>\n
Tatliturk<\/td>\nYusuf<\/td>\nTurkey<\/td>\nYuzondokuz<\/td>\n <\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nOn the way home<\/td>\n <\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nRed dragon<\/td>\nFZS Silver<\/td>\n<\/tr>\n
Titov<\/td>\nBasil<\/td>\nBelarus<\/td>\nWorking day<\/td>\n <\/td>\n<\/tr>\n
Tominac<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nMorning Light<\/td>\n <\/td>\n<\/tr>\n
Ujevi\u0107<\/td>\nIvan<\/td>\nCroatia<\/td>\nBicikli<\/td>\n <\/td>\n<\/tr>\n
Ujevi\u0107<\/td>\nIvan<\/td>\nCroatia<\/td>\nBlizanci<\/td>\n <\/td>\n<\/tr>\n
Ujevi\u0107<\/td>\nIvan<\/td>\nCroatia<\/td>\nGolubovi<\/td>\n <\/td>\n<\/tr>\n
Unemyr<\/td>\nGoran<\/td>\nSweden<\/td>\nThe sunbeams<\/td>\n <\/td>\n<\/tr>\n
Unemyr<\/td>\nMargareta<\/td>\nSweden<\/td>\nShadow<\/td>\n <\/td>\n<\/tr>\n
Unemyr<\/td>\nMargareta<\/td>\nSweden<\/td>\nThe shadow takes you<\/td>\n <\/td>\n<\/tr>\n
Uran<\/td>\nRudi<\/td>\nSlovenia<\/td>\nBluebeard No.32<\/td>\n <\/td>\n<\/tr>\n
Uran<\/td>\nRudi<\/td>\nSlovenia<\/td>\nMan with a gray beard No.6<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nConcrete<\/td>\nGPU Gold<\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nCyclist streaks<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nDoublebarrel<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nGraphic wall<\/td>\n <\/td>\n<\/tr>\n
van Iterson<\/td>\nJim<\/td>\nNetherlands<\/td>\nSaxophone player<\/td>\n <\/td>\n<\/tr>\n
Van Nuffel<\/td>\nClement<\/td>\nBelgium<\/td>\nSunny Day<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nShades of Greece<\/td>\n <\/td>\n<\/tr>\n
Vide\u010dnik<\/td>\n\u0160tefi<\/td>\nSlovenia<\/td>\nNews of the day<\/td>\n <\/td>\n<\/tr>\n
Vidmar<\/td>\nStane<\/td>\nSlovenia<\/td>\nChimneys<\/td>\n <\/td>\n<\/tr>\n
Vidmar<\/td>\nStane<\/td>\nSlovenia<\/td>\nThe shadow of the invisible<\/td>\nGPU HM<\/td>\n<\/tr>\n
Virag<\/td>\nI\u0161tvan<\/td>\nSerbia<\/td>\nOld Age<\/td>\n <\/td>\n<\/tr>\n
Virag<\/td>\nI\u0161tvan<\/td>\nSerbia<\/td>\nStill life<\/td>\n <\/td>\n<\/tr>\n
Virag<\/td>\nI\u0161tvan<\/td>\nSerbia<\/td>\nStreet view<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nDunes of Sahara 01<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nDunes of Sahara 02<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nDunes of Sahara 03<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nDunes of Sahara 04<\/td>\n <\/td>\n<\/tr>\n
Vorobeva<\/td>\nNadezhda<\/td>\nRussia<\/td>\nNew life<\/td>\n <\/td>\n<\/tr>\n
Vu<\/td>\nManh Cuong<\/td>\nVietnam<\/td>\nFire of traditional career<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nJitang <\/td>\nChina<\/td>\nGood craftsmanship<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian <\/td>\nAustralia<\/td>\nIn the Navy<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Whear<\/td>\nAdrian <\/td>\nAustralia<\/td>\nNo egrets<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian <\/td>\nAustralia<\/td>\nWarning sign<\/td>\n <\/td>\n<\/tr>\n
Wiesen<\/td>\nWolfgang<\/td>\nGermany<\/td>\nBasketball<\/td>\n <\/td>\n<\/tr>\n
Wiesen<\/td>\nWolfgang<\/td>\nGermany<\/td>\nMosque<\/td>\n <\/td>\n<\/tr>\n
Wildner<\/td>\nWolfram<\/td>\nGermany<\/td>\nLampenschatten<\/td>\n <\/td>\n<\/tr>\n
Winkens<\/td>\nGeorg<\/td>\nGermany<\/td>\nLibero<\/td>\n <\/td>\n<\/tr>\n
Winkens<\/td>\nGeorg<\/td>\nGermany<\/td>\nStairs Structure<\/td>\n <\/td>\n<\/tr>\n
Yanushko<\/td>\nPolina<\/td>\nRussia<\/td>\nUp<\/td>\n <\/td>\n<\/tr>\n
Yu<\/td>\nZhong An<\/td>\nChina<\/td>\nCorner<\/td>\nFIAP Gold<\/td>\n<\/tr>\n
Yu<\/td>\nZhong An<\/td>\nChina<\/td>\nInterlaced<\/td>\n <\/td>\n<\/tr>\n
Yu <\/td>\nJian<\/td>\nChina<\/td>\nAwaking<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nCurves<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nFrom darkness to light<\/td>\n <\/td>\n<\/tr>\n
Zhong <\/td>\nZhitang <\/td>\nChina<\/td>\nHorses across the river<\/td>\n <\/td>\n<\/tr>\n
Zhong <\/td>\nZhitang <\/td>\nChina<\/td>\nShadow on the court<\/td>\n <\/td>\n<\/tr>\n
Zhu <\/td>\nJinpeng<\/td>\nChina<\/td>\nMorning light in Yangshuo<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"

11. PANNONIA REFLECTIONS 2025 Seznam sprejetih in nagrajenih fotografij C) SVETLOBA IN SENCE  Prispele fotografije: 1371 \u2013 Sprejete fotografije: 347 \u2013 Sprejete fotografije v procentih: 25%   Priimek Ime Dr\u017eava Fotografija Nagrada Alameer Amal Saudi Arabia Brick porter   Alameer Amal Saudi Arabia On the hill   Alameer Amal Saudi Arabia Sun and shadow   Alfheim Olav Inge Norway Engeloya III   Alqahtani Amani Saudi Arabia Dunes Liwa   Ang Ken Singapore Mirror Mirror   Arcagok Veysi Turkey Namaza_giderken   Arcagok Veysi Turkey Sosyal_mesafe FIAP Silver Arta\u010d Matej Slovenia Perspektiva   Baio Rita Italy Attraverso   Baio Rita Italy Diagonal line   Banjac Nenad Croatia Shadow on the wall FZS Gold Banjac Nenad Croatia Upstair   Banjac Nenad Croatia V   Bark\u00f3czi Bogl\u00e1rka Hungary Stairs   Bartholme Jos Luxembourg Emelie 22 FZS Bronze Bartholme Jos Luxembourg Fanny 3   Bartholme Jos Luxembourg Prele 1   Basha Rabia Israel One man 171   Becsi Johanna Hungary Everyday calm   […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2105","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=2105"}],"version-history":[{"count":5,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2105\/revisions"}],"predecessor-version":[{"id":2960,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2105\/revisions\/2960"}],"wp:attachment":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=2105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}