{"id":2397,"date":"2022-12-21T17:46:19","date_gmt":"2022-12-21T17:46:19","guid":{"rendered":"https:\/\/www.pannonia.si\/?page_id=2397"},"modified":"2022-12-22T18:49:34","modified_gmt":"2022-12-22T18:49:34","slug":"accepted-awarded-photos-in-section-street","status":"publish","type":"page","link":"https:\/\/www.pannonia.si\/si\/accepted-awarded-photos-in-section-street\/","title":{"rendered":"Sprejete in nagrajene fotografije v temi Ulica"},"content":{"rendered":"

<\/p>\n\n\n\n\n\n
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9th PANNONIA REFLECTIONS 2022<\/strong><\/p>\n<\/td>\n<\/tr>\n

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LIST OF ACCEPTED AND AWARDED PHOTOS\/Seznam sprejetih in nagrajenih fotografij<\/p>\n<\/td>\n<\/tr>\n

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SECTION D: STREET\/ <\/strong>ULI\u010cNA FOTOGRAFIJA<\/p>\n

Arrived photos 1002 – Accepted photos 247 – Acceptance rate – 25%<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Priimek<\/strong><\/td>\nIme<\/strong><\/td>\nDr\u017eava<\/strong><\/td>\nFotografija<\/strong><\/td>\nNagrada<\/strong><\/td>\n<\/tr>\n
Akhter<\/td>\nRowshan<\/td>\nUnited States<\/td>\nBrooklyn Bridge<\/td>\n\u00a0<\/td>\n<\/tr>\n
Akhter<\/td>\nRowshan<\/td>\nUnited States<\/td>\nFamily in Pandemic<\/td>\n\u00a0<\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nClose shave<\/td>\n\u00a0<\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nKitchen cook<\/td>\n\u00a0<\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nRain on the train\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Andreou<\/td>\nAndreas L<\/td>\nCyprus<\/td>\nThree Kids<\/td>\n\u00a0<\/td>\n<\/tr>\n
Argirov<\/td>\nLyubor,<\/td>\nBulgaria<\/td>\nHello<\/td>\n\u00a0<\/td>\n<\/tr>\n
Argirov<\/td>\nLyubor,<\/td>\nBulgaria<\/td>\nStrike<\/td>\n\u00a0<\/td>\n<\/tr>\n
Argirov<\/td>\nLyubor,<\/td>\nBulgaria<\/td>\nYordans day<\/td>\n\u00a0<\/td>\n<\/tr>\n
Aune<\/td>\nOlaf<\/td>\nNorway<\/td>\nOn the kick<\/td>\n\u00a0<\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nHighway to heaven<\/td>\nFIAP Honorable mention<\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nUrban mosaic<\/td>\n\u00a0<\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nV<\/td>\n\u00a0<\/td>\n<\/tr>\n
BASAK<\/td>\nABHISHEK<\/td>\nIndia<\/td>\nLANES OF BLUE CITY<\/td>\n\u00a0<\/td>\n<\/tr>\n
BASAK<\/td>\nABHISHEK<\/td>\nIndia<\/td>\nPROBLEMS<\/td>\n\u00a0<\/td>\n<\/tr>\n
BASAK<\/td>\nABHISHEK<\/td>\nIndia<\/td>\nSTREET SALON 300<\/td>\n\u00a0<\/td>\n<\/tr>\n
BASAK<\/td>\nABHISHEK<\/td>\nIndia<\/td>\nWALK IN SNOWFALL<\/td>\n\u00a0<\/td>\n<\/tr>\n
Basha<\/td>\nRabia<\/td>\nIsrael<\/td>\nCarmel center 221<\/td>\n\u00a0<\/td>\n<\/tr>\n
Basha<\/td>\nRabia<\/td>\nIsrael<\/td>\nRed Street 171<\/td>\n\u00a0<\/td>\n<\/tr>\n
Benkic<\/td>\nIgor<\/td>\nAustria<\/td>\nIn movment<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bhat<\/td>\nKrishna<\/td>\nIndia<\/td>\nGopalas Celebrating<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bhat<\/td>\nKrishna<\/td>\nIndia<\/td>\nThrough The Fire Loop<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nFamily<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nThe Observer<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bogn\u00e1r<\/td>\nPeter<\/td>\nHungary<\/td>\nMarket<\/td>\n\u00a0<\/td>\n<\/tr>\n
Both<\/td>\nGyula<\/td>\nRomania<\/td>\nHard childhood 2\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Both<\/td>\nGyula<\/td>\nRomania<\/td>\nTo the market<\/td>\n\u00a0<\/td>\n<\/tr>\n
BO\u017dNAR<\/td>\nEMIL<\/td>\nSlovenia<\/td>\nPILGRIM<\/td>\n\u00a0<\/td>\n<\/tr>\n
Buecker<\/td>\nHolger<\/td>\nGermany<\/td>\nWinter Walk at Emmerich Rhine Promenade<\/td>\n\u00a0<\/td>\n<\/tr>\n
Buzuk<\/td>\nEugene<\/td>\nBelarus<\/td>\nFuneral of artist<\/td>\nSalon Honorable mention<\/td>\n<\/tr>\n
Buzuk<\/td>\nEugene<\/td>\nBelarus<\/td>\nProductos agricolas<\/td>\n\u00a0<\/td>\n<\/tr>\n
Buzuk<\/td>\nEugene<\/td>\nBelarus<\/td>\nRed pocket square<\/td>\n\u00a0<\/td>\n<\/tr>\n
Casey<\/td>\nBronwen<\/td>\nAustralia<\/td>\nTrishaw For Hire<\/td>\n\u00a0<\/td>\n<\/tr>\n
Chaim<\/td>\nJose Henrique<\/td>\nBrazil<\/td>\nSkate 1<\/td>\n\u00a0<\/td>\n<\/tr>\n
CHAKRABORTY<\/td>\nSHIRSHENDU<\/td>\nIndia<\/td>\nTHE TOY SELLER<\/td>\n\u00a0<\/td>\n<\/tr>\n
Chatterjee<\/td>\nDibyendu<\/td>\nIndia<\/td>\nCutting Bread<\/td>\n\u00a0<\/td>\n<\/tr>\n
CHOLIZ<\/td>\nSantiago<\/td>\nSpain<\/td>\nfolklore 04<\/td>\n\u00a0<\/td>\n<\/tr>\n
Crosland<\/td>\nCam<\/td>\nEngland<\/td>\nSeated Figure<\/td>\n\u00a0<\/td>\n<\/tr>\n
Crosland<\/td>\nCam<\/td>\nEngland<\/td>\nSouthbank Silhouettes<\/td>\n\u00a0<\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nDiscours<\/td>\n\u00a0<\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nRibbon cutting<\/td>\n\u00a0<\/td>\n<\/tr>\n
DASAPPA<\/td>\nBHAGYA<\/td>\nIndia<\/td>\nin the Fog<\/td>\n\u00a0<\/td>\n<\/tr>\n
Debelak<\/td>\nMarjan<\/td>\nSlovenia<\/td>\n4_The artist<\/td>\n\u00a0<\/td>\n<\/tr>\n
depari<\/td>\nleonardus<\/td>\nSingapore<\/td>\nLife on Street<\/td>\n\u00a0<\/td>\n<\/tr>\n
depari<\/td>\nleonardus<\/td>\nSingapore<\/td>\nReflected reality<\/td>\nFZS Bronze medal<\/td>\n<\/tr>\n
depari<\/td>\nleonardus<\/td>\nSingapore<\/td>\nThe Sommersault<\/td>\n\u00a0<\/td>\n<\/tr>\n
Di Candia<\/td>\nLorenzo<\/td>\nItaly<\/td>\nBriscola Pazza<\/td>\n\u00a0<\/td>\n<\/tr>\n
Di Candia<\/td>\nLorenzo<\/td>\nItaly<\/td>\nStreet MSG<\/td>\n\u00a0<\/td>\n<\/tr>\n
Diller<\/td>\nKaz<\/td>\nEngland<\/td>\nLasciviousness<\/td>\n\u00a0<\/td>\n<\/tr>\n
Diller<\/td>\nKaz<\/td>\nEngland<\/td>\nThe Butchers Dog<\/td>\n\u00a0<\/td>\n<\/tr>\n
Doberlet<\/td>\nVasja<\/td>\nSlovenia<\/td>\nRest<\/td>\n\u00a0<\/td>\n<\/tr>\n
EPSTEIN<\/td>\nESTHER<\/td>\nIsrael<\/td>\nOutside<\/td>\n\u00a0<\/td>\n<\/tr>\n
EPSTEIN<\/td>\nESTHER<\/td>\nIsrael<\/td>\nStreet scene<\/td>\n\u00a0<\/td>\n<\/tr>\n
Federman<\/td>\nRyan<\/td>\nScotland<\/td>\nA future to look forward to<\/td>\n\u00a0<\/td>\n<\/tr>\n
Federman<\/td>\nRyan<\/td>\nScotland<\/td>\nHe does what he’s told<\/td>\n\u00a0<\/td>\n<\/tr>\n
Firstov<\/td>\nAleksandr<\/td>\nAzerbaijan<\/td>\nEmptiness<\/td>\n\u00a0<\/td>\n<\/tr>\n
Gali\u010d<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nPlaying<\/td>\n\u00a0<\/td>\n<\/tr>\n
GAVRIEL<\/td>\nTHEKLA<\/td>\nCyprus<\/td>\nSCATER<\/td>\n\u00a0<\/td>\n<\/tr>\n
GOLDIN<\/td>\nLEONID<\/td>\nIsrael<\/td>\nOn the bench<\/td>\n\u00a0<\/td>\n<\/tr>\n
Goli<\/td>\nSara<\/td>\nIran<\/td>\nCycling alone<\/td>\n\u00a0<\/td>\n<\/tr>\n
Goli<\/td>\nSara<\/td>\nIran<\/td>\nHunting the moment<\/td>\n\u00a0<\/td>\n<\/tr>\n
Goli<\/td>\nSara<\/td>\nIran<\/td>\nThe forbidden zone<\/td>\n\u00a0<\/td>\n<\/tr>\n
Goli<\/td>\nSara<\/td>\nIran<\/td>\nThe light as a guidance<\/td>\n\u00a0<\/td>\n<\/tr>\n
G\u00f6ncz\u0151-Dutkay<\/td>\nZolt\u00e1n<\/td>\nHungary<\/td>\nThe power of the fountain<\/td>\n\u00a0<\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nA woman in a hat<\/td>\n\u00a0<\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nRed light<\/td>\n\u00a0<\/td>\n<\/tr>\n
Gorup<\/td>\nStojan<\/td>\nSlovenia<\/td>\nNew fur<\/td>\n\u00a0<\/td>\n<\/tr>\n
Goyal<\/td>\nSmita<\/td>\nIndia<\/td>\nON THE STREET<\/td>\n\u00a0<\/td>\n<\/tr>\n
Gregorc<\/td>\nIrena<\/td>\nSlovenia<\/td>\nBe different\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Gustafsson<\/td>\nKlas<\/td>\nSweden<\/td>\nChenchaufen<\/td>\n\u00a0<\/td>\n<\/tr>\n
Hansen<\/td>\nBjarne Juhl<\/td>\nDenmark<\/td>\nBench in Rome<\/td>\n\u00a0<\/td>\n<\/tr>\n
Hardley<\/td>\nLiz<\/td>\nNew Zealand<\/td>\nMuttrah Morning<\/td>\n\u00a0<\/td>\n<\/tr>\n
Harley<\/td>\nBruce<\/td>\nScotland<\/td>\nA Close Shave in Kolkata<\/td>\n\u00a0<\/td>\n<\/tr>\n
Hasso-Agopsowicz<\/td>\nMAREK<\/td>\nPoland<\/td>\nChinese watching Europeans in 1979<\/td>\n\u00a0<\/td>\n<\/tr>\n
Healey<\/td>\nAnn<\/td>\nEngland<\/td>\nCity Living<\/td>\nSalon Bronze medal<\/td>\n<\/tr>\n
Healey<\/td>\nAnn<\/td>\nEngland<\/td>\nPassing Through<\/td>\n\u00a0<\/td>\n<\/tr>\n
Heini\u00f6<\/td>\nPirkko<\/td>\nFinland<\/td>\nNight work<\/td>\n\u00a0<\/td>\n<\/tr>\n
Hochhaus<\/td>\nAlexander<\/td>\nGermany<\/td>\nOnline<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ileri<\/td>\nTevfik<\/td>\nCyprus<\/td>\nALONE<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ileri<\/td>\nTevfik<\/td>\nCyprus<\/td>\nThe repair of the pavement<\/td>\n\u00a0<\/td>\n<\/tr>\n
Jernei\u0107<\/td>\n\u017deljko<\/td>\nCroatia<\/td>\nGrandma in a hurry<\/td>\n\u00a0<\/td>\n<\/tr>\n
Jernei\u0107<\/td>\n\u017deljko<\/td>\nCroatia<\/td>\nNa\u0161 dom<\/td>\nFIAP Honorable mention<\/td>\n<\/tr>\n
Jernei\u0107<\/td>\n\u017deljko<\/td>\nCroatia<\/td>\nNo home no hope<\/td>\n\u00a0<\/td>\n<\/tr>\n
Jerszi<\/td>\nGabriella<\/td>\nHungary<\/td>\nBooks<\/td>\n\u00a0<\/td>\n<\/tr>\n
Jerszi<\/td>\nGabriella<\/td>\nHungary<\/td>\nRoadside beggar<\/td>\n\u00a0<\/td>\n<\/tr>\n
Jerszi<\/td>\nGabriella<\/td>\nHungary<\/td>\nSearcher<\/td>\nFZS Gold medal<\/td>\n<\/tr>\n
Jerszi<\/td>\nGabriella<\/td>\nHungary<\/td>\nShopwindow<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kandakoor<\/td>\nPrakash<\/td>\nIndia<\/td>\nLife on a wheel board<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kandakoor<\/td>\nPrakash<\/td>\nIndia<\/td>\nOldage Orphan<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kastelic<\/td>\nIgor<\/td>\nSlovenia<\/td>\nSwing Me Higher<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kastner<\/td>\nJosef<\/td>\nAustria<\/td>\nder weg zum taj mahal<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kastner<\/td>\nJosef<\/td>\nAustria<\/td>\ngassi gehen\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kastner<\/td>\nJosef<\/td>\nAustria<\/td>\nneblig<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\nboys and girl<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\ncc<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\ncity rain<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\nscavenger<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kiss<\/td>\nImre<\/td>\nHungary<\/td>\nBlizzard<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kiss<\/td>\nImre<\/td>\nHungary<\/td>\nIn bus stop<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kiss<\/td>\nImre<\/td>\nHungary<\/td>\nMorning hurry<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kluger<\/td>\nManfred<\/td>\nGermany<\/td>\nend of day-2<\/td>\n\u00a0<\/td>\n<\/tr>\n
Knezic<\/td>\nSasa<\/td>\nBosnia and Herzegovina<\/td>\nWake me up<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nChoice Theory<\/td>\nSalon Honorable mention<\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nNew order<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kosma\u010d<\/td>\nAlan<\/td>\nSlovenia<\/td>\nTraffic<\/td>\n\u00a0<\/td>\n<\/tr>\n
Kri\u017eaj<\/td>\nTOMI<\/td>\nSlovenia<\/td>\nLUNCH FOR ME<\/td>\n\u00a0<\/td>\n<\/tr>\n
KUVALEKAR<\/td>\nMANGESH<\/td>\nIndia<\/td>\nJOY RIDE<\/td>\n\u00a0<\/td>\n<\/tr>\n
LAZAR<\/td>\nESZTER EMESE<\/td>\nGreece<\/td>\nTowards the Spring<\/td>\n\u00a0<\/td>\n<\/tr>\n
LAZAR<\/td>\nESZTER EMESE<\/td>\nGreece<\/td>\nUnder the Bridge<\/td>\n\u00a0<\/td>\n<\/tr>\n
Le\u0161njak<\/td>\nAlfred<\/td>\nSlovenia<\/td>\nCyclist<\/td>\n\u00a0<\/td>\n<\/tr>\n
Lewandowski<\/td>\nGrzegorz<\/td>\nPoland<\/td>\nBike trip under the bridge<\/td>\n\u00a0<\/td>\n<\/tr>\n
Lex<\/td>\nM\u00f3nika<\/td>\nHungary<\/td>\nCarrying his bag<\/td>\n\u00a0<\/td>\n<\/tr>\n
Lex<\/td>\nM\u00f3nika<\/td>\nHungary<\/td>\nSisters<\/td>\n\u00a0<\/td>\n<\/tr>\n
Li<\/td>\nJianping<\/td>\nChina<\/td>\nHanging flags<\/td>\n\u00a0<\/td>\n<\/tr>\n
Limberg<\/td>\nHuib<\/td>\nNetherlands<\/td>\nAnother world<\/td>\n\u00a0<\/td>\n<\/tr>\n
Limberg<\/td>\nHuib<\/td>\nNetherlands<\/td>\nOn his way<\/td>\n\u00a0<\/td>\n<\/tr>\n
Loughran<\/td>\nGary<\/td>\nIreland<\/td>\nHamburg docks<\/td>\nFIAP Honorable mention<\/td>\n<\/tr>\n
Loughran<\/td>\nGary<\/td>\nIreland<\/td>\nNot quite<\/td>\n\u00a0<\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nOverweight<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mai<\/td>\nChen<\/td>\nChina<\/td>\nChinese New Year<\/td>\n\u00a0<\/td>\n<\/tr>\n
Makarov<\/td>\nAlexander<\/td>\nIsrael<\/td>\nGive me a Bite<\/td>\n\u00a0<\/td>\n<\/tr>\n
Makarov<\/td>\nZinaida<\/td>\nIsrael<\/td>\nDefender<\/td>\n\u00a0<\/td>\n<\/tr>\n
Makrai<\/td>\nRich\u00e1rd<\/td>\nHungary<\/td>\nkor\u00e1nkel\u0151k<\/td>\n\u00a0<\/td>\n<\/tr>\n
MALOVRH<\/td>\nMILAN<\/td>\nSlovenia<\/td>\nMORNING IN VENICE<\/td>\n\u00a0<\/td>\n<\/tr>\n
marian<\/td>\nplaino<\/td>\nRomania<\/td>\nA girl with a ball<\/td>\n\u00a0<\/td>\n<\/tr>\n
marian<\/td>\nplaino<\/td>\nRomania<\/td>\nMr. pork<\/td>\nSalon Gold medal<\/td>\n<\/tr>\n
marian<\/td>\nplaino<\/td>\nRomania<\/td>\nShoe shine service<\/td>\n\u00a0<\/td>\n<\/tr>\n
marian<\/td>\nplaino<\/td>\nRomania<\/td>\nThe kiss<\/td>\n\u00a0<\/td>\n<\/tr>\n
Marini\u010d<\/td>\nJo\u017ee<\/td>\nSlovenia<\/td>\nSTEP<\/td>\n\u00a0<\/td>\n<\/tr>\n
Markovic<\/td>\nMILAN<\/td>\nSerbia<\/td>\nReturn from church<\/td>\nFIAP Honorable mention<\/td>\n<\/tr>\n
Markovic<\/td>\nMILAN<\/td>\nSerbia<\/td>\nSumen 01<\/td>\n\u00a0<\/td>\n<\/tr>\n
Marti\u0107<\/td>\nNenad<\/td>\nCroatia<\/td>\nDior<\/td>\n\u00a0<\/td>\n<\/tr>\n
Marti\u0107<\/td>\nNenad<\/td>\nCroatia<\/td>\nNo empathy<\/td>\nFIAP Gold medal<\/td>\n<\/tr>\n
Marti\u0107<\/td>\nNenad<\/td>\nCroatia<\/td>\nSay a little pray for me<\/td>\n\u00a0<\/td>\n<\/tr>\n
MARTIN<\/td>\nJOSE MARIA<\/td>\nSpain<\/td>\nDo not cross<\/td>\n\u00a0<\/td>\n<\/tr>\n
MARTIN<\/td>\nJOSE MARIA<\/td>\nSpain<\/td>\nFloating skirt<\/td>\n\u00a0<\/td>\n<\/tr>\n
MARTIN<\/td>\nJOSE MARIA<\/td>\nSpain<\/td>\nLightwalker<\/td>\n\u00a0<\/td>\n<\/tr>\n
matyas<\/td>\nlorant attila<\/td>\nHungary<\/td>\nGirl in the Rain<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mihalic<\/td>\nMILAN<\/td>\nSlovenia<\/td>\nArtist<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mihalic<\/td>\nMILAN<\/td>\nSlovenia<\/td>\nCATCH ME<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mih\u00e1ly<\/td>\nLex<\/td>\nHungary<\/td>\nJust a peach<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mih\u00e1ly<\/td>\nLex<\/td>\nHungary<\/td>\nOn the cafe terrace<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mih\u00e1ly<\/td>\nLex<\/td>\nHungary<\/td>\nTemptation<\/td>\nFIAP Honorable mention<\/td>\n<\/tr>\n
MIHEVC<\/td>\nELO<\/td>\nSlovenia<\/td>\nCasablanca<\/td>\n\u00a0<\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nThe end<\/td>\n\u00a0<\/td>\n<\/tr>\n
Morav\u010d\u00edk<\/td>\nJaroslav<\/td>\nSlovakia<\/td>\nEdinburgh<\/td>\n\u00a0<\/td>\n<\/tr>\n
Moritz<\/td>\nVicki<\/td>\nAustralia<\/td>\nCuba tourists delight<\/td>\n\u00a0<\/td>\n<\/tr>\n
Moritz<\/td>\nVicki<\/td>\nAustralia<\/td>\nHavana streetlife<\/td>\n\u00a0<\/td>\n<\/tr>\n
MOZALEWSKI<\/td>\nTADEUSZ<\/td>\nPoland<\/td>\nLoney passerby<\/td>\n\u00a0<\/td>\n<\/tr>\n
MOZALEWSKI<\/td>\nTADEUSZ<\/td>\nPoland<\/td>\nStaircase 7<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ng<\/td>\nChi Fun Fanny<\/td>\nHong Kong<\/td>\nGraffiti Alley<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ninanne<\/td>\nSerge<\/td>\nBelgium<\/td>\nALONE<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ninanne<\/td>\nSerge<\/td>\nBelgium<\/td>\nLes marches<\/td>\n\u00a0<\/td>\n<\/tr>\n
Novak<\/td>\nSandi<\/td>\nSlovenia<\/td>\nFoto 1 cuc<\/td>\n\u00a0<\/td>\n<\/tr>\n
Novak<\/td>\nSandi<\/td>\nSlovenia<\/td>\nRuning<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pal<\/td>\nUdayan Sankar<\/td>\nIndia<\/td>\nSong of the street<\/td>\n\u00a0<\/td>\n<\/tr>\n
Palm\u00e9n<\/td>\nMinna<\/td>\nFinland<\/td>\nThe bridge under reparation<\/td>\n\u00a0<\/td>\n<\/tr>\n
Papic<\/td>\nNevenka<\/td>\nSlovenia<\/td>\nWhen shoes are tight<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pavlin<\/td>\nMarina<\/td>\nSlovenia<\/td>\nGrafitti street<\/td>\n\u00a0<\/td>\n<\/tr>\n
Persano<\/td>\nAntonio<\/td>\nItaly<\/td>\nHis way<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pillik<\/td>\nManfred.<\/td>\nAustria<\/td>\nAm Bahnhof<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pillik<\/td>\nManfred.<\/td>\nAustria<\/td>\nDer Buegler<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pillik<\/td>\nManfred.<\/td>\nAustria<\/td>\nDie Kartoffelfuhr<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pillik<\/td>\nManfred.<\/td>\nAustria<\/td>\nSonnenanbeter<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pinkl<\/td>\nAlbert J.<\/td>\nGermany<\/td>\nDeparture of the modern<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pinkl<\/td>\nAlbert J.<\/td>\nGermany<\/td>\nThree men upwards<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pinkl<\/td>\nAlbert J.<\/td>\nGermany<\/td>\nWaiting Color<\/td>\n\u00a0<\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nMiddle of the street<\/td>\nSalon Honorable mention<\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nPassing by<\/td>\n\u00a0<\/td>\n<\/tr>\n
Racki<\/td>\nNeda<\/td>\nCroatia<\/td>\nPast and present<\/td>\n\u00a0<\/td>\n<\/tr>\n
Racki<\/td>\nNeda<\/td>\nCroatia<\/td>\nStreet story<\/td>\n\u00a0<\/td>\n<\/tr>\n
Racki<\/td>\nNeda<\/td>\nCroatia<\/td>\nVinos y tapas<\/td>\n\u00a0<\/td>\n<\/tr>\n
Radicanin<\/td>\nZvonko<\/td>\nCroatia<\/td>\nDonuts<\/td>\n\u00a0<\/td>\n<\/tr>\n
Radicanin<\/td>\nZvonko<\/td>\nCroatia<\/td>\nDoor Keeper<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nmoody shadows 01<\/td>\n\u00a0<\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\ntense relationships<\/td>\n\u00a0<\/td>\n<\/tr>\n
Remec<\/td>\nSimon<\/td>\nSlovenia<\/td>\nBus bike<\/td>\n\u00a0<\/td>\n<\/tr>\n
Resch<\/td>\nHelmut<\/td>\nAustria<\/td>\njunge Verk\u00e4uferin<\/td>\n\u00a0<\/td>\n<\/tr>\n
Resch<\/td>\nHelmut<\/td>\nAustria<\/td>\nPikadilly Cirkus<\/td>\n\u00a0<\/td>\n<\/tr>\n
RIMON<\/td>\nMOHAMMED<\/td>\nEngland<\/td>\nBARBER IN THE ROAD SIDE.<\/td>\n\u00a0<\/td>\n<\/tr>\n
RIMON<\/td>\nMOHAMMED<\/td>\nEngland<\/td>\nFISHERI GHAT.<\/td>\nFIAP Bronze medal<\/td>\n<\/tr>\n
RIMON<\/td>\nMOHAMMED<\/td>\nEngland<\/td>\nLEMON JUICE AT DUSK.<\/td>\n\u00a0<\/td>\n<\/tr>\n
RIMON<\/td>\nMOHAMMED<\/td>\nEngland<\/td>\nPRAYER ON THE ROAD.<\/td>\n\u00a0<\/td>\n<\/tr>\n
Rubboli<\/td>\nVeniero<\/td>\nItaly<\/td>\nFlorentine morning<\/td>\n\u00a0<\/td>\n<\/tr>\n
Sagi<\/td>\nAgi<\/td>\nHungary<\/td>\nUnreachable<\/td>\n\u00a0<\/td>\n<\/tr>\n
Sagi<\/td>\nAgi<\/td>\nHungary<\/td>\nWhirling of Life<\/td>\n\u00a0<\/td>\n<\/tr>\n
SARAIVA<\/td>\nOSCAR<\/td>\nPortugal<\/td>\nMem\u00f3rias de M\u00fasica<\/td>\n\u00a0<\/td>\n<\/tr>\n
SARAIVA<\/td>\nOSCAR<\/td>\nPortugal<\/td>\nPasseio matinal<\/td>\n\u00a0<\/td>\n<\/tr>\n
SARAIVA<\/td>\nOSCAR<\/td>\nPortugal<\/td>\nSem-abrigo 2<\/td>\n\u00a0<\/td>\n<\/tr>\n
SCHRITTWIESER<\/td>\nJOHANN<\/td>\nAustria<\/td>\nEssen<\/td>\n\u00a0<\/td>\n<\/tr>\n
SCHRITTWIESER<\/td>\nJOHANN<\/td>\nAustria<\/td>\nkomunikation<\/td>\n\u00a0<\/td>\n<\/tr>\n
Sedej<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nGraz<\/td>\n\u00a0<\/td>\n<\/tr>\n
Sedej<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nPushkar<\/td>\n\u00a0<\/td>\n<\/tr>\n
Sedej<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nVaranasi ghat<\/td>\n\u00a0<\/td>\n<\/tr>\n
setiadi<\/td>\najar<\/td>\nIndonesia<\/td>\nAshiang coffee<\/td>\n\u00a0<\/td>\n<\/tr>\n
Sikic<\/td>\nVesna<\/td>\nSerbia<\/td>\nOn The Corner<\/td>\n\u00a0<\/td>\n<\/tr>\n
Slamnik<\/td>\nSa\u0161a<\/td>\nSlovenia<\/td>\nDistance<\/td>\n\u00a0<\/td>\n<\/tr>\n
Smolji\u0107<\/td>\nJosip<\/td>\nCroatia<\/td>\nEmbarce your life<\/td>\n\u00a0<\/td>\n<\/tr>\n
Smolji\u0107<\/td>\nJosip<\/td>\nCroatia<\/td>\nOver the brigde<\/td>\n\u00a0<\/td>\n<\/tr>\n
Smolji\u0107<\/td>\nJosip<\/td>\nCroatia<\/td>\nSadness<\/td>\nFIAP Silver medal<\/td>\n<\/tr>\n
Sonnen<\/td>\nMelissa Cramer<\/td>\nUnited States<\/td>\nBeating the Record 2<\/td>\n\u00a0<\/td>\n<\/tr>\n
Stanley<\/td>\nIan<\/td>\nEngland<\/td>\nGirl in sunglasses<\/td>\n\u00a0<\/td>\n<\/tr>\n
Stevens<\/td>\nMark<\/td>\nAustralia<\/td>\nCourtyard<\/td>\n\u00a0<\/td>\n<\/tr>\n
Stevens<\/td>\nMark<\/td>\nAustralia<\/td>\nDubai Walkway<\/td>\n\u00a0<\/td>\n<\/tr>\n
Strahinjic<\/td>\nRobert<\/td>\nSlovenia<\/td>\nIn the memory of fallen soldiers<\/td>\n\u00a0<\/td>\n<\/tr>\n
Strohmeier<\/td>\nKurt<\/td>\nAustria<\/td>\nKreuzung<\/td>\n\u00a0<\/td>\n<\/tr>\n
Suko<\/td>\nZenir<\/td>\nBosnia and Herzegovina<\/td>\nvrijeme molitve<\/td>\n\u00a0<\/td>\n<\/tr>\n
Suszkiewicz<\/td>\nOle<\/td>\nDenmark<\/td>\nCar Repair<\/td>\nSalon Silver medal<\/td>\n<\/tr>\n
Synnevaag<\/td>\nRoald<\/td>\nNorway<\/td>\nBrunkebergtunnelen 4<\/td>\n\u00a0<\/td>\n<\/tr>\n
Synnevaag<\/td>\nRoald<\/td>\nNorway<\/td>\nPigeon man III<\/td>\n\u00a0<\/td>\n<\/tr>\n
Szabo<\/td>\nAttila<\/td>\nHungary<\/td>\nMusic of destiny<\/td>\n\u00a0<\/td>\n<\/tr>\n
SZCZYTKOWSKI<\/td>\nMAREK<\/td>\nPoland<\/td>\nNetwork<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u0160enet<\/td>\nBojan<\/td>\nSlovenia<\/td>\nCats<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u0160enet<\/td>\nBojan<\/td>\nSlovenia<\/td>\nIce Cream<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u0160plihal<\/td>\nVlatko<\/td>\nCroatia<\/td>\nMorning cleaning<\/td>\n\u00a0<\/td>\n<\/tr>\n
Tajn\u0161ek<\/td>\nVanja<\/td>\nSlovenia<\/td>\nIn a hurry<\/td>\n\u00a0<\/td>\n<\/tr>\n
Tam\u00e1s<\/td>\nJ\u00f3zsef\u00a0<\/td>\nHungary<\/td>\nLiving space<\/td>\nFZS Silver medal<\/td>\n<\/tr>\n
Tam\u00e1s<\/td>\nJ\u00f3zsef\u00a0<\/td>\nHungary<\/td>\nThe morning<\/td>\n\u00a0<\/td>\n<\/tr>\n
ten Tusscher<\/td>\nRob<\/td>\nNetherlands<\/td>\nJewish walkers-2<\/td>\n\u00a0<\/td>\n<\/tr>\n
Theodorou<\/td>\nDoros<\/td>\nCyprus<\/td>\nRain Kiss<\/td>\n\u00a0<\/td>\n<\/tr>\n
Timar<\/td>\nZsolt<\/td>\nRomania<\/td>\nInsights<\/td>\n\u00a0<\/td>\n<\/tr>\n
Timar<\/td>\nZsolt<\/td>\nRomania<\/td>\nNice Age<\/td>\n\u00a0<\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nA girl from Amman<\/td>\n\u00a0<\/td>\n<\/tr>\n
Tiri\u0107<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nHold me tight<\/td>\n\u00a0<\/td>\n<\/tr>\n
TITOV<\/td>\nBASIL<\/td>\nBelarus<\/td>\nPASSING<\/td>\n\u00a0<\/td>\n<\/tr>\n
TITOV<\/td>\nBASIL<\/td>\nBelarus<\/td>\nWitness<\/td>\n\u00a0<\/td>\n<\/tr>\n
TRAN<\/td>\nHUNG<\/td>\nUnited States<\/td>\nFLOWER SELLER 3<\/td>\n\u00a0<\/td>\n<\/tr>\n
Urgun<\/td>\nUfuk<\/td>\nTurkey<\/td>\nDried Vegetables<\/td>\n\u00a0<\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nBlois<\/td>\n\u00a0<\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nFramed<\/td>\n\u00a0<\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nLittle skater<\/td>\n\u00a0<\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nWomancraft<\/td>\n\u00a0<\/td>\n<\/tr>\n
Varga<\/td>\nSzil\u00e1rd<\/td>\nHungary<\/td>\nThe Unjustified Object<\/td>\n\u00a0<\/td>\n<\/tr>\n
VAZQUEZ TRUJILLO<\/td>\nRUBEN<\/td>\nSpain<\/td>\nREFLEJOS 3<\/td>\n\u00a0<\/td>\n<\/tr>\n
Villalba<\/td>\nRaul<\/td>\nArgentina<\/td>\nIn the station<\/td>\n\u00a0<\/td>\n<\/tr>\n
Vogrinec<\/td>\nDrago<\/td>\nSlovenia<\/td>\nNa placu 4<\/td>\n\u00a0<\/td>\n<\/tr>\n
Whear<\/td>\nAdrian<\/td>\nAustralia<\/td>\nInside out<\/td>\n\u00a0<\/td>\n<\/tr>\n
Whear<\/td>\nAdrian<\/td>\nAustralia<\/td>\nTimeless<\/td>\nFIAP Honorable mention<\/td>\n<\/tr>\n
Whear<\/td>\nMonique<\/td>\nAustralia<\/td>\nRed Shoes<\/td>\n\u00a0<\/td>\n<\/tr>\n
Xu<\/td>\nPing<\/td>\nChina<\/td>\nStreet window reflection<\/td>\n\u00a0<\/td>\n<\/tr>\n
zolghadri<\/td>\nali<\/td>\nIran<\/td>\nBetween the lines<\/td>\n\u00a0<\/td>\n<\/tr>\n
zolghadri<\/td>\nali<\/td>\nIran<\/td>\nconfrontation<\/td>\n\u00a0<\/td>\n<\/tr>\n
zolghadri<\/td>\nali<\/td>\nIran<\/td>\nThe path of no return<\/td>\n\u00a0<\/td>\n<\/tr>\n
zolghadri<\/td>\nali<\/td>\nIran<\/td>\nwaiting for freedom<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u017diberna<\/td>\nAle\u0161<\/td>\nSlovenia<\/td>\nYoung Korant I<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u017diberna<\/td>\nAle\u0161<\/td>\nSlovenia<\/td>\nYoung Korant II<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u017diberna<\/td>\nAle\u0161<\/td>\nSlovenia<\/td>\nYoung Korant III<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"

9th PANNONIA REFLECTIONS 2022 LIST OF ACCEPTED AND AWARDED PHOTOS\/Seznam sprejetih in nagrajenih fotografij SECTION D: STREET\/ ULI\u010cNA FOTOGRAFIJA Arrived photos 1002 – Accepted photos 247 – Acceptance rate – 25%   Priimek Ime Dr\u017eava Fotografija Nagrada Akhter Rowshan United States Brooklyn Bridge \u00a0 Akhter Rowshan United States Family in Pandemic \u00a0 Anastasis Despina Cyprus Close shave \u00a0 Anastasis Despina Cyprus Kitchen cook \u00a0 Anastasis Despina Cyprus Rain on the train\u00a0 \u00a0 Andreou Andreas L Cyprus Three Kids \u00a0 Argirov Lyubor, Bulgaria Hello \u00a0 Argirov Lyubor, Bulgaria Strike \u00a0 Argirov Lyubor, Bulgaria Yordans day \u00a0 Aune Olaf Norway On the kick \u00a0 Banjac Nenad Croatia Highway to heaven FIAP Honorable mention Banjac Nenad Croatia Urban mosaic \u00a0 Banjac Nenad Croatia V \u00a0 BASAK ABHISHEK India LANES OF BLUE CITY \u00a0 BASAK ABHISHEK India PROBLEMS \u00a0 BASAK ABHISHEK India STREET SALON 300 \u00a0 BASAK ABHISHEK India WALK IN SNOWFALL \u00a0 Basha Rabia Israel Carmel center 221 \u00a0 Basha Rabia […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2397","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=2397"}],"version-history":[{"count":2,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2397\/revisions"}],"predecessor-version":[{"id":2416,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/2397\/revisions\/2416"}],"wp:attachment":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=2397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}