{"id":2393,"date":"2022-12-21T17:39:11","date_gmt":"2022-12-21T17:39:11","guid":{"rendered":"https:\/\/www.pannonia.si\/?page_id=2393"},"modified":"2025-02-22T19:51:06","modified_gmt":"2025-02-22T19:51:06","slug":"accepted-awarded-photos-in-section-open-monochrome-2","status":"publish","type":"page","link":"https:\/\/www.pannonia.si\/si\/accepted-awarded-photos-in-section-open-monochrome-2\/","title":{"rendered":"Sprejete in nagrajene fotografije v temi Prosta \u010drno bela 2025"},"content":{"rendered":"

<\/p>\n\n\n\n\n\n
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11. PANNONIA REFLECTIONS 2025<\/strong><\/p>\n<\/td>\n<\/tr>\n

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Seznam sprejetih in nagrajenih fotografij<\/p>\n<\/td>\n<\/tr>\n

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B) PROSTA \u010cRNO BELA<\/strong><\/p>\n

Prispele fotografije: 1466 – Sprejete fotografije: 368 –  Sprejete fotografije v procentih: 25%<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Priimek<\/strong><\/td>\nIme<\/strong><\/td>\nDr\u017eava<\/strong><\/td>\nFotografija<\/strong><\/td>\nNagrada<\/strong><\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nFriends hands<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nThe giants meeting<\/td>\n <\/td>\n<\/tr>\n
Alfheim<\/td>\nOlav Inge<\/td>\nNorway<\/td>\nBabels Tower<\/td>\n <\/td>\n<\/tr>\n
Alqahtani<\/td>\nAmani<\/td>\nSaudi Arabia<\/td>\nAryan Family<\/td>\n <\/td>\n<\/tr>\n
Alqahtani<\/td>\nAmani<\/td>\nSaudi Arabia<\/td>\nAstory of time<\/td>\n <\/td>\n<\/tr>\n
Alqahtani<\/td>\nAmani<\/td>\nSaudi Arabia<\/td>\nLadies Zanskar<\/td>\n <\/td>\n<\/tr>\n
Alqahtani<\/td>\nAmani<\/td>\nSaudi Arabia<\/td>\nPassion for Reading 2<\/td>\n <\/td>\n<\/tr>\n
Ang<\/td>\nKen<\/td>\nSingapore<\/td>\nDeep Dive<\/td>\n <\/td>\n<\/tr>\n
Ang<\/td>\nKen<\/td>\nSingapore<\/td>\nThe Crane<\/td>\n <\/td>\n<\/tr>\n
Arcagok<\/td>\nVeysi<\/td>\nTurkey<\/td>\nCay<\/td>\n <\/td>\n<\/tr>\n
Arcagok<\/td>\nVeysi<\/td>\nTurkey<\/td>\nTirmanis<\/td>\n <\/td>\n<\/tr>\n
Armand<\/td>\nAmirhosein<\/td>\nIran<\/td>\nWaiting and closed<\/td>\n <\/td>\n<\/tr>\n
Baio<\/td>\nRita<\/td>\nItaly<\/td>\nCalatrava cross<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nInterwined<\/td>\n <\/td>\n<\/tr>\n
B\u00e1nyai<\/td>\nZsuzsanna<\/td>\nHungary<\/td>\nOn the lap of valleys<\/td>\n <\/td>\n<\/tr>\n
Bark\u00f3czi<\/td>\nBogl\u00e1rka<\/td>\nHungary<\/td>\nIn a circle<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nBionda 9<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nCentre pompidou metz 2<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nFanny 5<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nLena 1<\/td>\nFZS Silver<\/td>\n<\/tr>\n
Basha<\/td>\nRabia<\/td>\nIsrael<\/td>\nDima AR 246<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nBlacksmit<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nDeparture 2<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nWhispering<\/td>\n <\/td>\n<\/tr>\n
Bogn\u00e1r<\/td>\nP\u00e9ter<\/td>\nHungary<\/td>\nWhat the leaves tell us<\/td>\nFIAP Bronze<\/td>\n<\/tr>\n
Bogov\u010di\u010d<\/td>\nVladimir<\/td>\nCroatia<\/td>\nMarina<\/td>\n <\/td>\n<\/tr>\n
Bogov\u010di\u010d<\/td>\nVladimir<\/td>\nCroatia<\/td>\nStres<\/td>\n <\/td>\n<\/tr>\n
Bogov\u010di\u010d<\/td>\nVladimir<\/td>\nCroatia<\/td>\nWinter fog<\/td>\n <\/td>\n<\/tr>\n
Bojanic<\/td>\nDjordje<\/td>\nCroatia<\/td>\nIt is nice to have a warm home<\/td>\n <\/td>\n<\/tr>\n
Bosak<\/td>\nJosef<\/td>\nCzech Republic<\/td>\nGive me hope II<\/td>\n <\/td>\n<\/tr>\n
Bosak<\/td>\nJosef<\/td>\nCzech Republic<\/td>\nGive me hope III<\/td>\n <\/td>\n<\/tr>\n
Bosak<\/td>\nJosef<\/td>\nCzech Republic<\/td>\nJajka<\/td>\n <\/td>\n<\/tr>\n
Botond<\/td>\nNagy<\/td>\nRomania<\/td>\nGrandfather\u2019s Stories<\/td>\n <\/td>\n<\/tr>\n
Breilin<\/td>\nKalle<\/td>\nFinland<\/td>\nEast Pasila 2<\/td>\n <\/td>\n<\/tr>\n
Buesching<\/td>\nGunter<\/td>\nGermany<\/td>\nIn der Spur<\/td>\n <\/td>\n<\/tr>\n
Bushe<\/td>\nCatherine<\/td>\nIreland<\/td>\nFull circle<\/td>\n <\/td>\n<\/tr>\n
Bushe<\/td>\nCatherine<\/td>\nIreland<\/td>\nPoint of difference<\/td>\n <\/td>\n<\/tr>\n
Bushe<\/td>\nCatherine<\/td>\nIreland<\/td>\nUrban ascent<\/td>\n <\/td>\n<\/tr>\n
Cagalj<\/td>\nIvan<\/td>\nCroatia<\/td>\nAdvancement<\/td>\n <\/td>\n<\/tr>\n
Cagalj<\/td>\nIvan<\/td>\nCroatia<\/td>\nOde to joy<\/td>\n <\/td>\n<\/tr>\n
Calin<\/td>\nRucsandra<\/td>\nRomania<\/td>\nAccumulated burdens BW<\/td>\n <\/td>\n<\/tr>\n
Calin<\/td>\nRucsandra<\/td>\nRomania<\/td>\nThe village bell ringer<\/td>\n <\/td>\n<\/tr>\n
Cegner<\/td>\nAleksej<\/td>\nSlovenia<\/td>\nThe painter<\/td>\n <\/td>\n<\/tr>\n
Cerar<\/td>\nMarjan<\/td>\nSlovenia<\/td>\nTrenutek pozornosti<\/td>\n <\/td>\n<\/tr>\n
Chaim<\/td>\nJose Henrique <\/td>\nBrazil<\/td>\nRenato Teixeira<\/td>\n <\/td>\n<\/tr>\n
Chaim<\/td>\nJose Henrique <\/td>\nBrazil<\/td>\nThe Past<\/td>\n <\/td>\n<\/tr>\n
Chen <\/td>\nJunjie <\/td>\nChina<\/td>\nDawn<\/td>\n <\/td>\n<\/tr>\n
Clement<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nLeave Your Hat On<\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nAllurement <\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nMirror World<\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nThe Necktie<\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nVenus<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nFirst light<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nNova doba<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nSestavljanka<\/td>\n <\/td>\n<\/tr>\n
\u010cotar<\/td>\nSuzana<\/td>\nSlovenia<\/td>\nIn the embrace of water 5196<\/td>\n <\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nAcrobatic figures<\/td>\n <\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nBallerina-3328<\/td>\n <\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nValeria-307<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nAnjan<\/td>\nIndia<\/td>\nPeeping Through<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nDebanjan<\/td>\nIndia<\/td>\nAnger 0663<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nDebanjan<\/td>\nIndia<\/td>\nGaze<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nDebanjan<\/td>\nIndia<\/td>\nGlittering Eyes<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nDebanjan<\/td>\nIndia<\/td>\nThrough The Net<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nRupak Kumar<\/td>\nIndia<\/td>\nInnate Fear<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nRupak Kumar<\/td>\nIndia<\/td>\nSunflower<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nRupak Kumar<\/td>\nIndia<\/td>\nSurprised<\/td>\n <\/td>\n<\/tr>\n
Davies<\/td>\nGarry<\/td>\nAustralia<\/td>\nThe Sandbar<\/td>\n <\/td>\n<\/tr>\n
de Jong<\/td>\nFranke<\/td>\nNetherlands<\/td>\nEenzame fietser<\/td>\n <\/td>\n<\/tr>\n
de Jong<\/td>\nFranke<\/td>\nNetherlands<\/td>\nOnderosje<\/td>\n <\/td>\n<\/tr>\n
de Jong<\/td>\nFranke<\/td>\nNetherlands<\/td>\nTurnaround<\/td>\n <\/td>\n<\/tr>\n
Delecluse<\/td>\nMarc<\/td>\nFrance<\/td>\nMarie uncovered<\/td>\n <\/td>\n<\/tr>\n
Delecluse<\/td>\nMarc<\/td>\nFrance<\/td>\nSolivagant<\/td>\n <\/td>\n<\/tr>\n
Deti\u010dek<\/td>\nLuka<\/td>\nSlovenia<\/td>\nWhen?<\/td>\n <\/td>\n<\/tr>\n
Doberlet<\/td>\nVasja<\/td>\nSlovenia<\/td>\nDervi\u0161 III<\/td>\n <\/td>\n<\/tr>\n
Dr. Smidla<\/td>\nJozsef<\/td>\nHungary<\/td>\nForest cabin<\/td>\n <\/td>\n<\/tr>\n
Dr. Smidla<\/td>\nJozsef<\/td>\nHungary<\/td>\nTogether<\/td>\n <\/td>\n<\/tr>\n
Eifert<\/td>\nJanos<\/td>\nHungary<\/td>\nBody and soul<\/td>\n <\/td>\n<\/tr>\n
Eifert<\/td>\nJanos<\/td>\nHungary<\/td>\nLive and dead heads<\/td>\n <\/td>\n<\/tr>\n
Erceg<\/td>\nMilena<\/td>\nBosnia and Herzegovina<\/td>\nHard life 2<\/td>\n <\/td>\n<\/tr>\n
Erceg<\/td>\nMilena<\/td>\nBosnia and Herzegovina<\/td>\nKatarina<\/td>\nFZS Gold<\/td>\n<\/tr>\n
Eroglu<\/td>\nSerpil<\/td>\nTurkey<\/td>\nmosque<\/td>\n <\/td>\n<\/tr>\n
Estefania Fla\u00f1o<\/td>\nJose Alfredo<\/td>\nSpain<\/td>\nPintor callejero<\/td>\n <\/td>\n<\/tr>\n
Estefania Fla\u00f1o<\/td>\nJose Alfredo<\/td>\nSpain<\/td>\nSalto con p\u00e9rtiga<\/td>\n <\/td>\n<\/tr>\n
Fowler<\/td>\nRuss<\/td>\nEngland<\/td>\nLottie<\/td>\n <\/td>\n<\/tr>\n
Fowler<\/td>\nRuss<\/td>\nEngland<\/td>\nSarah Cochrane – AUS<\/td>\n <\/td>\n<\/tr>\n
Franke<\/td>\nLuis Alberto<\/td>\nArgentina<\/td>\nDevocion<\/td>\n <\/td>\n<\/tr>\n
Franke<\/td>\nLuis Alberto<\/td>\nArgentina<\/td>\nPoste caido<\/td>\n <\/td>\n<\/tr>\n
Gajdos<\/td>\nGabor<\/td>\nHungary<\/td>\nParallel Thoughts<\/td>\n <\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCosmin<\/td>\nRomania<\/td>\nBalloon guy<\/td>\nSALON HM<\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCosmin<\/td>\nRomania<\/td>\nSound of music<\/td>\n <\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCosmin<\/td>\nRomania<\/td>\nThe nun<\/td>\n <\/td>\n<\/tr>\n
Garlesteanu<\/td>\nCristina<\/td>\nRomania<\/td>\nThe secret<\/td>\n <\/td>\n<\/tr>\n
Gatsoulis<\/td>\nNikolaos<\/td>\nGreece<\/td>\nElina<\/td>\n <\/td>\n<\/tr>\n
Gatsoulis<\/td>\nNikolaos<\/td>\nGreece<\/td>\nOlga3<\/td>\n <\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nDespite the winter<\/td>\n <\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nThe burden of years<\/td>\n <\/td>\n<\/tr>\n
Gorup<\/td>\nStojan<\/td>\nSlovenia<\/td>\nNew cap<\/td>\n <\/td>\n<\/tr>\n
Gradi\u0161nik<\/td>\nUr\u0161ka<\/td>\nSlovenia<\/td>\nIn the distance<\/td>\n <\/td>\n<\/tr>\n
Gradi\u0161nik<\/td>\nUr\u0161ka<\/td>\nSlovenia<\/td>\nIn the rythm<\/td>\n <\/td>\n<\/tr>\n
Graj<\/td>\nBorut<\/td>\nSlovenia<\/td>\nHomage to masters<\/td>\n <\/td>\n<\/tr>\n
Gregl<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nBehind the curtain<\/td>\n <\/td>\n<\/tr>\n
Gregl<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nGirsl with flowers<\/td>\n <\/td>\n<\/tr>\n
Gros<\/td>\nCedomil<\/td>\nCroatia<\/td>\nKleine und Grossglockner<\/td>\n <\/td>\n<\/tr>\n
Gros<\/td>\nCedomil<\/td>\nCroatia<\/td>\nTwo Worldviews<\/td>\n <\/td>\n<\/tr>\n
Gudendorf<\/td>\nPaul<\/td>\nLuxembourg<\/td>\nAcrobatic performance<\/td>\n <\/td>\n<\/tr>\n
Gudendorf<\/td>\nPaul<\/td>\nLuxembourg<\/td>\nThe triangle<\/td>\n <\/td>\n<\/tr>\n
Gudendorf<\/td>\nPaul<\/td>\nLuxembourg<\/td>\nVertraemt<\/td>\n <\/td>\n<\/tr>\n
Gustafson<\/td>\nKlas<\/td>\nSweden<\/td>\nRomania man<\/td>\n <\/td>\n<\/tr>\n
Hainer<\/td>\nIstv\u00e1n<\/td>\nHungary<\/td>\nherkules actor<\/td>\n <\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nChurchyard<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nMoench im Wandelgang<\/td>\n <\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nNebelstimmung N061 01<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nDrops<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nSmoky work<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nWorry<\/td>\n <\/td>\n<\/tr>\n
Hampamer<\/td>\nDaniel<\/td>\nCroatia<\/td>\nSkela<\/td>\n <\/td>\n<\/tr>\n
Han <\/td>\nYueheng <\/td>\nChina<\/td>\nBamboo slips<\/td>\n <\/td>\n<\/tr>\n
Hauta-aho<\/td>\nEero<\/td>\nFinland<\/td>\nFoggy Pond 4<\/td>\n <\/td>\n<\/tr>\n
Hauta-aho<\/td>\nEero<\/td>\nFinland<\/td>\nObservers<\/td>\n <\/td>\n<\/tr>\n
Heinzl<\/td>\nRoland<\/td>\nGermany<\/td>\nMursi Mann<\/td>\n <\/td>\n<\/tr>\n
Herendy<\/td>\nAdrienn<\/td>\nHungary<\/td>\nCorridor<\/td>\n <\/td>\n<\/tr>\n
Hieng<\/td>\nPrimoz<\/td>\nSlovenia<\/td>\nPavliha<\/td>\n <\/td>\n<\/tr>\n
Holop<\/td>\nFrantisek<\/td>\nSlovakia<\/td>\nAdero Pemberton<\/td>\n <\/td>\n<\/tr>\n
Holop<\/td>\nFrantisek<\/td>\nSlovakia<\/td>\nHarvesting<\/td>\n <\/td>\n<\/tr>\n
Hranilovi\u010d<\/td>\nViktor<\/td>\nSlovenia<\/td>\nPerspective<\/td>\n <\/td>\n<\/tr>\n
Iglic<\/td>\nEdo<\/td>\nSerbia<\/td>\nPatrijarh Irinej<\/td>\n <\/td>\n<\/tr>\n
Iglic<\/td>\nEdo<\/td>\nSerbia<\/td>\nSilent witness<\/td>\n <\/td>\n<\/tr>\n
Ignac<\/td>\nDusan<\/td>\nSlovakia<\/td>\nLinie 4<\/td>\n <\/td>\n<\/tr>\n
Ignac<\/td>\nDusan<\/td>\nSlovakia<\/td>\nModern Lisbon<\/td>\n <\/td>\n<\/tr>\n
Ileni\u010d<\/td>\nNejc<\/td>\nSlovenia<\/td>\nPavement poetry<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nLost<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nNekje v Izoli<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a Gazi\u010d<\/td>\nSonja<\/td>\nSlovenia<\/td>\nA Fishing Boat<\/td>\n <\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nEnergy<\/td>\n <\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nIn the future<\/td>\n <\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nVelika planina<\/td>\n <\/td>\n<\/tr>\n
Jiang <\/td>\nZhizhou <\/td>\nChina<\/td>\nThe Crazy Festival<\/td>\n <\/td>\n<\/tr>\n
Jiang <\/td>\nZhizhou <\/td>\nChina<\/td>\nYi ethnic elderly<\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nHigh<\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nPath of samples<\/td>\n <\/td>\n<\/tr>\n
Kacafura<\/td>\nMihael<\/td>\nSlovenia<\/td>\nWriter<\/td>\nFZS Bronze<\/td>\n<\/tr>\n
Kani\u0161ki<\/td>\nTomica<\/td>\nCroatia<\/td>\nMagda 3<\/td>\n <\/td>\n<\/tr>\n
Kani\u0161ki<\/td>\nTomica<\/td>\nCroatia<\/td>\nSerious<\/td>\n <\/td>\n<\/tr>\n
Kapan<\/td>\nMurat<\/td>\nTurkey<\/td>\nXale Kemal<\/td>\n <\/td>\n<\/tr>\n
Kasznar<\/td>\nKatalin<\/td>\nHungary<\/td>\nBalerina<\/td>\n <\/td>\n<\/tr>\n
Kasznar<\/td>\nKatalin<\/td>\nHungary<\/td>\nShapes<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nChild destiny<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nGoatherd boy<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nShepherd and dog<\/td>\nFIAP Gold<\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nShepherds<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nSandor <\/td>\nHungary<\/td>\nMetamorphosis<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nSandor <\/td>\nHungary<\/td>\nSeductive whiteness<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nButterfly<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nthe triangle of beauty<\/td>\n <\/td>\n<\/tr>\n
Kolenko<\/td>\nIvan<\/td>\nSlovenia<\/td>\nNun<\/td>\n <\/td>\n<\/tr>\n
Koprivc<\/td>\nMija<\/td>\nSlovenia<\/td>\nNever Ending<\/td>\n <\/td>\n<\/tr>\n
Kos<\/td>\nGordan<\/td>\nCroatia<\/td>\nMeeting of generations<\/td>\n <\/td>\n<\/tr>\n
Kos<\/td>\nGordan<\/td>\nCroatia<\/td>\nPortrait from underground<\/td>\n <\/td>\n<\/tr>\n
Kos<\/td>\nGordan<\/td>\nCroatia<\/td>\nSolitude<\/td>\n <\/td>\n<\/tr>\n
Kova\u010di\u010d<\/td>\nSimon<\/td>\nSlovenia<\/td>\nUnderpass 80<\/td>\n <\/td>\n<\/tr>\n
Kramar<\/td>\nJanez<\/td>\nSlovenia<\/td>\nFirst snow 2<\/td>\n <\/td>\n<\/tr>\n
Kramar<\/td>\nJanez<\/td>\nSlovenia<\/td>\nGirl with kefia 2<\/td>\n <\/td>\n<\/tr>\n
Kranos<\/td>\nPantelis<\/td>\nCyprus<\/td>\nAquatic flying<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Kranos<\/td>\nPantelis<\/td>\nCyprus<\/td>\nMagical Elpida wreck 105<\/td>\n <\/td>\n<\/tr>\n
Kranos<\/td>\nPantelis<\/td>\nCyprus<\/td>\nMusan art 104<\/td>\n <\/td>\n<\/tr>\n
Krape\u017e<\/td>\nMiran<\/td>\nSlovenia<\/td>\nBird of extreme<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nJumper<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nSorsko polje<\/td>\nFIAP Silver<\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nThree in the raw<\/td>\n <\/td>\n<\/tr>\n
Krejan<\/td>\nSimon<\/td>\nSlovenia<\/td>\nFrictions<\/td>\n <\/td>\n<\/tr>\n
Krejan<\/td>\nSimon<\/td>\nSlovenia<\/td>\nOne morning<\/td>\n <\/td>\n<\/tr>\n
Kriszti\u00e1n<\/td>\nBalogh<\/td>\nHungary<\/td>\nBitternes<\/td>\n <\/td>\n<\/tr>\n
Kriszti\u00e1n<\/td>\nBalogh<\/td>\nHungary<\/td>\nLight and Shadows<\/td>\n <\/td>\n<\/tr>\n
Kuchta<\/td>\nGrzegorz<\/td>\nPoland<\/td>\nNuns<\/td>\n <\/td>\n<\/tr>\n
Kukec Mezek<\/td>\nJanez<\/td>\nSlovenia<\/td>\nOn the Rock<\/td>\n <\/td>\n<\/tr>\n
Kukec Mezek<\/td>\nJanez<\/td>\nSlovenia<\/td>\nWarmth 1<\/td>\n <\/td>\n<\/tr>\n
Kumar<\/td>\nSanath<\/td>\nIndia<\/td>\nCorners<\/td>\n <\/td>\n<\/tr>\n
Kuzmanovic<\/td>\nJovana<\/td>\nSerbia<\/td>\nPoetics of Mistery<\/td>\n <\/td>\n<\/tr>\n
L\u00e1szl\u00f3<\/td>\nM\u00e9sz\u00e1ros T.<\/td>\nHungary<\/td>\nIll\u00fazi\u00f3<\/td>\n <\/td>\n<\/tr>\n
Lehotzky<\/td>\nIstv\u00e1n<\/td>\nHungary<\/td>\nBall_love<\/td>\n <\/td>\n<\/tr>\n
Lesjak<\/td>\nDanilo<\/td>\nSlovenia<\/td>\nBench at Kolovrat<\/td>\n <\/td>\n<\/tr>\n
Le\u0161njak<\/td>\nAlfred<\/td>\nSlovenia<\/td>\nNight work<\/td>\n <\/td>\n<\/tr>\n
Lex<\/td>\nM\u00f3nika<\/td>\nHungary<\/td>\nWaiting<\/td>\n <\/td>\n<\/tr>\n
Lovric<\/td>\nZrinka<\/td>\nCroatia<\/td>\nThe lady in white<\/td>\n <\/td>\n<\/tr>\n
Lukovic<\/td>\nVojislav<\/td>\nSerbia<\/td>\nKibitzer<\/td>\n <\/td>\n<\/tr>\n
Lukovic<\/td>\nVojislav<\/td>\nSerbia<\/td>\nOld mine<\/td>\n <\/td>\n<\/tr>\n
Lybaert<\/td>\nDaniel<\/td>\nNetherlands<\/td>\nGierenkop in ZwW<\/td>\n <\/td>\n<\/tr>\n
Lybaert<\/td>\nDaniel<\/td>\nNetherlands<\/td>\nJong olifantje 3 in ZwW<\/td>\n <\/td>\n<\/tr>\n
Lybaert<\/td>\nDaniel<\/td>\nNetherlands<\/td>\nKuifmakakenfamilie in ZwW<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nConfinement<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nEscort fighter<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nTree hug<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nWinter story<\/td>\n <\/td>\n<\/tr>\n
Mahovic<\/td>\nDubravko<\/td>\nCroatia<\/td>\nResting<\/td>\n <\/td>\n<\/tr>\n
Maiquez Mijares<\/td>\nJose Manuel<\/td>\nSpain<\/td>\nDespedida<\/td>\n <\/td>\n<\/tr>\n
Maity<\/td>\nBasudev<\/td>\nIndia<\/td>\nPleasing 8784<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nCold morning<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nSolitudine<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nTango<\/td>\n <\/td>\n<\/tr>\n
Majumder<\/td>\nPradyot<\/td>\nIndia<\/td>\nInnocent saint<\/td>\n <\/td>\n<\/tr>\n
Malovitskyi <\/td>\nOleg<\/td>\nUkraine<\/td>\nI am thinking <\/td>\n <\/td>\n<\/tr>\n
Malovrh<\/td>\nMilan<\/td>\nSlovenia<\/td>\nDuel<\/td>\n <\/td>\n<\/tr>\n
Mansurov<\/td>\nRenat<\/td>\nKazakhstan<\/td>\nEyes<\/td>\n <\/td>\n<\/tr>\n
Mantykangas<\/td>\nJarmo<\/td>\nFinland<\/td>\nAero jet Crane<\/td>\n <\/td>\n<\/tr>\n
Mantykangas<\/td>\nJarmo<\/td>\nFinland<\/td>\nWater bicycle<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Mao <\/td>\nXiaoping<\/td>\nChina<\/td>\nYearning<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nFoggy morning<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nJasmina<\/td>\n <\/td>\n<\/tr>\n
Margeti\u0107<\/td>\nBranko<\/td>\nCroatia<\/td>\nDeparture<\/td>\n <\/td>\n<\/tr>\n
Markovic<\/td>\nMilan<\/td>\nSerbia<\/td>\nWinter landscape 80<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Marotti<\/td>\nMiljenko<\/td>\nCroatia<\/td>\nHorse portret<\/td>\n <\/td>\n<\/tr>\n
Marti\u010d<\/td>\nNenad<\/td>\nCroatia<\/td>\nSuburbia<\/td>\n <\/td>\n<\/tr>\n
Martin<\/td>\nJose Maria<\/td>\nSpain<\/td>\nSkater 2<\/td>\n <\/td>\n<\/tr>\n
Matijas<\/td>\nKristina<\/td>\nCroatia<\/td>\nBlack devil<\/td>\n <\/td>\n<\/tr>\n
Mauko<\/td>\nDaniel<\/td>\nSlovenia<\/td>\nCastle in the fog 1 bw<\/td>\n <\/td>\n<\/tr>\n
Mavri\u010d<\/td>\nMaja<\/td>\nSlovenia<\/td>\nFotoautomat<\/td>\n <\/td>\n<\/tr>\n
Mavri\u010d<\/td>\nMaja<\/td>\nSlovenia<\/td>\nNude 1<\/td>\n <\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nSons4<\/td>\n <\/td>\n<\/tr>\n
Mr\u00e1z<\/td>\nEdina<\/td>\nHungary<\/td>\nAllies<\/td>\n <\/td>\n<\/tr>\n
Mr\u00e1z<\/td>\nEdina<\/td>\nHungary<\/td>\nMesmerizing looks<\/td>\n <\/td>\n<\/tr>\n
Mueller<\/td>\nAnneliese<\/td>\nGermany<\/td>\nSprinckenhof<\/td>\n <\/td>\n<\/tr>\n
Muhtasib<\/td>\nMohammed<\/td>\nSaudi Arabia<\/td>\nDhaka shipbreaking yard 5<\/td>\n <\/td>\n<\/tr>\n
Muhtasib<\/td>\nMohammed<\/td>\nSaudi Arabia<\/td>\nVegetable Market indonesia<\/td>\n <\/td>\n<\/tr>\n
Mukherjee<\/td>\nDebarshi<\/td>\nIndia<\/td>\nClimb up the Crescent<\/td>\n <\/td>\n<\/tr>\n
Mukherjee<\/td>\nDebarshi<\/td>\nIndia<\/td>\nPleased or Perplexed<\/td>\n <\/td>\n<\/tr>\n
Mukherjee<\/td>\nDebarshi<\/td>\nIndia<\/td>\nThe Eye of Faith<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nAlways Wet<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nMemories<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nSpiraling<\/td>\n <\/td>\n<\/tr>\n
Mysore<\/td>\nAnitha<\/td>\nIndia<\/td>\nBromo dawn<\/td>\n <\/td>\n<\/tr>\n
Mysore<\/td>\nAnitha<\/td>\nIndia<\/td>\nIncense trails<\/td>\n <\/td>\n<\/tr>\n
Nath<\/td>\nDhiman<\/td>\nIndia<\/td>\nRiya 018<\/td>\n <\/td>\n<\/tr>\n
Neskusil<\/td>\nDinko<\/td>\nCroatia<\/td>\nEnd of a season<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Ninanne<\/td>\nSerge<\/td>\nBelgium<\/td>\nLe garagiste<\/td>\n <\/td>\n<\/tr>\n
Ninanne<\/td>\nSerge<\/td>\nBelgium<\/td>\nThierry<\/td>\n <\/td>\n<\/tr>\n
Ninanne<\/td>\nSerge<\/td>\nBelgium<\/td>\nZouzou<\/td>\n <\/td>\n<\/tr>\n
Okoniewski<\/td>\nTomasz<\/td>\nPoland<\/td>\nJanek 8<\/td>\n <\/td>\n<\/tr>\n
Okoniewski<\/td>\nTomasz<\/td>\nPoland<\/td>\nTomasz winter man 3<\/td>\nGPU HM<\/td>\n<\/tr>\n
Okoniewski<\/td>\nTomasz<\/td>\nPoland<\/td>\nTrue book enthusiast<\/td>\n <\/td>\n<\/tr>\n
Oro\u017eim<\/td>\nMiran<\/td>\nSlovenia<\/td>\nPo\u010ditek v sadovnjaku<\/td>\n <\/td>\n<\/tr>\n
Oro\u017eim<\/td>\nMiran<\/td>\nSlovenia<\/td>\nV hmelji\u0161\u010du<\/td>\n <\/td>\n<\/tr>\n
Ozturk<\/td>\nMetin<\/td>\nTurkey<\/td>\nFishing nets<\/td>\n <\/td>\n<\/tr>\n
Ozturk<\/td>\nMetin<\/td>\nTurkey<\/td>\nKalayci<\/td>\n <\/td>\n<\/tr>\n
Ozturk<\/td>\nMetin<\/td>\nTurkey<\/td>\nMerhamet<\/td>\n <\/td>\n<\/tr>\n
Pal<\/td>\nGoutam<\/td>\nIndia<\/td>\nDreams in her eyes<\/td>\n <\/td>\n<\/tr>\n
Pal<\/td>\nGoutam<\/td>\nIndia<\/td>\nInnocently<\/td>\n <\/td>\n<\/tr>\n
Pal<\/td>\nGoutam<\/td>\nIndia<\/td>\nThe Lone Tree<\/td>\n <\/td>\n<\/tr>\n
Paletti<\/td>\nSilvestro<\/td>\nItaly<\/td>\nQuad extreme   46<\/td>\n <\/td>\n<\/tr>\n
Panic<\/td>\nJovica<\/td>\nBosnia and Herzegovina<\/td>\nIn the water tower<\/td>\n <\/td>\n<\/tr>\n
Panic<\/td>\nJovica<\/td>\nBosnia and Herzegovina<\/td>\nSerbedzija<\/td>\n <\/td>\n<\/tr>\n
Panic<\/td>\nJovica<\/td>\nBosnia and Herzegovina<\/td>\nShepherds story<\/td>\n <\/td>\n<\/tr>\n
Papic<\/td>\nNevenka<\/td>\nSlovenia<\/td>\nIndian buffalo<\/td>\n <\/td>\n<\/tr>\n
Passuello<\/td>\nElizabeth<\/td>\nNew Zealand<\/td>\nArrival<\/td>\n <\/td>\n<\/tr>\n
Passuello<\/td>\nElizabeth<\/td>\nNew Zealand<\/td>\nDeparture<\/td>\n <\/td>\n<\/tr>\n
Passuello<\/td>\nElizabeth<\/td>\nNew Zealand<\/td>\nDigging It In<\/td>\n <\/td>\n<\/tr>\n
Pavliha<\/td>\nLadislav<\/td>\nSlovenia<\/td>\nTibet<\/td>\n <\/td>\n<\/tr>\n
Pavlin<\/td>\nMarina<\/td>\nSlovenia<\/td>\nGallery Reflections<\/td>\n <\/td>\n<\/tr>\n
Per\u0161un<\/td>\nKrasnodar<\/td>\nCroatia<\/td>\nLast day of summer Jadrija beach 2024.-4<\/td>\n <\/td>\n<\/tr>\n
Petersohn<\/td>\nDagmar<\/td>\nGermany<\/td>\nRabea rappt zeigefinger<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nSome glance<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nThe silence of the forest<\/td>\n <\/td>\n<\/tr>\n
Playdon<\/td>\nSigita<\/td>\nIreland<\/td>\nGirl and her dog<\/td>\n <\/td>\n<\/tr>\n
Playdon<\/td>\nSigita<\/td>\nIreland<\/td>\nHorse fair<\/td>\n <\/td>\n<\/tr>\n
Playdon<\/td>\nSigita<\/td>\nIreland<\/td>\nStorm Isha<\/td>\n <\/td>\n<\/tr>\n
Popa<\/td>\nKornel Andras<\/td>\nHungary<\/td>\nThe flower of devotion<\/td>\nSALON Silver<\/td>\n<\/tr>\n
Popa<\/td>\nKornel Andras<\/td>\nHungary<\/td>\nThe girl with an unlit cigarette<\/td>\n <\/td>\n<\/tr>\n
Racki<\/td>\nNeda<\/td>\nCroatia<\/td>\nIndifference<\/td>\nSALON Gold<\/td>\n<\/tr>\n
Racki<\/td>\nNeda<\/td>\nCroatia<\/td>\nMr Lonely<\/td>\n <\/td>\n<\/tr>\n
Radicanin<\/td>\nZvonko<\/td>\nCroatia<\/td>\nBackache<\/td>\n <\/td>\n<\/tr>\n
Radicanin<\/td>\nZvonko<\/td>\nCroatia<\/td>\nHomage to Helmut N<\/td>\n <\/td>\n<\/tr>\n
Radolovi\u0107<\/td>\nMladen<\/td>\nCroatia<\/td>\nVelebit_010<\/td>\n <\/td>\n<\/tr>\n
Rajkovi\u0107<\/td>\nMarko<\/td>\nCroatia<\/td>\nEye To Eye<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nAnticipation<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nForest bird never wants a cage<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nIoana IV<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja <\/td>\nSlovenia<\/td>\nRural stories<\/td>\n <\/td>\n<\/tr>\n
Remec<\/td>\nSimon<\/td>\nSlovenia<\/td>\nGoodbye<\/td>\n <\/td>\n<\/tr>\n
Repar<\/td>\nAndrej<\/td>\nSlovenia<\/td>\nLivingMatrix<\/td>\n <\/td>\n<\/tr>\n
Resch<\/td>\nHelmut<\/td>\nAustria<\/td>\nRevolt SW<\/td>\n <\/td>\n<\/tr>\n
Roibu<\/td>\nGrigore<\/td>\nRomania<\/td>\nSound Undulation<\/td>\n <\/td>\n<\/tr>\n
Sagen<\/td>\nBjoern Olav<\/td>\nNorway<\/td>\nSummer in Lofoten<\/td>\n <\/td>\n<\/tr>\n
Sagi<\/td>\nAgi<\/td>\nHungary<\/td>\nMistress 2<\/td>\n <\/td>\n<\/tr>\n
Saha<\/td>\nRatan<\/td>\nIndia<\/td>\nWho Is Outside<\/td>\n <\/td>\n<\/tr>\n
Senser<\/td>\nNorbert<\/td>\nGermany<\/td>\nLinde bei Arndorf<\/td>\n <\/td>\n<\/tr>\n
Sikic<\/td>\nVesna<\/td>\nSerbia<\/td>\nBoy and umbrella<\/td>\n <\/td>\n<\/tr>\n
Sikic<\/td>\nVesna<\/td>\nSerbia<\/td>\nTime passes<\/td>\n <\/td>\n<\/tr>\n
Sirevaag<\/td>\nJohn <\/td>\nNorway<\/td>\nMorning tour<\/td>\n <\/td>\n<\/tr>\n
Sirevaag<\/td>\nJohn <\/td>\nNorway<\/td>\nQuiet morning<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nBalun<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nLate Summer<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nMy way<\/td>\n <\/td>\n<\/tr>\n
Steunenberg<\/td>\nMaarten<\/td>\nNetherlands<\/td>\nStari Most, 10.30am<\/td>\n <\/td>\n<\/tr>\n
Stevens<\/td>\nMark <\/td>\nAustralia<\/td>\nPalace of Civilisation<\/td>\n <\/td>\n<\/tr>\n
Stevens<\/td>\nMark <\/td>\nAustralia<\/td>\nStormy Weather<\/td>\n <\/td>\n<\/tr>\n
Stuppazzoni<\/td>\nPaolo<\/td>\nItaly<\/td>\nCalcio amputati il capitano<\/td>\n <\/td>\n<\/tr>\n
Stuppazzoni<\/td>\nPaolo<\/td>\nItaly<\/td>\nNo war<\/td>\n <\/td>\n<\/tr>\n
Subhra<\/td>\nSubhra Basu<\/td>\nIndia<\/td>\nAffections<\/td>\n <\/td>\n<\/tr>\n
Subhra<\/td>\nSubhra Basu<\/td>\nIndia<\/td>\nWeb of life<\/td>\n <\/td>\n<\/tr>\n
Suszkiewicz<\/td>\nOle<\/td>\nDenmark<\/td>\nObservant<\/td>\n <\/td>\n<\/tr>\n
Szabo<\/td>\nCsaba<\/td>\nHungary<\/td>\nMilky Way<\/td>\n <\/td>\n<\/tr>\n
Szabo<\/td>\nCsaba<\/td>\nHungary<\/td>\nSmokey Lips<\/td>\n <\/td>\n<\/tr>\n
Szil\u00e1rd<\/td>\nVarga<\/td>\nHungary<\/td>\nHills<\/td>\n <\/td>\n<\/tr>\n
Szil\u00e1rd<\/td>\nVarga<\/td>\nHungary<\/td>\nLost Siren<\/td>\n <\/td>\n<\/tr>\n
Szil\u00e1rd<\/td>\nVarga<\/td>\nHungary<\/td>\nSummer Music – 8×10 ambrotypa<\/td>\n <\/td>\n<\/tr>\n
Szil\u00e1rd<\/td>\nVarga<\/td>\nHungary<\/td>\nTwo Eye<\/td>\n <\/td>\n<\/tr>\n
\u0160ebrek<\/td>\nVinko<\/td>\nCroatia<\/td>\nNightmares<\/td>\n <\/td>\n<\/tr>\n
\u0160ebrek<\/td>\nVinko<\/td>\nCroatia<\/td>\nOn the Pasture at Dawn<\/td>\n <\/td>\n<\/tr>\n
\u0160imic<\/td>\nJo\u0161ko<\/td>\nSlovenia<\/td>\nGuitarist<\/td>\n <\/td>\n<\/tr>\n
\u0160imic<\/td>\nMatja\u017e<\/td>\nSlovenia<\/td>\nAfter the battle<\/td>\n <\/td>\n<\/tr>\n
\u0160pendal<\/td>\nMaja<\/td>\nSlovenia<\/td>\nKurent<\/td>\n <\/td>\n<\/tr>\n
\u0160pendal<\/td>\nMaja<\/td>\nSlovenia<\/td>\nPlaninsko polje<\/td>\n <\/td>\n<\/tr>\n
\u0160talekar<\/td>\nVlasta<\/td>\nCroatia<\/td>\nProudly<\/td>\n <\/td>\n<\/tr>\n
Tancar<\/td>\nMarko<\/td>\nSlovenia<\/td>\nSnake 2<\/td>\n <\/td>\n<\/tr>\n
Tandelli<\/td>\nDonatella<\/td>\nItaly<\/td>\nWhite lady<\/td>\n <\/td>\n<\/tr>\n
Tatliturk<\/td>\nYusuf<\/td>\nTurkey<\/td>\nCraftsman hands<\/td>\n <\/td>\n<\/tr>\n
Tatliturk<\/td>\nYusuf<\/td>\nTurkey<\/td>\nYour hands<\/td>\nGPU HM<\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nCharlie Bridge<\/td>\n <\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nDiva<\/td>\n <\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nViktoria<\/td>\n <\/td>\n<\/tr>\n
Ujhelyi<\/td>\nZsolt<\/td>\nHungary<\/td>\nBlack world<\/td>\n <\/td>\n<\/tr>\n
Ujhelyi<\/td>\nZsolt<\/td>\nHungary<\/td>\nDissolution<\/td>\nSALON HM<\/td>\n<\/tr>\n
Uran<\/td>\nRudi<\/td>\nSlovenia<\/td>\nAnimalia No. 102<\/td>\n <\/td>\n<\/tr>\n
Uran<\/td>\nRudi<\/td>\nSlovenia<\/td>\nBluebeard No.5<\/td>\n <\/td>\n<\/tr>\n
Uran<\/td>\nRudi<\/td>\nSlovenia<\/td>\nLittle people No. 33<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nNiemeyer-1<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nTraveller<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nUp and down<\/td>\n <\/td>\n<\/tr>\n
van Iterson<\/td>\nJim<\/td>\nNetherlands<\/td>\nArtmuseum<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nAfternoon City Walkers<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nFlowing<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nInto the void<\/td>\n <\/td>\n<\/tr>\n
Velikonja<\/td>\nNik<\/td>\nSlovenia<\/td>\nThe Dark Embrace<\/td>\n <\/td>\n<\/tr>\n
Ver\u010d<\/td>\nMarjan<\/td>\nSlovenia<\/td>\nLooking into Distance<\/td>\n <\/td>\n<\/tr>\n
Ver\u010d<\/td>\nMarjan<\/td>\nSlovenia<\/td>\nWater Alphabet<\/td>\n <\/td>\n<\/tr>\n
Vide\u010dnik<\/td>\n\u0160tefi<\/td>\nSlovenia<\/td>\nLonely Tree in Oasis<\/td>\n <\/td>\n<\/tr>\n
Vidic<\/td>\nLeon<\/td>\nSlovenia<\/td>\nChurch on the Hill<\/td>\n <\/td>\n<\/tr>\n
Vidmar<\/td>\nStane<\/td>\nSlovenia<\/td>\nAt the end<\/td>\n <\/td>\n<\/tr>\n
Vidmar<\/td>\nStane<\/td>\nSlovenia<\/td>\nCloud<\/td>\n <\/td>\n<\/tr>\n
Virag<\/td>\nI\u0161tvan<\/td>\nSerbia<\/td>\nHelplessness<\/td>\nGPU Gold<\/td>\n<\/tr>\n
Virag<\/td>\nI\u0161tvan<\/td>\nSerbia<\/td>\nThorns<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nNomad Girl<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nWaiting<\/td>\n <\/td>\n<\/tr>\n
Von\u010dina<\/td>\nAnu\u0161ka<\/td>\nSlovenia<\/td>\nFullness of emptyness<\/td>\n <\/td>\n<\/tr>\n
Vorobeva<\/td>\nNadezhda<\/td>\nRussia<\/td>\nAlexey<\/td>\n <\/td>\n<\/tr>\n
Vorobeva<\/td>\nNadezhda<\/td>\nRussia<\/td>\nIn smoke<\/td>\n <\/td>\n<\/tr>\n
Vu<\/td>\nManh Cuong<\/td>\nVietnam<\/td>\nThe girl and the River<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nJitang <\/td>\nChina<\/td>\nKiln worker<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nTingxuan <\/td>\nChina<\/td>\nButterfly lady<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nTingxuan <\/td>\nChina<\/td>\nFan and Dress<\/td>\n <\/td>\n<\/tr>\n
Watteny<\/td>\nMarc<\/td>\nBelgium<\/td>\nDuetje<\/td>\n <\/td>\n<\/tr>\n
Webster<\/td>\nJennifer Margaret<\/td>\nEngland<\/td>\nLa plume noire<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian <\/td>\nAustralia<\/td>\nSalt workers<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian <\/td>\nAustralia<\/td>\nScavengers<\/td>\n <\/td>\n<\/tr>\n
Wiesen<\/td>\nWolfgang<\/td>\nGermany<\/td>\nFunfair<\/td>\n <\/td>\n<\/tr>\n
Wildner<\/td>\nWolfram<\/td>\nGermany<\/td>\nQuiraing<\/td>\n <\/td>\n<\/tr>\n
Winkens<\/td>\nGeorg<\/td>\nGermany<\/td>\nWhite Room<\/td>\n <\/td>\n<\/tr>\n
Woodcock<\/td>\nDavid<\/td>\nAustralia<\/td>\nReading the Newspaper Colombo<\/td>\n <\/td>\n<\/tr>\n
Woodcock<\/td>\nJane<\/td>\nAustralia<\/td>\nVedda Man<\/td>\n <\/td>\n<\/tr>\n
Xu <\/td>\nYaoqian <\/td>\nChina<\/td>\nForward<\/td>\n <\/td>\n<\/tr>\n
Yanushko<\/td>\nPolina<\/td>\nRussia<\/td>\nBack to childhood<\/td>\n <\/td>\n<\/tr>\n
Yanushko<\/td>\nPolina<\/td>\nRussia<\/td>\nOne minute before birth<\/td>\n <\/td>\n<\/tr>\n
Yu<\/td>\nZhong An<\/td>\nChina<\/td>\nFocused<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nLove<\/td>\nSALON Bronze<\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nMirroring<\/td>\n <\/td>\n<\/tr>\n
Zhao <\/td>\nJinli <\/td>\nChina<\/td>\nBleak winter<\/td>\n <\/td>\n<\/tr>\n
Zhao <\/td>\nJinli <\/td>\nChina<\/td>\nOut of desert<\/td>\n <\/td>\n<\/tr>\n
Zohar<\/td>\nItzhak<\/td>\nIsrael<\/td>\nModern dance in training<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"

11. PANNONIA REFLECTIONS 2025 Seznam sprejetih in nagrajenih fotografij B) PROSTA \u010cRNO BELA Prispele fotografije: 1466 – Sprejete fotografije: 368 –  Sprejete fotografije v procentih: 25%   Priimek Ime Dr\u017eava Fotografija Nagrada Alameer Amal Saudi Arabia Friends hands   Alameer Amal Saudi Arabia The giants meeting   Alfheim Olav Inge Norway Babels Tower   Alqahtani Amani Saudi Arabia Aryan Family   Alqahtani Amani Saudi Arabia Astory of time   Alqahtani Amani Saudi Arabia Ladies Zanskar   Alqahtani Amani Saudi Arabia Passion for Reading 2   Ang Ken Singapore Deep Dive   Ang Ken Singapore The Crane   Arcagok Veysi Turkey Cay   Arcagok Veysi Turkey Tirmanis   Armand Amirhosein Iran Waiting and closed   Baio Rita Italy Calatrava cross   Banjac Nenad Croatia Interwined   B\u00e1nyai Zsuzsanna Hungary On the lap of valleys   Bark\u00f3czi Bogl\u00e1rka Hungary In a circle   Bartholme Jos Luxembourg Bionda 9   Bartholme Jos Luxembourg Centre pompidou metz 2   Bartholme Jos Luxembourg […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2393","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=2393"}],"version-history":[{"count":6,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2393\/revisions"}],"predecessor-version":[{"id":2963,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2393\/revisions\/2963"}],"wp:attachment":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=2393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}