{"id":3114,"date":"2026-02-18T12:18:42","date_gmt":"2026-02-18T12:18:42","guid":{"rendered":"https:\/\/www.pannonia.si\/?page_id=3114"},"modified":"2026-02-18T14:47:27","modified_gmt":"2026-02-18T14:47:27","slug":"accepted-awarded-photos-in-section-open-mono-2026","status":"publish","type":"page","link":"https:\/\/www.pannonia.si\/si\/accepted-awarded-photos-in-section-open-mono-2026\/","title":{"rendered":"Sprejete in nagrajene fotografije v temi Prosta \u010drno-bela 2026"},"content":{"rendered":"

<\/p>\n\n\n\n\n\n
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12. PANNONIA REFLECTIONS 2026<\/strong><\/p>\n<\/td>\n<\/tr>\n

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Seznam sprejetih in nagrajenih fotografij<\/p>\n<\/td>\n<\/tr>\n

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B) <\/b>PROSTA \u010cRNO-BELA<\/strong><\/p>\n

Prispele fotografije: 1721 – Sprejete fotografije: 381 – Sprejete fotografije v procentih: 22%<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Priimek<\/td>\nIme<\/td>\nDr\u017eava<\/td>\nFotografija<\/td>\nNagrada<\/td>\n<\/tr>\n
Adams<\/td>\nPeter<\/td>\nNorthern Ireland<\/td>\nDetermined Hurdler<\/td>\n <\/td>\n<\/tr>\n
Adams<\/td>\nPeter<\/td>\nNorthern Ireland<\/td>\nPrima in Thought<\/td>\n <\/td>\n<\/tr>\n
Aemmer<\/td>\nElisabeth<\/td>\nSwitzerland<\/td>\nPlay with reflections<\/td>\n <\/td>\n<\/tr>\n
Agarwal<\/td>\nNaresh<\/td>\nIndia<\/td>\nwaiting for freedom<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nGirl and sheep<\/td>\n <\/td>\n<\/tr>\n
AL-Mushaifri<\/td>\nAbdulla<\/td>\nQatar<\/td>\nHaviza <\/td>\n <\/td>\n<\/tr>\n
AL-Mushaifri<\/td>\nAbdulla<\/td>\nQatar<\/td>\nShadow Cross Bw<\/td>\n <\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nBird watch<\/td>\n <\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nShadow Dance<\/td>\n <\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nShaping sound<\/td>\n <\/td>\n<\/tr>\n
Avanessian<\/td>\nGarik<\/td>\nCzech Republic<\/td>\nMemory 6310<\/td>\n <\/td>\n<\/tr>\n
Baksa_K\u00e1nyai<\/td>\nAng\u00e9la<\/td>\nHungary<\/td>\nLocal transport<\/td>\n <\/td>\n<\/tr>\n
Baksa_K\u00e1nyai<\/td>\nAng\u00e9la<\/td>\nHungary<\/td>\nPiglet fate<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nInsomnia<\/td>\n <\/td>\n<\/tr>\n
Banoczi<\/td>\nLaszlo<\/td>\nHungary<\/td>\nCsernely 197<\/td>\n <\/td>\n<\/tr>\n
Banoczi<\/td>\nLaszlo<\/td>\nHungary<\/td>\nThe black recamier 67<\/td>\n <\/td>\n<\/tr>\n
Baroni<\/td>\nPierfrancesco<\/td>\nItaly<\/td>\nE’ tempo di migrare<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nSVITLANA 36<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nSVITLANA 39<\/td>\n <\/td>\n<\/tr>\n
Bartholme<\/td>\nJos<\/td>\nLuxembourg<\/td>\nSVITLANA 41<\/td>\nGPU HM<\/td>\n<\/tr>\n
Becourt<\/td>\nJean luc<\/td>\nFrance<\/td>\nLe crepuscule de la vie<\/td>\n <\/td>\n<\/tr>\n
Becourt<\/td>\nJean luc<\/td>\nFrance<\/td>\nSupplication divine<\/td>\n <\/td>\n<\/tr>\n
Bertin<\/td>\nJean Claude<\/td>\nFrance<\/td>\nEntre deux rounds<\/td>\n <\/td>\n<\/tr>\n
Be\u0161ic<\/td>\nOliver<\/td>\nCroatia<\/td>\nBeyond the Bright Side<\/td>\n <\/td>\n<\/tr>\n
Bhattacharyya<\/td>\nSaurabh<\/td>\nIndia<\/td>\nPushkar portrait 01<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nArt<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nLight 20<\/td>\n <\/td>\n<\/tr>\n
Bisak<\/td>\nZoltan<\/td>\nSerbia<\/td>\nSilhouette<\/td>\n <\/td>\n<\/tr>\n
Bognar<\/td>\nPeter<\/td>\nHungary<\/td>\nPaenitentia<\/td>\n <\/td>\n<\/tr>\n
Bognar<\/td>\nPeter<\/td>\nHungary<\/td>\nTales from Windy Hill<\/td>\n <\/td>\n<\/tr>\n
Bojanic<\/td>\nDjordje<\/td>\nCroatia<\/td>\nOver the jaws of the bridge<\/td>\n <\/td>\n<\/tr>\n
Bond<\/td>\nJan<\/td>\nEngland<\/td>\nBeneath the Steps<\/td>\n <\/td>\n<\/tr>\n
Borcic<\/td>\nNives<\/td>\nCroatia<\/td>\nHoarfrost<\/td>\n <\/td>\n<\/tr>\n
Borojevic<\/td>\nNenad<\/td>\nSerbia<\/td>\nGirl secrets<\/td>\n <\/td>\n<\/tr>\n
Borojevic<\/td>\nNenad<\/td>\nSerbia<\/td>\nI’m telling you a story<\/td>\n <\/td>\n<\/tr>\n
Borojevic<\/td>\nNenad<\/td>\nSerbia<\/td>\nWalking in the dark<\/td>\n <\/td>\n<\/tr>\n
Boscaini<\/td>\nGloria<\/td>\nItaly<\/td>\nKids Communal Bedroom<\/td>\n <\/td>\n<\/tr>\n
BS<\/td>\nVenkatesh<\/td>\nIndia<\/td>\nRear view by brush 2438<\/td>\n <\/td>\n<\/tr>\n
BS<\/td>\nVenkatesh<\/td>\nIndia<\/td>\nTwo flowers and crockery 5693<\/td>\n <\/td>\n<\/tr>\n
BS<\/td>\nVenkatesh<\/td>\nIndia<\/td>\nViolin in snow 02<\/td>\n <\/td>\n<\/tr>\n
Bulat <\/td>\nNemi<\/td>\nCroatia<\/td>\nLonging <\/td>\n <\/td>\n<\/tr>\n
Buni\u0107<\/td>\nValentina<\/td>\nCroatia<\/td>\nMy little Village<\/td>\n <\/td>\n<\/tr>\n
Buni\u0107<\/td>\nValentina<\/td>\nCroatia<\/td>\nTrophies of Time<\/td>\n <\/td>\n<\/tr>\n
Buntic<\/td>\nMarko<\/td>\nBosnia and Herzegovina<\/td>\nHard way for real Freedom<\/td>\n <\/td>\n<\/tr>\n
Buntic<\/td>\nMarko<\/td>\nBosnia and Herzegovina<\/td>\nSlingshot Boy<\/td>\n <\/td>\n<\/tr>\n
Bushe<\/td>\nCatherine<\/td>\nIreland<\/td>\nShape and form<\/td>\n <\/td>\n<\/tr>\n
Cagalj<\/td>\nIvan<\/td>\nCroatia<\/td>\nAt the border<\/td>\n <\/td>\n<\/tr>\n
Calabrese<\/td>\nDaniel<\/td>\nSwitzerland<\/td>\nMaureen<\/td>\n <\/td>\n<\/tr>\n
Car<\/td>\nZeljko<\/td>\nCroatia<\/td>\nArable land<\/td>\n <\/td>\n<\/tr>\n
Car<\/td>\nZeljko<\/td>\nCroatia<\/td>\nAt the exhibition<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Car<\/td>\nZeljko<\/td>\nCroatia<\/td>\nBurden of years<\/td>\n <\/td>\n<\/tr>\n
Car<\/td>\nZeljko<\/td>\nCroatia<\/td>\nSunbathing in the city<\/td>\n <\/td>\n<\/tr>\n
Casey<\/td>\nBronwen<\/td>\nAustralia<\/td>\nIntergenerational Bond<\/td>\n <\/td>\n<\/tr>\n
Catania<\/td>\nGottfried<\/td>\nMalta<\/td>\nMask Painter 2<\/td>\n <\/td>\n<\/tr>\n
Causse<\/td>\nEric<\/td>\nFrance<\/td>\nNoah et Carla 8 NB<\/td>\n <\/td>\n<\/tr>\n
Chakraborty<\/td>\nAbhraneel<\/td>\nIndia<\/td>\nSisters BW<\/td>\n <\/td>\n<\/tr>\n
Chan<\/td>\nH.W.<\/td>\nHong Kong<\/td>\nAlone 05<\/td>\n <\/td>\n<\/tr>\n
Chan<\/td>\nH.W.<\/td>\nHong Kong<\/td>\nLines Images M40<\/td>\n <\/td>\n<\/tr>\n
Chen<\/td>\nEric YiShuo<\/td>\nTaiwan<\/td>\nDuet_5562<\/td>\n <\/td>\n<\/tr>\n
Chen<\/td>\nEric YiShuo<\/td>\nTaiwan<\/td>\nSilent Dialogue<\/td>\n <\/td>\n<\/tr>\n
Cokan<\/td>\nElvira<\/td>\nSlovenia<\/td>\nPatricia<\/td>\n <\/td>\n<\/tr>\n
Cokan<\/td>\nElvira<\/td>\nSlovenia<\/td>\nTransience of Hands<\/td>\n <\/td>\n<\/tr>\n
Crawley<\/td>\nYvonne<\/td>\nIreland<\/td>\nCrawler<\/td>\n <\/td>\n<\/tr>\n
Csaki<\/td>\nLajos<\/td>\nHungary<\/td>\nPretty Woman <\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nSkrivnosti sanj<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nV svojem svetu<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nZimska grafika<\/td>\n <\/td>\n<\/tr>\n
Cvitanic<\/td>\nJurica<\/td>\nCroatia<\/td>\nLady Among Shadows<\/td>\n <\/td>\n<\/tr>\n
Cytter<\/td>\nMoshe<\/td>\nIsrael<\/td>\nClosed Doors in the Open<\/td>\n <\/td>\n<\/tr>\n
Cytter<\/td>\nMoshe<\/td>\nIsrael<\/td>\nGravity Defied<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nAnjan<\/td>\nIndia<\/td>\nEncircled<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Das<\/td>\nAnjan<\/td>\nIndia<\/td>\nPortrait 2620<\/td>\n <\/td>\n<\/tr>\n
Das<\/td>\nAnjan<\/td>\nIndia<\/td>\nTamed Eye<\/td>\n <\/td>\n<\/tr>\n
De Leonardis<\/td>\nRoberto<\/td>\nItaly<\/td>\nEmanuela30<\/td>\n <\/td>\n<\/tr>\n
De Leonardis<\/td>\nRoberto<\/td>\nItaly<\/td>\nStriped hat57<\/td>\n <\/td>\n<\/tr>\n
De Rosa<\/td>\nLuigi<\/td>\nItaly<\/td>\nil corvo<\/td>\n <\/td>\n<\/tr>\n
De Rosa<\/td>\nLuigi<\/td>\nItaly<\/td>\nmaria<\/td>\n <\/td>\n<\/tr>\n
Deb Sarkar<\/td>\nManasi<\/td>\nIndia<\/td>\nKnown face unknown masks<\/td>\n <\/td>\n<\/tr>\n
Debelak<\/td>\nMarjan<\/td>\nSlovenia<\/td>\nPianist<\/td>\n <\/td>\n<\/tr>\n
Deticek<\/td>\nEdvard<\/td>\nSlovenia<\/td>\nPri mlinarju<\/td>\n <\/td>\n<\/tr>\n
D\u00e9train<\/td>\nCatherine<\/td>\nFrance<\/td>\nhaie d’honneur<\/td>\n <\/td>\n<\/tr>\n
D\u00e9train<\/td>\nCatherine<\/td>\nFrance<\/td>\nl’archet<\/td>\n <\/td>\n<\/tr>\n
dr. Vida<\/td>\nJoseph<\/td>\nHungary<\/td>\nBuilding corner<\/td>\n <\/td>\n<\/tr>\n
Drma\u017e<\/td>\nLatoja<\/td>\nSlovenia<\/td>\nSvoboda<\/td>\n <\/td>\n<\/tr>\n
Dud\u00e1s<\/td>\n\u00c1gnes<\/td>\nHungary<\/td>\nDistortions<\/td>\n <\/td>\n<\/tr>\n
Dud\u00e1s<\/td>\n\u00c1gnes<\/td>\nHungary<\/td>\nDrawn girl<\/td>\n <\/td>\n<\/tr>\n
Dud\u00e1s<\/td>\n\u00c1gnes<\/td>\nHungary<\/td>\nPhases<\/td>\n <\/td>\n<\/tr>\n
Eifert<\/td>\nJ\u00e1nos<\/td>\nHungary<\/td>\nNew perspective<\/td>\nSalon Silver<\/td>\n<\/tr>\n
Eifert<\/td>\nJ\u00e1nos<\/td>\nHungary<\/td>\nOld fisherman with small fish<\/td>\n <\/td>\n<\/tr>\n
Erceg<\/td>\nMilena<\/td>\nBosnia and Herzegovina<\/td>\nAlone<\/td>\n <\/td>\n<\/tr>\n
Estefania Fla\u00f1o<\/td>\nJose Alfredo<\/td>\nSpain<\/td>\nAtaque sin piedad<\/td>\n <\/td>\n<\/tr>\n
Estefania Fla\u00f1o<\/td>\nJose Alfredo<\/td>\nSpain<\/td>\nJoven recortador<\/td>\n <\/td>\n<\/tr>\n
Fekete<\/td>\nTamas<\/td>\nHungary<\/td>\nSilence of Night<\/td>\n <\/td>\n<\/tr>\n
Ferencz<\/td>\nAndrea<\/td>\nItaly<\/td>\nAndrea<\/td>\n <\/td>\n<\/tr>\n
Firstov<\/td>\nAleksandr<\/td>\nAzerbaijan<\/td>\nLinear Journey<\/td>\n <\/td>\n<\/tr>\n
Francsik<\/td>\nIldik\u00f3<\/td>\nHungary<\/td>\nWe are reflections of each other<\/td>\n <\/td>\n<\/tr>\n
Fu <\/td>\nYifeng <\/td>\nChina<\/td>\nMakeup in front of a mirror<\/td>\n <\/td>\n<\/tr>\n
Gajdos<\/td>\nGabor<\/td>\nHungary<\/td>\nFragmented Past and Present<\/td>\n <\/td>\n<\/tr>\n
Galic<\/td>\nTomaz<\/td>\nSlovenia<\/td>\nPerspective<\/td>\n <\/td>\n<\/tr>\n
Gelencser<\/td>\nZoltan<\/td>\nHungary<\/td>\nwaiting<\/td>\n <\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nWinter Traveler<\/td>\n <\/td>\n<\/tr>\n
Graj<\/td>\nBorut<\/td>\nSlovenia<\/td>\nWindow view<\/td>\n <\/td>\n<\/tr>\n
Gregorc<\/td>\nIrena<\/td>\nSlovenia<\/td>\nTrough the window<\/td>\n <\/td>\n<\/tr>\n
Gregorc<\/td>\nIrena<\/td>\nSlovenia<\/td>\nWhere a Heart Once Beat<\/td>\n <\/td>\n<\/tr>\n
Gros<\/td>\nCedomil<\/td>\nCroatia<\/td>\nDolac at Night<\/td>\n <\/td>\n<\/tr>\n
Gros<\/td>\nCedomil<\/td>\nCroatia<\/td>\nUnexpected Portraits<\/td>\n <\/td>\n<\/tr>\n
Grove<\/td>\nGerhard<\/td>\nSouth Africa<\/td>\nModel composition bw<\/td>\n <\/td>\n<\/tr>\n
Gustafson<\/td>\nKlas<\/td>\nSweden<\/td>\nCrafts<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nBroken top<\/td>\n <\/td>\n<\/tr>\n
Halmos<\/td>\nEndre<\/td>\nHungary<\/td>\nHelp<\/td>\n <\/td>\n<\/tr>\n
Hampamer<\/td>\nDaniel<\/td>\nCroatia<\/td>\nRitam linija<\/td>\n <\/td>\n<\/tr>\n
Hampamer<\/td>\nDaniel<\/td>\nCroatia<\/td>\nSiluete u prolazu<\/td>\n <\/td>\n<\/tr>\n
Hampamer<\/td>\nDaniel<\/td>\nCroatia<\/td>\nU okviru<\/td>\n <\/td>\n<\/tr>\n
Hardley<\/td>\nLiz<\/td>\nNew Zealand<\/td>\nShelton Forehand<\/td>\n <\/td>\n<\/tr>\n
Heinzl<\/td>\nRoland<\/td>\nGermany<\/td>\nTrauriger Blick<\/td>\n <\/td>\n<\/tr>\n
Heinzl<\/td>\nRoland<\/td>\nGermany<\/td>\nVerkehrsschienen<\/td>\n <\/td>\n<\/tr>\n
Herrmann<\/td>\nAndreas<\/td>\nSwitzerland<\/td>\nThe landscape painter<\/td>\n <\/td>\n<\/tr>\n
Hinterleitner<\/td>\nJosef<\/td>\nAustria<\/td>\nBarefoot<\/td>\n <\/td>\n<\/tr>\n
Hinterleitner<\/td>\nJosef<\/td>\nAustria<\/td>\nKajak – Einer<\/td>\n <\/td>\n<\/tr>\n
Hinterleitner<\/td>\nJosef<\/td>\nAustria<\/td>\nSiegeswille<\/td>\n <\/td>\n<\/tr>\n
Hollinger<\/td>\nLinda<\/td>\nUnited States<\/td>\nBasalt Columns<\/td>\n <\/td>\n<\/tr>\n
Hollinger<\/td>\nLinda<\/td>\nUnited States<\/td>\nFlesh And Stone<\/td>\n <\/td>\n<\/tr>\n
Hollinger<\/td>\nLinda<\/td>\nUnited States<\/td>\nOld Timers<\/td>\n <\/td>\n<\/tr>\n
Horog<\/td>\nEnik\u0151<\/td>\nHungary<\/td>\nFocus<\/td>\n <\/td>\n<\/tr>\n
Horog<\/td>\nEnik\u0151<\/td>\nHungary<\/td>\nSeparation<\/td>\n <\/td>\n<\/tr>\n
Horog<\/td>\nEnik\u0151<\/td>\nHungary<\/td>\nTriangle<\/td>\n <\/td>\n<\/tr>\n
Hranilovic<\/td>\nViktor<\/td>\nSlovenia<\/td>\nPassing through<\/td>\n <\/td>\n<\/tr>\n
Ignac<\/td>\nDusan<\/td>\nSlovakia<\/td>\nWedding<\/td>\n <\/td>\n<\/tr>\n
Ilenic<\/td>\nNejc<\/td>\nSlovenia<\/td>\nProti soncu<\/td>\n <\/td>\n<\/tr>\n
Ivanov<\/td>\nYuliyan<\/td>\nBulgaria<\/td>\nAfter the Sunset<\/td>\n <\/td>\n<\/tr>\n
Ivanov<\/td>\nYuliyan<\/td>\nBulgaria<\/td>\nOn the Top<\/td>\n <\/td>\n<\/tr>\n
Jafarov<\/td>\nIlgar<\/td>\nAzerbaijan<\/td>\nOlympic flight<\/td>\n <\/td>\n<\/tr>\n
Janci<\/td>\nAndor<\/td>\nCroatia<\/td>\nStriving<\/td>\n <\/td>\n<\/tr>\n
Jerneic<\/td>\nZeljko<\/td>\nCroatia<\/td>\nBeautiful Dijana<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Jerneic<\/td>\nZeljko<\/td>\nCroatia<\/td>\nFive seagulls<\/td>\n <\/td>\n<\/tr>\n
Jerneic<\/td>\nZeljko<\/td>\nCroatia<\/td>\nStellar 1<\/td>\n <\/td>\n<\/tr>\n
Joubert<\/td>\nJudy<\/td>\nSouth Africa<\/td>\nUncle Peter HD<\/td>\n <\/td>\n<\/tr>\n
Juhasz<\/td>\nLaszlo<\/td>\nHungary<\/td>\nmovement<\/td>\n <\/td>\n<\/tr>\n
Juhasz<\/td>\nLaszlo<\/td>\nHungary<\/td>\nStep<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Kamner<\/td>\nDan <\/td>\nRomania<\/td>\nAd the sheepfold<\/td>\n <\/td>\n<\/tr>\n
Kamner<\/td>\nDan <\/td>\nRomania<\/td>\nLight and shadows<\/td>\n <\/td>\n<\/tr>\n
Kamner<\/td>\nDan <\/td>\nRomania<\/td>\nThe return to the light<\/td>\n <\/td>\n<\/tr>\n
Kastner<\/td>\nJosef<\/td>\nAustria<\/td>\nAbgang<\/td>\n <\/td>\n<\/tr>\n
Kastner<\/td>\nJosef<\/td>\nAustria<\/td>\nZweisamkeit<\/td>\n <\/td>\n<\/tr>\n
Kaszn\u00e1r<\/td>\nKatalin<\/td>\nHungary<\/td>\nCalm<\/td>\n <\/td>\n<\/tr>\n
Kenez<\/td>\nEva<\/td>\nHungary<\/td>\nMisty memories<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nEternal friends<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nSoulmate faces<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nViktor the boss<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nImre<\/td>\nHungary<\/td>\nBathers<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nPiusz<\/td>\nHungary<\/td>\nAccordo Nudo<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nPiusz<\/td>\nHungary<\/td>\nHumiliation<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nSandor<\/td>\nHungary<\/td>\nExtasy<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nSandor<\/td>\nHungary<\/td>\nFighting with the shadows<\/td>\n <\/td>\n<\/tr>\n
Klaren<\/td>\nRobert<\/td>\nSweden<\/td>\nHappy fighter<\/td>\n <\/td>\n<\/tr>\n
Klimek<\/td>\nMojmir<\/td>\nCzech Republic<\/td>\ncafeteria porto<\/td>\n <\/td>\n<\/tr>\n
Kocijancic<\/td>\nDurdica<\/td>\nCroatia<\/td>\nConnection double<\/td>\n <\/td>\n<\/tr>\n
Kocijancic<\/td>\nDurdica<\/td>\nCroatia<\/td>\nTouch Z<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nSilence<\/td>\n <\/td>\n<\/tr>\n
Kodat<\/td>\nEmil<\/td>\nSlovenia<\/td>\nOn the go<\/td>\n <\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nMan with a scythe<\/td>\n <\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nNot a player<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nbetween<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nnight sailing<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nview after<\/td>\n <\/td>\n<\/tr>\n
Kolbrich<\/td>\nRobert<\/td>\nAustria<\/td>\nFalknerin<\/td>\n <\/td>\n<\/tr>\n
Koles\u00e1r<\/td>\nGejza<\/td>\nSlovakia<\/td>\nBlack or white<\/td>\n <\/td>\n<\/tr>\n
Konyali<\/td>\nFaruk<\/td>\nTurkey<\/td>\nPottery master<\/td>\n <\/td>\n<\/tr>\n
Koprulu<\/td>\nFiliz<\/td>\nTurkey<\/td>\nkadindainci<\/td>\n <\/td>\n<\/tr>\n
Kordic<\/td>\nMarija<\/td>\nCroatia<\/td>\nGetruda & my father<\/td>\n <\/td>\n<\/tr>\n
Kordic<\/td>\nMarija<\/td>\nCroatia<\/td>\nMy father<\/td>\nFZS Gold<\/td>\n<\/tr>\n
Kos<\/td>\nBrane P. <\/td>\nSlovenia<\/td>\nElegance of concrete<\/td>\n <\/td>\n<\/tr>\n
Kos<\/td>\nGordan<\/td>\nCroatia<\/td>\nAnxiety<\/td>\n <\/td>\n<\/tr>\n
Kosir<\/td>\nGaber<\/td>\nSlovenia<\/td>\nStopni\u0161?e<\/td>\n <\/td>\n<\/tr>\n
Kovacic<\/td>\nSimon<\/td>\nSlovenia<\/td>\nArthea 92<\/td>\n <\/td>\n<\/tr>\n
Kozlik<\/td>\nSanja<\/td>\nBosnia and Herzegovina<\/td>\nAlways active<\/td>\n <\/td>\n<\/tr>\n
Kozlik<\/td>\nSanja<\/td>\nBosnia and Herzegovina<\/td>\nMe and myself<\/td>\n <\/td>\n<\/tr>\n
Kozlik<\/td>\nSanja<\/td>\nBosnia and Herzegovina<\/td>\nTwo of us<\/td>\n <\/td>\n<\/tr>\n
Kramar<\/td>\nJanez<\/td>\nSlovenia<\/td>\nBreakfast<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nBasketball<\/td>\n <\/td>\n<\/tr>\n
Krcadinac<\/td>\n\u017deljko<\/td>\nCroatia<\/td>\nPlaninski turizam<\/td>\n <\/td>\n<\/tr>\n
Krcadinac<\/td>\n\u017deljko<\/td>\nCroatia<\/td>\nWomen<\/td>\n <\/td>\n<\/tr>\n
Krejan<\/td>\nSimon<\/td>\nSlovenia<\/td>\nWinter contracts<\/td>\n <\/td>\n<\/tr>\n
Kri\u017eaj<\/td>\nTomi<\/td>\nSlovenia<\/td>\nThe look<\/td>\n <\/td>\n<\/tr>\n
Kukec Mezek<\/td>\nJanez<\/td>\nSlovenia<\/td>\nExpectation 02<\/td>\n <\/td>\n<\/tr>\n
Kukec Mezek<\/td>\nJanez<\/td>\nSlovenia<\/td>\nMay I?<\/td>\n <\/td>\n<\/tr>\n
Kumar<\/td>\nSanath<\/td>\nIndia<\/td>\nBEDRA KAMBALA<\/td>\n <\/td>\n<\/tr>\n
Kumar<\/td>\nSanath<\/td>\nIndia<\/td>\nSENSATIONAL<\/td>\n <\/td>\n<\/tr>\n
Kwan<\/td>\nPhillip<\/td>\nCanada<\/td>\nWindow 16<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nBeautiful Giostra Di Sulmona<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nGirls From Scanno 2023 June<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nSulmonese Girl June 2025<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nYoung Man And Horse<\/td>\n <\/td>\n<\/tr>\n
Lebrun<\/td>\nMarc<\/td>\nFrance<\/td>\nElephant at the waterhole<\/td>\n <\/td>\n<\/tr>\n
Lex<\/td>\nMih\u00e1ly<\/td>\nHungary<\/td>\nIn pursuit of beauty.<\/td>\n <\/td>\n<\/tr>\n
Li <\/td>\nXiushi<\/td>\nChina<\/td>\nLittle Singer<\/td>\n <\/td>\n<\/tr>\n
Lomnicki<\/td>\nRyszard<\/td>\nIreland<\/td>\nVestrahorn, Iceland<\/td>\n <\/td>\n<\/tr>\n
Loughran <\/td>\nGary<\/td>\nIreland<\/td>\nBaker St 1<\/td>\n <\/td>\n<\/tr>\n
Loughran <\/td>\nGary<\/td>\nIreland<\/td>\nStanding Guard<\/td>\n <\/td>\n<\/tr>\n
Loughran <\/td>\nGary<\/td>\nIreland<\/td>\nVictorian gent<\/td>\n <\/td>\n<\/tr>\n
Lybaert<\/td>\nDaniel<\/td>\nNetherlands<\/td>\nAchter de geraniums in ZwW<\/td>\n <\/td>\n<\/tr>\n
Lybaert<\/td>\nDaniel<\/td>\nNetherlands<\/td>\nOntmoeting in tegenlicht in ZwW<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nRound curves<\/td>\n <\/td>\n<\/tr>\n
Major<\/td>\nJeno<\/td>\nRomania<\/td>\nHoar Frost<\/td>\n <\/td>\n<\/tr>\n
Mandaric<\/td>\nIskra<\/td>\nCroatia<\/td>\nCandy Legs<\/td>\n <\/td>\n<\/tr>\n
Mantykangas<\/td>\nJarmo<\/td>\nFinland<\/td>\nBig Wheeler spare Wheel<\/td>\n <\/td>\n<\/tr>\n
Mantykangas<\/td>\nJarmo<\/td>\nFinland<\/td>\nI show my only one<\/td>\n <\/td>\n<\/tr>\n
Mantykangas<\/td>\nJarmo<\/td>\nFinland<\/td>\nValmet 361D 4 logs on the Ice<\/td>\n <\/td>\n<\/tr>\n
Mao <\/td>\nXiaoping <\/td>\nChina<\/td>\nMorning<\/td>\n <\/td>\n<\/tr>\n
Mao <\/td>\nXiaoping <\/td>\nChina<\/td>\nPrelude of Construction Site 4<\/td>\nFIAP Gold<\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\n514<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nMamurna jutra<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nX<\/td>\n <\/td>\n<\/tr>\n
Margetic<\/td>\nBranko<\/td>\nCroatia<\/td>\nAt the station<\/td>\n <\/td>\n<\/tr>\n
Margetic<\/td>\nBranko<\/td>\nCroatia<\/td>\nLatern<\/td>\n <\/td>\n<\/tr>\n
Marinic<\/td>\nJoze<\/td>\nSlovenia<\/td>\nSheperd<\/td>\nSalon Bronze<\/td>\n<\/tr>\n
Markovic<\/td>\nMilan<\/td>\nSerbia<\/td>\nBlack cat<\/td>\n <\/td>\n<\/tr>\n
Martic<\/td>\nNenad<\/td>\nCroatia<\/td>\nLeft turn<\/td>\n <\/td>\n<\/tr>\n
Martic<\/td>\nNenad<\/td>\nCroatia<\/td>\nWhere am I<\/td>\n <\/td>\n<\/tr>\n
Mati\u010d<\/td>\nJola<\/td>\nSlovenia<\/td>\nPopoldansko branje<\/td>\n <\/td>\n<\/tr>\n
Matijas<\/td>\nKristina<\/td>\nCroatia<\/td>\nBroken<\/td>\n <\/td>\n<\/tr>\n
Mavric<\/td>\nMaja<\/td>\nSlovenia<\/td>\nLove<\/td>\n <\/td>\n<\/tr>\n
Mavric<\/td>\nMaja<\/td>\nSlovenia<\/td>\nNude<\/td>\n <\/td>\n<\/tr>\n
Mavric<\/td>\nMaja<\/td>\nSlovenia<\/td>\nView Point<\/td>\n <\/td>\n<\/tr>\n
Metljak<\/td>\nDrago<\/td>\nSlovenia<\/td>\nSome and Others<\/td>\n <\/td>\n<\/tr>\n
Meyers<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nStreifengl\u00e4ser<\/td>\n <\/td>\n<\/tr>\n
Meyers<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nStreifenkugel<\/td>\n <\/td>\n<\/tr>\n
Miovcic<\/td>\nPavle<\/td>\nBosnia and Herzegovina<\/td>\nSteps in the Llight<\/td>\nSalon HM<\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nBenjamin<\/td>\n <\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nSurfing ride<\/td>\nSalon Gold<\/td>\n<\/tr>\n
Modrinjak<\/td>\nMaja<\/td>\nSlovenia<\/td>\nThe poetry of movement<\/td>\n <\/td>\n<\/tr>\n
Molero Gutierrez<\/td>\nFlorentino<\/td>\nSpain<\/td>\nRitmo optico<\/td>\n <\/td>\n<\/tr>\n
Molero Gutierrez<\/td>\nFlorentino<\/td>\nSpain<\/td>\nTodos lados<\/td>\n <\/td>\n<\/tr>\n
Molero Gutierrez<\/td>\nFlorentino<\/td>\nSpain<\/td>\nVolver a empezar<\/td>\n <\/td>\n<\/tr>\n
M\u00f3nika<\/td>\nLex<\/td>\nHungary<\/td>\nA gy\u00e1rudvar gyermekei<\/td>\n <\/td>\n<\/tr>\n
Morata<\/td>\nAlain<\/td>\nFrance<\/td>\nBANC NB<\/td>\n <\/td>\n<\/tr>\n
Mozalewski<\/td>\nTadeusz<\/td>\nPoland<\/td>\nA series of balconies<\/td>\n <\/td>\n<\/tr>\n
Mukherjee<\/td>\nSubhajit<\/td>\nIndia<\/td>\nCHILDHOOD MEMORIES<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nElegance<\/td>\n <\/td>\n<\/tr>\n
Mysore<\/td>\nAnitha<\/td>\nIndia<\/td>\nA sea of nagas<\/td>\n <\/td>\n<\/tr>\n
Nabi<\/td>\nDr. Rashid Un<\/td>\nBangladesh<\/td>\nDANCE ON ROPE<\/td>\n <\/td>\n<\/tr>\n
Nath<\/td>\nSubrata<\/td>\nIndia<\/td>\nBULL RACE BLK<\/td>\n <\/td>\n<\/tr>\n
Nath<\/td>\nSubrata<\/td>\nIndia<\/td>\nLIFE ON THE ROPE 2 BLK<\/td>\nGPU Gold<\/td>\n<\/tr>\n
Nath<\/td>\nSubrata<\/td>\nIndia<\/td>\nTRANSIT CAMP CHILD PORTRAIT BLK<\/td>\n <\/td>\n<\/tr>\n
Nedergaard<\/td>\nLars<\/td>\nDenmark<\/td>\nFragile<\/td>\n <\/td>\n<\/tr>\n
Nero<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nEmily 8108<\/td>\n <\/td>\n<\/tr>\n
Nero<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nPortrait 6563<\/td>\n <\/td>\n<\/tr>\n
Nesic<\/td>\nJelena<\/td>\nSerbia<\/td>\nNjih troje<\/td>\n <\/td>\n<\/tr>\n
Nesic<\/td>\nJelena<\/td>\nSerbia<\/td>\nU gestakulaciji<\/td>\n <\/td>\n<\/tr>\n
Nesic<\/td>\nJelena<\/td>\nSerbia<\/td>\nUz pec<\/td>\n <\/td>\n<\/tr>\n
Nesic<\/td>\nJelena<\/td>\nSerbia<\/td>\nVreme njihovo<\/td>\n <\/td>\n<\/tr>\n
Neskusil<\/td>\nDinko<\/td>\nCroatia<\/td>\nMorning game<\/td>\n <\/td>\n<\/tr>\n
Nguyen<\/td>\nThan<\/td>\nVietnam<\/td>\nFace 2685<\/td>\n <\/td>\n<\/tr>\n
Nguyen<\/td>\nThan<\/td>\nVietnam<\/td>\nNaughty child 7477<\/td>\n <\/td>\n<\/tr>\n
Nikolic<\/td>\nPera<\/td>\nSerbia<\/td>\nHobody’s Havana.<\/td>\n <\/td>\n<\/tr>\n
Nonveiller \u0160esto<\/td>\nDarija<\/td>\nCroatia<\/td>\nAnamarija1<\/td>\n <\/td>\n<\/tr>\n
Nonveiller \u0160esto<\/td>\nDarija<\/td>\nCroatia<\/td>\nLatica<\/td>\n <\/td>\n<\/tr>\n
Novak <\/td>\nDavid <\/td>\nSlovenia<\/td>\nTwo of us <\/td>\n <\/td>\n<\/tr>\n
Oro\u017eim<\/td>\nMiran<\/td>\nSlovenia<\/td>\nHop field 1<\/td>\n <\/td>\n<\/tr>\n
Oro\u017eim<\/td>\nMiran<\/td>\nSlovenia<\/td>\nHop field 2<\/td>\n <\/td>\n<\/tr>\n
Or\u0161ani\u010d<\/td>\nHrvoje Teo<\/td>\nSlovenia<\/td>\nEarly morning mist<\/td>\n <\/td>\n<\/tr>\n
Ozturk<\/td>\nMetin<\/td>\nTurkey<\/td>\nMolla<\/td>\n <\/td>\n<\/tr>\n
Paletti<\/td>\nSilvestro<\/td>\nItaly<\/td>\nExtraordinary woman 32<\/td>\n <\/td>\n<\/tr>\n
Papic<\/td>\nNevenka<\/td>\nSlovenia<\/td>\nA Karo woman<\/td>\n <\/td>\n<\/tr>\n
Papic<\/td>\nNevenka<\/td>\nSlovenia<\/td>\nA man from the street<\/td>\n <\/td>\n<\/tr>\n
Papp<\/td>\nCsaba<\/td>\nHungary<\/td>\nFound you<\/td>\n <\/td>\n<\/tr>\n
Pavliha<\/td>\nLadislav<\/td>\nSlovenia<\/td>\nSidi Ifni<\/td>\n <\/td>\n<\/tr>\n
Peljhan<\/td>\nMatej<\/td>\nSlovenia<\/td>\nOn the Wheel<\/td>\n <\/td>\n<\/tr>\n
Peljhan<\/td>\nMatej<\/td>\nSlovenia<\/td>\nWar and Peace<\/td>\nFZS Silver<\/td>\n<\/tr>\n
Per\u0161un<\/td>\nKrasnodar<\/td>\nCroatia<\/td>\nOff Season Cheese<\/td>\n <\/td>\n<\/tr>\n
Pesic<\/td>\nNegovan<\/td>\nSerbia<\/td>\nDuo<\/td>\n <\/td>\n<\/tr>\n
Pesic<\/td>\nNegovan<\/td>\nSerbia<\/td>\nIn church<\/td>\n <\/td>\n<\/tr>\n
Petkovic<\/td>\nTomislav<\/td>\nCroatia<\/td>\nA Secret<\/td>\n <\/td>\n<\/tr>\n
Petkovic<\/td>\nTomislav<\/td>\nCroatia<\/td>\nResting Id<\/td>\n <\/td>\n<\/tr>\n
Petri\u0161i\u0107<\/td>\n\u0110ur\u0111a<\/td>\nCroatia<\/td>\nImpress<\/td>\n <\/td>\n<\/tr>\n
Pillik<\/td>\nManfred<\/td>\nAustria<\/td>\nAm Stufenbarren<\/td>\n <\/td>\n<\/tr>\n
Pillik<\/td>\nManfred<\/td>\nAustria<\/td>\nFokusiert<\/td>\nFIAP Silver<\/td>\n<\/tr>\n
Pinke<\/td>\nGy\u00f6rgy<\/td>\nHungary<\/td>\nConcert<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nFlight of trust<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nLaid to dry<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nNoodles<\/td>\n <\/td>\n<\/tr>\n
Predikaka<\/td>\nMatej<\/td>\nSlovenia<\/td>\nPoise 1<\/td>\n <\/td>\n<\/tr>\n
Predikaka<\/td>\nMatej<\/td>\nSlovenia<\/td>\nThe Inner Circle 1<\/td>\n <\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nTwo Men<\/td>\n <\/td>\n<\/tr>\n
Rajkovic<\/td>\nMarko<\/td>\nCroatia<\/td>\nAmigos<\/td>\n <\/td>\n<\/tr>\n
Rajkovic<\/td>\nMarko<\/td>\nCroatia<\/td>\nSummer wind<\/td>\n <\/td>\n<\/tr>\n
Rajle<\/td>\nDamir<\/td>\nCroatia<\/td>\nMonuments I<\/td>\n <\/td>\n<\/tr>\n
Rajle<\/td>\nDamir<\/td>\nCroatia<\/td>\nShoping fever<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nLove<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nMy fish<\/td>\n <\/td>\n<\/tr>\n
Resch<\/td>\nHelmut<\/td>\nAustria<\/td>\nDrawn from life SW<\/td>\n <\/td>\n<\/tr>\n
Riva<\/td>\nDario<\/td>\nItaly<\/td>\n Ombre misteriose 25<\/td>\n <\/td>\n<\/tr>\n
Riva<\/td>\nDario<\/td>\nItaly<\/td>\n Purple punch 20<\/td>\n <\/td>\n<\/tr>\n
Riva<\/td>\nDario<\/td>\nItaly<\/td>\n Sara n8<\/td>\n <\/td>\n<\/tr>\n
Roca-Garciarena<\/td>\nBeatrix<\/td>\nHungary<\/td>\nRaised head<\/td>\n <\/td>\n<\/tr>\n
Rojko<\/td>\nMiran<\/td>\nSlovenia<\/td>\nThere is no water<\/td>\n <\/td>\n<\/tr>\n
Roy Biswas<\/td>\nAnindya<\/td>\nIndia<\/td>\nAs You Like 7905<\/td>\n <\/td>\n<\/tr>\n
Sagi<\/td>\nAgi<\/td>\nHungary<\/td>\nHat and Ball<\/td>\n <\/td>\n<\/tr>\n
Sagi<\/td>\nAgi<\/td>\nHungary<\/td>\nTrickery<\/td>\n <\/td>\n<\/tr>\n
Sarajlija<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nChained. To the Sea<\/td>\n <\/td>\n<\/tr>\n
Sarajlija<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nDead Landscape<\/td>\n <\/td>\n<\/tr>\n
Sarrat Grasa<\/td>\nEloy<\/td>\nSpain<\/td>\nUn origen tres destins<\/td>\n <\/td>\n<\/tr>\n
Schmatz<\/td>\nB\u00e9la Zsolt<\/td>\nHungary<\/td>\nGuitar<\/td>\n <\/td>\n<\/tr>\n
Schmidt<\/td>\nBarbara<\/td>\nGermany<\/td>\nMen are walking<\/td>\n <\/td>\n<\/tr>\n
Schmitt<\/td>\nJoachim<\/td>\nGermany<\/td>\nRugby 14<\/td>\n <\/td>\n<\/tr>\n
Schrittwieser<\/td>\nJohann<\/td>\nAustria<\/td>\nJasmin<\/td>\n <\/td>\n<\/tr>\n
Sekulic<\/td>\nKreso<\/td>\nBosnia and Herzegovina<\/td>\nSkajlajn<\/td>\n <\/td>\n<\/tr>\n
Shanbhag<\/td>\nPramod Govind<\/td>\nIndia<\/td>\nDosa making 1 7792<\/td>\n <\/td>\n<\/tr>\n
Shanbhag<\/td>\nPramod Govind<\/td>\nIndia<\/td>\nTerns duel 2 9220<\/td>\n <\/td>\n<\/tr>\n
She<\/td>\nJiahu<\/td>\nChina<\/td>\nTen thousand steeds gallop BW<\/td>\n <\/td>\n<\/tr>\n
She<\/td>\nJiahu<\/td>\nChina<\/td>\nThe silk road in the Western regions<\/td>\n <\/td>\n<\/tr>\n
She<\/td>\nJiahu<\/td>\nChina<\/td>\nUrban dream BW<\/td>\n <\/td>\n<\/tr>\n
Shome<\/td>\nRatnabali<\/td>\nIndia<\/td>\nWheel Repair<\/td>\n <\/td>\n<\/tr>\n
Sieber<\/td>\nAlbert<\/td>\nGermany<\/td>\nFinale Ligure, Lestate \u00e9\u00b4finita<\/td>\n <\/td>\n<\/tr>\n
Sieber<\/td>\nAlbert<\/td>\nGermany<\/td>\nM\u00fcnchen, Hofgarten<\/td>\n <\/td>\n<\/tr>\n
Sieber<\/td>\nAlbert<\/td>\nGermany<\/td>\nM\u00fcnchen, Olympiapark<\/td>\n <\/td>\n<\/tr>\n
Silvela Capo<\/td>\nRamon<\/td>\nSpain<\/td>\nPlatja de muro<\/td>\n <\/td>\n<\/tr>\n
Simic<\/td>\nJosko<\/td>\nSlovenia<\/td>\nGeometry of movement<\/td>\n <\/td>\n<\/tr>\n
Simon<\/td>\nClaude<\/td>\nBelgium<\/td>\nThe clock<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nFck you, I won’t do what you tell me!<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nPadrino<\/td>\nGPU HM<\/td>\n<\/tr>\n
Soto\u0161ek Bri\u0161nik<\/td>\nInes<\/td>\nSlovenia<\/td>\nLittle Coal Miner<\/td>\n <\/td>\n<\/tr>\n
Stan<\/td>\nValentina<\/td>\nRomania<\/td>\nDiagonal<\/td>\n <\/td>\n<\/tr>\n
Stock<\/td>\nKlaus<\/td>\nSwitzerland<\/td>\nAlways fair play<\/td>\n <\/td>\n<\/tr>\n
Stock<\/td>\nKlaus<\/td>\nSwitzerland<\/td>\nThe girl on the cube<\/td>\n <\/td>\n<\/tr>\n
Strahinjic<\/td>\nRobert<\/td>\nSlovenia<\/td>\nI see you<\/td>\n <\/td>\n<\/tr>\n
Streeton<\/td>\nLee<\/td>\nEngland<\/td>\nRainy day glory<\/td>\n <\/td>\n<\/tr>\n
Suljanovic<\/td>\nJasmin<\/td>\nSlovenia<\/td>\nPogled 21<\/td>\n <\/td>\n<\/tr>\n
Suljanovic<\/td>\nJasmin<\/td>\nSlovenia<\/td>\nTirolec<\/td>\n <\/td>\n<\/tr>\n
Suszkiewicz<\/td>\nOle<\/td>\nDenmark<\/td>\nCaroline Finished<\/td>\n <\/td>\n<\/tr>\n
Synnevaag<\/td>\nRoald<\/td>\nNorway<\/td>\nI see you<\/td>\n <\/td>\n<\/tr>\n
Szab\u00f3<\/td>\nAttila<\/td>\nHungary<\/td>\nRisk<\/td>\n <\/td>\n<\/tr>\n
Szab\u00f3<\/td>\nAttila<\/td>\nHungary<\/td>\nSpherical<\/td>\n <\/td>\n<\/tr>\n
\u0160ebrek<\/td>\nVinko<\/td>\nCroatia<\/td>\nStranac me?u ljepoticama<\/td>\n <\/td>\n<\/tr>\n
\u0160enet<\/td>\nBojan<\/td>\nSlovenia<\/td>\nRoots<\/td>\n <\/td>\n<\/tr>\n
\u0160filigoj<\/td>\nZdenka<\/td>\nSlovenia<\/td>\nBerber<\/td>\n <\/td>\n<\/tr>\n
\u0160ilc<\/td>\nGaber<\/td>\nSlovenia<\/td>\nThe Silence Of Forgotten Minds<\/td>\n <\/td>\n<\/tr>\n
\u0160iptar<\/td>\nZvonimir<\/td>\nCroatia<\/td>\nEyewink<\/td>\n <\/td>\n<\/tr>\n
\u0160iptar<\/td>\nZvonimir<\/td>\nCroatia<\/td>\nMakeup<\/td>\n <\/td>\n<\/tr>\n
\u0160talekar<\/td>\nVlasta<\/td>\nCroatia<\/td>\nStreets of Yazd<\/td>\n <\/td>\n<\/tr>\n
Tan<\/td>\nLee Eng<\/td>\nSingapore<\/td>\nMad Scientist 07<\/td>\n <\/td>\n<\/tr>\n
Taylor<\/td>\nMark<\/td>\nIreland<\/td>\nThe violinist<\/td>\n <\/td>\n<\/tr>\n
Tiric<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nGoing into the sunset<\/td>\n <\/td>\n<\/tr>\n
Tiric<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nJuggling balls<\/td>\n <\/td>\n<\/tr>\n
Tiric<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nThree points<\/td>\n <\/td>\n<\/tr>\n
Titov<\/td>\nBasil<\/td>\nBelarus<\/td>\nIN OLD PARK<\/td>\n <\/td>\n<\/tr>\n
Tomelleri<\/td>\nGiuseppe<\/td>\nItaly<\/td>\nLazise nr 5<\/td>\n <\/td>\n<\/tr>\n
Tomicic<\/td>\nMorena<\/td>\nCroatia<\/td>\nTajna<\/td>\nFIAP Bronze<\/td>\n<\/tr>\n
T\u00f3thn\u00e9 K\u00fcrti<\/td>\nZsuzsanna<\/td>\nHungary<\/td>\nDeep inside<\/td>\n <\/td>\n<\/tr>\n
Turk<\/td>\nTadej<\/td>\nSlovenia<\/td>\nInsomniac<\/td>\n <\/td>\n<\/tr>\n
Ujhelyi<\/td>\nZsolt<\/td>\nHungary<\/td>\nLooking at each other<\/td>\n <\/td>\n<\/tr>\n
Ujhelyi<\/td>\nZsolt<\/td>\nHungary<\/td>\nTouch<\/td>\n <\/td>\n<\/tr>\n
Unemyr<\/td>\nGoran<\/td>\nSweden<\/td>\nBlack shadow3<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nMikado room<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nModern church<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nShadowstripes<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nTriangled<\/td>\n <\/td>\n<\/tr>\n
Videcnik<\/td>\nStefi<\/td>\nSlovenia<\/td>\nLonely Tree in Oases<\/td>\n <\/td>\n<\/tr>\n
Vidmar<\/td>\nStane<\/td>\nSlovenia<\/td>\nV<\/td>\n <\/td>\n<\/tr>\n
Virag<\/td>\nIstvan<\/td>\nSerbia<\/td>\nOld woman<\/td>\n <\/td>\n<\/tr>\n
Virag<\/td>\nIstvan<\/td>\nSerbia<\/td>\nVineyards<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nDaily Bread<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nSilent Prayer<\/td>\n <\/td>\n<\/tr>\n
Vulic<\/td>\nJerolim<\/td>\nCroatia<\/td>\nUnder the basket2<\/td>\n <\/td>\n<\/tr>\n
Vulic<\/td>\nJerolim<\/td>\nCroatia<\/td>\nVery good<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nChaoying <\/td>\nChina<\/td>\nGolden Years<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nXianyi<\/td>\nChina<\/td>\nBy the Folding Screen<\/td>\n <\/td>\n<\/tr>\n
Wang <\/td>\nXianyi<\/td>\nChina<\/td>\nLotus and Veil<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian<\/td>\nAustralia<\/td>\nCrossing bridges<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian<\/td>\nAustralia<\/td>\nTri walkers<\/td>\nFZS Bronze<\/td>\n<\/tr>\n
Wheeler<\/td>\nDavid<\/td>\nEngland<\/td>\nBallerina Dreaming<\/td>\n <\/td>\n<\/tr>\n
Wheeler<\/td>\nDavid<\/td>\nEngland<\/td>\nLegs in the Bath<\/td>\n <\/td>\n<\/tr>\n
Wheeler<\/td>\nDavid<\/td>\nEngland<\/td>\nMissing Windows<\/td>\n <\/td>\n<\/tr>\n
Wildner<\/td>\nWolfram<\/td>\nGermany<\/td>\nWie klein ist der Mensch<\/td>\n <\/td>\n<\/tr>\n
Zakanji<\/td>\nVanja<\/td>\nBosnia and Herzegovina<\/td>\nAlways with you<\/td>\n <\/td>\n<\/tr>\n
Zakanji<\/td>\nVanja<\/td>\nBosnia and Herzegovina<\/td>\nFalling<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nDAYDREAMING<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nEMERGING TO THE LIGHT 05<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nNUDE 57<\/td>\n <\/td>\n<\/tr>\n
Zohar<\/td>\nItzhak<\/td>\nIsrael<\/td>\nBecause of the wine<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Zupunski<\/td>\nAnica<\/td>\nSerbia<\/td>\nOn the Edge<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"

12. PANNONIA REFLECTIONS 2026 Seznam sprejetih in nagrajenih fotografij B) PROSTA \u010cRNO-BELA Prispele fotografije: 1721 – Sprejete fotografije: 381 – Sprejete fotografije v procentih: 22%   Priimek Ime Dr\u017eava Fotografija Nagrada Adams Peter Northern Ireland Determined Hurdler   Adams Peter Northern Ireland Prima in Thought   Aemmer Elisabeth Switzerland Play with reflections   Agarwal Naresh India waiting for freedom   Alameer Amal Saudi Arabia Girl and sheep   AL-Mushaifri Abdulla Qatar Haviza    AL-Mushaifri Abdulla Qatar Shadow Cross Bw   Anastasis Despina Cyprus Bird watch   Anastasis Despina Cyprus Shadow Dance   Anastasis Despina Cyprus Shaping sound   Avanessian Garik Czech Republic Memory 6310   Baksa_K\u00e1nyai Ang\u00e9la Hungary Local transport   Baksa_K\u00e1nyai Ang\u00e9la Hungary Piglet fate   Banjac Nenad Croatia Insomnia   Banoczi Laszlo Hungary Csernely 197   Banoczi Laszlo Hungary The black recamier 67   Baroni Pierfrancesco Italy E’ tempo di migrare   Bartholme Jos Luxembourg SVITLANA 36   Bartholme Jos Luxembourg SVITLANA 39   Bartholme Jos […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-3114","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/3114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=3114"}],"version-history":[{"count":2,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/3114\/revisions"}],"predecessor-version":[{"id":3131,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/3114\/revisions\/3131"}],"wp:attachment":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=3114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}