{"id":3116,"date":"2026-02-18T12:34:29","date_gmt":"2026-02-18T12:34:29","guid":{"rendered":"https:\/\/www.pannonia.si\/?page_id=3116"},"modified":"2026-02-18T14:49:31","modified_gmt":"2026-02-18T14:49:31","slug":"accepted-awarded-photos-in-section-architecture-2026","status":"publish","type":"page","link":"https:\/\/www.pannonia.si\/si\/accepted-awarded-photos-in-section-architecture-2026\/","title":{"rendered":"Sprejete in nagrajene fotografije v temi Arhitektura 2026"},"content":{"rendered":"

<\/p>\n\n\n\n\n\n
\n

12. PANNONIA REFLECTIONS 2026<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Seznam sprejetih in nagrajenih fotografij<\/p>\n<\/td>\n<\/tr>\n

\n

C) ARHITEKTURA<\/b><\/p>\n

Prispele fotografije: 1452 – Sprejete fotografije: 355 – Sprejete fotografije v procentih: 24%<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Priimek<\/strong><\/td>\nIme<\/strong><\/td>\nDr\u017eava<\/strong><\/td>\nFotografija<\/strong><\/td>\nNagrada<\/strong><\/td>\n<\/tr>\n
Aemmer<\/td>\nPeter<\/td>\nSwitzerland<\/td>\nKirche in Mogno 2<\/td>\n <\/td>\n<\/tr>\n
Aemmer<\/td>\nPeter<\/td>\nSwitzerland<\/td>\nZ\u00fcrich Bibliothek<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nAlone in Kanyon<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nDiagonal<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nHaider the heart<\/td>\n <\/td>\n<\/tr>\n
Alameer<\/td>\nAmal<\/td>\nSaudi Arabia<\/td>\nTo the library<\/td>\n <\/td>\n<\/tr>\n
Al-Khalifa<\/td>\nHanan Hassan<\/td>\nBahrain<\/td>\nHIGH WINGS<\/td>\n <\/td>\n<\/tr>\n
Al-Khalifa<\/td>\nHanan Hassan<\/td>\nBahrain<\/td>\nUNDER DOME<\/td>\n <\/td>\n<\/tr>\n
AL-Mushaifri<\/td>\nAbdulla<\/td>\nQatar<\/td>\nDesert Rose <\/td>\n <\/td>\n<\/tr>\n
AL-Mushaifri<\/td>\nAbdulla<\/td>\nQatar<\/td>\nGolden Frame <\/td>\n <\/td>\n<\/tr>\n
AL-Mushaifri<\/td>\nAbdulla<\/td>\nQatar<\/td>\nHayder Museum <\/td>\n <\/td>\n<\/tr>\n
AL-Mushaifri<\/td>\nAbdulla<\/td>\nQatar<\/td>\nVisit To Sultan Qaboos Mosque <\/td>\n <\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nShapes and shadows<\/td>\n <\/td>\n<\/tr>\n
Anastasis<\/td>\nDespina<\/td>\nCyprus<\/td>\nWork place<\/td>\n <\/td>\n<\/tr>\n
Artac<\/td>\nVojko<\/td>\nSlovenia<\/td>\nSamo pe\u0161<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nCalatrava<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nCube house<\/td>\n <\/td>\n<\/tr>\n
Banjac<\/td>\nNenad<\/td>\nCroatia<\/td>\nMosque<\/td>\n <\/td>\n<\/tr>\n
Bark\u00f3czi<\/td>\nBogl\u00e1rka<\/td>\nHungary<\/td>\nArchitectural rhythm<\/td>\n <\/td>\n<\/tr>\n
Bark\u00f3czi<\/td>\nBogl\u00e1rka<\/td>\nHungary<\/td>\nCurves of mystery<\/td>\n <\/td>\n<\/tr>\n
Becourt<\/td>\nJean luc<\/td>\nFrance<\/td>\nLa philharmonie<\/td>\n <\/td>\n<\/tr>\n
Berce<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nBridge<\/td>\n <\/td>\n<\/tr>\n
Berce<\/td>\nToma\u017e<\/td>\nSlovenia<\/td>\nUFO<\/td>\n <\/td>\n<\/tr>\n
Bertin<\/td>\nJean Claude<\/td>\nFrance<\/td>\nPerspective<\/td>\n <\/td>\n<\/tr>\n
Bertin<\/td>\nJean Claude<\/td>\nFrance<\/td>\nVolcan havrais<\/td>\n <\/td>\n<\/tr>\n
Berton Custodio<\/td>\nPaulo Cesar<\/td>\nBrazil<\/td>\nCCBB – Sao Paulo<\/td>\n <\/td>\n<\/tr>\n
Berton Custodio<\/td>\nPaulo Cesar<\/td>\nBrazil<\/td>\nTemple of Knowledge<\/td>\n <\/td>\n<\/tr>\n
Biderman<\/td>\nJernej<\/td>\nSlovenia<\/td>\nTwins<\/td>\n <\/td>\n<\/tr>\n
Bojanic<\/td>\nDjordje<\/td>\nCroatia<\/td>\nStair spiral S<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Bojanic<\/td>\nDjordje<\/td>\nCroatia<\/td>\nVienna skyscrapers 7<\/td>\n <\/td>\n<\/tr>\n
Bond<\/td>\nJan<\/td>\nEngland<\/td>\nLas Setas Seville<\/td>\n <\/td>\n<\/tr>\n
Borcic<\/td>\nDamir<\/td>\nCroatia<\/td>\nHotel Cosmos<\/td>\n <\/td>\n<\/tr>\n
Borcic<\/td>\nNives<\/td>\nCroatia<\/td>\nOlympija 2<\/td>\n <\/td>\n<\/tr>\n
Borcic<\/td>\nNives<\/td>\nCroatia<\/td>\nThe New Hotel<\/td>\n <\/td>\n<\/tr>\n
Borojevic<\/td>\nNenad<\/td>\nSerbia<\/td>\nArrow<\/td>\n <\/td>\n<\/tr>\n
Brand<\/td>\nKathleen<\/td>\nAustralia<\/td>\nLines and Motion<\/td>\n <\/td>\n<\/tr>\n
BS<\/td>\nVenkatesh<\/td>\nIndia<\/td>\nPillars in Mysore palace 3267<\/td>\n <\/td>\n<\/tr>\n
BS<\/td>\nVenkatesh<\/td>\nIndia<\/td>\nQuadrangle in palace<\/td>\n <\/td>\n<\/tr>\n
Buesching<\/td>\nGunter<\/td>\nGermany<\/td>\nFenster<\/td>\n <\/td>\n<\/tr>\n
Buni\u0107<\/td>\nValentina<\/td>\nCroatia<\/td>\nCalatrava<\/td>\n <\/td>\n<\/tr>\n
Buni\u0107<\/td>\nValentina<\/td>\nCroatia<\/td>\nSky<\/td>\n <\/td>\n<\/tr>\n
Buntic<\/td>\nMarko<\/td>\nBosnia and Herzegovina<\/td>\nReligious Geometry<\/td>\n <\/td>\n<\/tr>\n
Bushe<\/td>\nCatherine<\/td>\nIreland<\/td>\nConvergence<\/td>\n <\/td>\n<\/tr>\n
Calabrese<\/td>\nDaniel<\/td>\nSwitzerland<\/td>\nSpirale<\/td>\n <\/td>\n<\/tr>\n
Calabrese<\/td>\nDaniel<\/td>\nSwitzerland<\/td>\nTriangle<\/td>\n <\/td>\n<\/tr>\n
Camus<\/td>\nThierry<\/td>\nFrance<\/td>\nRed on white<\/td>\n <\/td>\n<\/tr>\n
Camus<\/td>\nThierry<\/td>\nFrance<\/td>\nYellow and stairs<\/td>\n <\/td>\n<\/tr>\n
Casey<\/td>\nBronwen<\/td>\nAustralia<\/td>\nCurves Soaring Upwards<\/td>\nGPU HM<\/td>\n<\/tr>\n
Casey<\/td>\nBronwen<\/td>\nAustralia<\/td>\nCurves Within Curves<\/td>\n <\/td>\n<\/tr>\n
Casey<\/td>\nBronwen<\/td>\nAustralia<\/td>\nFlower of Galaxy Soho<\/td>\n <\/td>\n<\/tr>\n
Catania<\/td>\nGottfried<\/td>\nMalta<\/td>\nCurves 2<\/td>\n <\/td>\n<\/tr>\n
Catania<\/td>\nGottfried<\/td>\nMalta<\/td>\nStairway to Heaven<\/td>\n <\/td>\n<\/tr>\n
Cheng-Yu<\/td>\nHuang<\/td>\nTaiwan<\/td>\nperfect reflection<\/td>\n <\/td>\n<\/tr>\n
Cotar<\/td>\nSuzana<\/td>\nSlovenia<\/td>\nSteps<\/td>\n <\/td>\n<\/tr>\n
Cotar<\/td>\nSuzana<\/td>\nSlovenia<\/td>\nThe roof<\/td>\n <\/td>\n<\/tr>\n
Cotar<\/td>\nSuzana<\/td>\nSlovenia<\/td>\nThree in a line<\/td>\n <\/td>\n<\/tr>\n
Csomortani<\/td>\nIstvan<\/td>\nSweden<\/td>\nEmporia of Malmo<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nNo? na brvi<\/td>\n <\/td>\n<\/tr>\n
Cvirn<\/td>\nMojca<\/td>\nSlovenia<\/td>\nPath to Infinity<\/td>\n <\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nGare de Leeck_657<\/td>\n <\/td>\n<\/tr>\n
Daemen<\/td>\nHarry<\/td>\nLuxembourg<\/td>\nTrappen-724<\/td>\n <\/td>\n<\/tr>\n
De Leonardis<\/td>\nRoberto<\/td>\nItaly<\/td>\nMilan222<\/td>\n <\/td>\n<\/tr>\n
De Leonardis<\/td>\nRoberto<\/td>\nItaly<\/td>\nVilnius14<\/td>\n <\/td>\n<\/tr>\n
de Pantz<\/td>\nStefano<\/td>\nItaly<\/td>\nKpn<\/td>\n <\/td>\n<\/tr>\n
de Pantz<\/td>\nStefano<\/td>\nItaly<\/td>\nLa grande x<\/td>\n <\/td>\n<\/tr>\n
De Rosa<\/td>\nLuigi<\/td>\nItaly<\/td>\nlipsia<\/td>\n <\/td>\n<\/tr>\n
Deri<\/td>\nJudit<\/td>\nHungary<\/td>\nFire escape<\/td>\n <\/td>\n<\/tr>\n
D\u00e9train<\/td>\nCatherine<\/td>\nFrance<\/td>\nle bon march\u00e9<\/td>\n <\/td>\n<\/tr>\n
D\u00e9train<\/td>\nCatherine<\/td>\nFrance<\/td>\nm\u00e9tro bruxelles<\/td>\n <\/td>\n<\/tr>\n
Doutriaux<\/td>\nOlivier<\/td>\nFrance<\/td>\nthe cross of Lecorbusier<\/td>\n <\/td>\n<\/tr>\n
Doutriaux<\/td>\nOlivier<\/td>\nFrance<\/td>\nUFO in Seoul<\/td>\n <\/td>\n<\/tr>\n
Doz<\/td>\nMarianne<\/td>\nFrance<\/td>\nPurple<\/td>\n <\/td>\n<\/tr>\n
Doz<\/td>\nMarianne<\/td>\nFrance<\/td>\nRed city<\/td>\n <\/td>\n<\/tr>\n
Doz<\/td>\nMarianne<\/td>\nFrance<\/td>\nWhite and blue<\/td>\n <\/td>\n<\/tr>\n
dr. Vida<\/td>\nJoseph<\/td>\nHungary<\/td>\nBiodom Budapest<\/td>\n <\/td>\n<\/tr>\n
Dud\u00e1s<\/td>\n\u00c1gnes<\/td>\nHungary<\/td>\nColorful road up<\/td>\n <\/td>\n<\/tr>\n
Dud\u00e1s<\/td>\n\u00c1gnes<\/td>\nHungary<\/td>\nSandglass<\/td>\n <\/td>\n<\/tr>\n
Dud\u00e1s<\/td>\n\u00c1gnes<\/td>\nHungary<\/td>\nThe Bridge<\/td>\nFZS Bronze<\/td>\n<\/tr>\n
Eichmann<\/td>\nFritz<\/td>\nGermany<\/td>\nfour fireplaces<\/td>\n <\/td>\n<\/tr>\n
Eichmann<\/td>\nFritz<\/td>\nGermany<\/td>\nStairs<\/td>\n <\/td>\n<\/tr>\n
Eichmann<\/td>\nFritz<\/td>\nGermany<\/td>\nstairwell<\/td>\n <\/td>\n<\/tr>\n
Ferencz<\/td>\nAndrea<\/td>\nItaly<\/td>\nAuditorium<\/td>\n <\/td>\n<\/tr>\n
Ferencz<\/td>\nAndrea<\/td>\nItaly<\/td>\nTorre FIAT<\/td>\n <\/td>\n<\/tr>\n
Ferencz<\/td>\nAndrea<\/td>\nItaly<\/td>\nValencia Night<\/td>\n <\/td>\n<\/tr>\n
Ferencz<\/td>\nAndrea<\/td>\nItaly<\/td>\nWhite Whispers<\/td>\n <\/td>\n<\/tr>\n
Firstov<\/td>\nAleksandr<\/td>\nAzerbaijan<\/td>\nCrossing lines<\/td>\n <\/td>\n<\/tr>\n
Francsik<\/td>\nIldik\u00f3<\/td>\nHungary<\/td>\nLines<\/td>\n <\/td>\n<\/tr>\n
Francsik<\/td>\nIldik\u00f3<\/td>\nHungary<\/td>\nSky-high<\/td>\n <\/td>\n<\/tr>\n
Francsik<\/td>\nIldik\u00f3<\/td>\nHungary<\/td>\nWhite apple peel<\/td>\n <\/td>\n<\/tr>\n
Franko<\/td>\nMladen<\/td>\nSlovenia<\/td>\nRhe ravages of time<\/td>\n <\/td>\n<\/tr>\n
Fu <\/td>\nYifeng <\/td>\nChina<\/td>\nSkyscraper<\/td>\n <\/td>\n<\/tr>\n
Fumi<\/td>\nCarlo<\/td>\nItaly<\/td>\nMainz city hall 2<\/td>\n <\/td>\n<\/tr>\n
Fumi<\/td>\nCarlo<\/td>\nItaly<\/td>\nRoyal perspectives<\/td>\n <\/td>\n<\/tr>\n
Fumi<\/td>\nCarlo<\/td>\nItaly<\/td>\nVatican stairway helix Momo<\/td>\n <\/td>\n<\/tr>\n
Gajdos<\/td>\nGabor<\/td>\nHungary<\/td>\nStairs without Handrail<\/td>\n <\/td>\n<\/tr>\n
Gajdos<\/td>\nGabor<\/td>\nHungary<\/td>\nStairway to Heaven<\/td>\n <\/td>\n<\/tr>\n
Gaj\u0161ek<\/td>\nDu\u0161an<\/td>\nSlovenia<\/td>\nDva<\/td>\n <\/td>\n<\/tr>\n
Gelencser<\/td>\nZoltan<\/td>\nHungary<\/td>\nMetro<\/td>\n <\/td>\n<\/tr>\n
Gelencser<\/td>\nZoltan<\/td>\nHungary<\/td>\nThe past sorrounds you<\/td>\n <\/td>\n<\/tr>\n
Giovanelli<\/td>\nDavide<\/td>\nItaly<\/td>\nArchitectural rhythm<\/td>\n <\/td>\n<\/tr>\n
Giovanelli<\/td>\nDavide<\/td>\nItaly<\/td>\nValencia<\/td>\n <\/td>\n<\/tr>\n
Gorjanski<\/td>\nJasmina<\/td>\nCroatia<\/td>\nLife at height<\/td>\n <\/td>\n<\/tr>\n
Gortnar<\/td>\nStane<\/td>\nSlovenia<\/td>\nROVINJ<\/td>\n <\/td>\n<\/tr>\n
Gorup<\/td>\nStojan<\/td>\nSlovenia<\/td>\nRural architecture<\/td>\n <\/td>\n<\/tr>\n
Gorup<\/td>\nVlasta<\/td>\nSlovenia<\/td>\nRound and upright<\/td>\n <\/td>\n<\/tr>\n
Gradisnik<\/td>\nUrska<\/td>\nSlovenia<\/td>\nCurves<\/td>\n <\/td>\n<\/tr>\n
Gradisnik<\/td>\nUrska<\/td>\nSlovenia<\/td>\nFish skeleton<\/td>\n <\/td>\n<\/tr>\n
Graj<\/td>\nBorut<\/td>\nSlovenia<\/td>\nSpiral<\/td>\n <\/td>\n<\/tr>\n
Gregl<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nPorsche museum_01<\/td>\n <\/td>\n<\/tr>\n
Gregl<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nPorsche museum_02<\/td>\n <\/td>\n<\/tr>\n
Grischke<\/td>\nMartin<\/td>\nGermany<\/td>\nStairs, Alter Wall Hamburg<\/td>\n <\/td>\n<\/tr>\n
Grischke<\/td>\nMartin<\/td>\nGermany<\/td>\nSubway Station, Hamburg Elbbr\u00fccken<\/td>\n <\/td>\n<\/tr>\n
Gros<\/td>\nCedomil<\/td>\nCroatia<\/td>\nLayering<\/td>\n <\/td>\n<\/tr>\n
Gros<\/td>\nCedomil<\/td>\nCroatia<\/td>\nZg Arena<\/td>\n <\/td>\n<\/tr>\n
Gubic<\/td>\nAndrej<\/td>\nSlovenia<\/td>\nSwitch on the lights<\/td>\n <\/td>\n<\/tr>\n
Gustafson<\/td>\nKlas<\/td>\nSweden<\/td>\nBilbo<\/td>\n <\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nCity-Gate 3875<\/td>\n <\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nDC-Tower 1426 2<\/td>\n <\/td>\n<\/tr>\n
Halbauer<\/td>\nWerner<\/td>\nAustria<\/td>\nSpittelau 1378 uo<\/td>\n <\/td>\n<\/tr>\n
Heinzl<\/td>\nRoland<\/td>\nGermany<\/td>\nDurchsicht<\/td>\n <\/td>\n<\/tr>\n
Herrmann<\/td>\nAndreas<\/td>\nSwitzerland<\/td>\nDouble reflection<\/td>\n <\/td>\n<\/tr>\n
Hinterleitner<\/td>\nJosef<\/td>\nAustria<\/td>\nV – Hotel<\/td>\n <\/td>\n<\/tr>\n
Ignac<\/td>\nDusan<\/td>\nSlovakia<\/td>\nStairs<\/td>\n <\/td>\n<\/tr>\n
Ilenic<\/td>\nNejc<\/td>\nSlovenia<\/td>\nSti\u010di\u0161\u010de<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nGozo,Ta Pinu bazilika<\/td>\n <\/td>\n<\/tr>\n
Jan\u0161a Gazic<\/td>\nSonja<\/td>\nSlovenia<\/td>\nCarnations<\/td>\n <\/td>\n<\/tr>\n
Jazbar<\/td>\nSara<\/td>\nItaly<\/td>\nUrban Monolith<\/td>\n <\/td>\n<\/tr>\n
Jazbar<\/td>\nSara<\/td>\nItaly<\/td>\nWhere the Spiral Dreams<\/td>\n <\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nIlluminated windows<\/td>\n <\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nKaleidoscope<\/td>\nSalon HM<\/td>\n<\/tr>\n
Jenko<\/td>\nValerija<\/td>\nSlovenia<\/td>\nThe future<\/td>\n <\/td>\n<\/tr>\n
Jerszi<\/td>\nGabriella<\/td>\nHungary<\/td>\nColl<\/td>\n <\/td>\n<\/tr>\n
Juhasz<\/td>\nArtur<\/td>\nHungary<\/td>\nBALCONY<\/td>\n <\/td>\n<\/tr>\n
Juhasz<\/td>\nLaszlo<\/td>\nHungary<\/td>\nmupa 1<\/td>\n <\/td>\n<\/tr>\n
Kadija<\/td>\nBla\u017eenka<\/td>\nCroatia<\/td>\nBlue rhapsody<\/td>\n <\/td>\n<\/tr>\n
Kadija<\/td>\nMiroslav<\/td>\nCroatia<\/td>\nOradea Hall<\/td>\n <\/td>\n<\/tr>\n
Kadija<\/td>\nMiroslav<\/td>\nCroatia<\/td>\nThe Heavenly Wings<\/td>\n <\/td>\n<\/tr>\n
Kamner<\/td>\nDan <\/td>\nRomania<\/td>\nthe hotel<\/td>\n <\/td>\n<\/tr>\n
Kaszn\u00e1r<\/td>\nKatalin<\/td>\nHungary<\/td>\nIn the cityhall<\/td>\n <\/td>\n<\/tr>\n
Kasztovszky<\/td>\nZsolt<\/td>\nHungary<\/td>\nTriangles<\/td>\n <\/td>\n<\/tr>\n
Kasztovszky<\/td>\nZsolt<\/td>\nHungary<\/td>\nUp to the sky<\/td>\n <\/td>\n<\/tr>\n
Katu\u0161ic<\/td>\nDavor<\/td>\nCroatia<\/td>\nHotel<\/td>\n <\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\nJewel<\/td>\n <\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\nThe wall<\/td>\n <\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\nTreppe<\/td>\n <\/td>\n<\/tr>\n
Kelemen<\/td>\nSandor<\/td>\nHungary<\/td>\nWhite<\/td>\n <\/td>\n<\/tr>\n
Kenez<\/td>\nEva<\/td>\nHungary<\/td>\nGeometric forms<\/td>\n <\/td>\n<\/tr>\n
Kenez<\/td>\nEva<\/td>\nHungary<\/td>\nWindows<\/td>\n <\/td>\n<\/tr>\n
Kerekes<\/td>\nIstvan<\/td>\nHungary<\/td>\nMeixhiu Art center<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nImre<\/td>\nHungary<\/td>\nThe hesitant moment<\/td>\n <\/td>\n<\/tr>\n
Kiss<\/td>\nPiusz<\/td>\nHungary<\/td>\nThe labyrinth of knowledge<\/td>\nFIAP Bronze<\/td>\n<\/tr>\n
Kiss<\/td>\nSandor<\/td>\nHungary<\/td>\nArches in the dark<\/td>\n <\/td>\n<\/tr>\n
Klimek<\/td>\nMojmir<\/td>\nCzech Republic<\/td>\nmosgue 2<\/td>\n <\/td>\n<\/tr>\n
Klimek<\/td>\nMojmir<\/td>\nCzech Republic<\/td>\nskyseraper<\/td>\n <\/td>\n<\/tr>\n
Knebl<\/td>\nBiljana<\/td>\nCroatia<\/td>\nTwisted Building<\/td>\n <\/td>\n<\/tr>\n
Knebl<\/td>\nBiljana<\/td>\nCroatia<\/td>\nUrban Perspective<\/td>\n <\/td>\n<\/tr>\n
Kocijancic<\/td>\nDurdica<\/td>\nCroatia<\/td>\nRed Staircase<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nSpiral line<\/td>\n <\/td>\n<\/tr>\n
Kocsis<\/td>\nFerenc<\/td>\nHungary<\/td>\nstaircase<\/td>\n <\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nShades of white<\/td>\n <\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nSheikh Zayed Grand Mosque 2<\/td>\n <\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nStructure<\/td>\n <\/td>\n<\/tr>\n
Kokol<\/td>\nDejan<\/td>\nSlovenia<\/td>\nThe flow 1<\/td>\n <\/td>\n<\/tr>\n
Kolaric<\/td>\nZoran<\/td>\nCroatia<\/td>\nsilent<\/td>\n <\/td>\n<\/tr>\n
Kolbrich<\/td>\nRobert<\/td>\nAustria<\/td>\nTanzendes Haus<\/td>\n <\/td>\n<\/tr>\n
Kolenko<\/td>\nIvan<\/td>\nSlovenia<\/td>\nFibonacci-style curve<\/td>\n <\/td>\n<\/tr>\n
Kontar<\/td>\nCsaba Attila<\/td>\nHungary<\/td>\nJonas in the Whale<\/td>\n <\/td>\n<\/tr>\n
Kontar<\/td>\nCsaba Attila<\/td>\nHungary<\/td>\nTowards the sky<\/td>\n <\/td>\n<\/tr>\n
Koprivc<\/td>\nMija<\/td>\nSlovenia<\/td>\nAmong the Vineyards<\/td>\n <\/td>\n<\/tr>\n
Koprivc<\/td>\nMija<\/td>\nSlovenia<\/td>\nGrand Canal_03<\/td>\n <\/td>\n<\/tr>\n
Kordic<\/td>\nAntonio<\/td>\nSlovenia<\/td>\nGoing up<\/td>\n <\/td>\n<\/tr>\n
Kosir<\/td>\nGaber<\/td>\nSlovenia<\/td>\nKubus<\/td>\n <\/td>\n<\/tr>\n
Kramar<\/td>\nJanez<\/td>\nSlovenia<\/td>\nIrish monastery<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nColorland<\/td>\n <\/td>\n<\/tr>\n
Kravanja<\/td>\nJure<\/td>\nSlovenia<\/td>\nLegoland<\/td>\n <\/td>\n<\/tr>\n
Krejan<\/td>\nSimon<\/td>\nSlovenia<\/td>\nOnly the memory remains<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Kumar<\/td>\nSanath<\/td>\nIndia<\/td>\nSQUARE LAKE<\/td>\n <\/td>\n<\/tr>\n
Kwan<\/td>\nPhillip<\/td>\nCanada<\/td>\nChurch of Saint George 64<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nGuggenheim Dome<\/td>\n <\/td>\n<\/tr>\n
Lambropoulou<\/td>\nEva<\/td>\nGreece<\/td>\nUpwards Perspective<\/td>\n <\/td>\n<\/tr>\n
Lebrun<\/td>\nMarc<\/td>\nFrance<\/td>\nCheck Zayed Colonnade<\/td>\n <\/td>\n<\/tr>\n
Lebrun<\/td>\nMarc<\/td>\nFrance<\/td>\nChicago 819<\/td>\n <\/td>\n<\/tr>\n
Le\u0161njak<\/td>\nAlfred<\/td>\nSlovenia<\/td>\nShell on the water<\/td>\n <\/td>\n<\/tr>\n
Likeb<\/td>\nTanja<\/td>\nSlovenia<\/td>\nmodrina<\/td>\n <\/td>\n<\/tr>\n
Likeb<\/td>\nTanja<\/td>\nSlovenia<\/td>\nprisotnost<\/td>\n <\/td>\n<\/tr>\n
Lomnicki<\/td>\nRyszard<\/td>\nIreland<\/td>\nKTW2, Katowice, Poland<\/td>\n <\/td>\n<\/tr>\n
Lomnicki<\/td>\nRyszard<\/td>\nIreland<\/td>\nThe Bund, Shanghai, China<\/td>\n <\/td>\n<\/tr>\n
Loughran <\/td>\nGary<\/td>\nIreland<\/td>\nColourful staircase<\/td>\nFZS Silver<\/td>\n<\/tr>\n
Lovric<\/td>\nZrinka<\/td>\nCroatia<\/td>\nGuggenheim<\/td>\n <\/td>\n<\/tr>\n
Lybaert<\/td>\nDaniel<\/td>\nNetherlands<\/td>\nRotterdams tafereel<\/td>\n <\/td>\n<\/tr>\n
Maffi<\/td>\nIvan<\/td>\nSlovenia<\/td>\nA biker<\/td>\n <\/td>\n<\/tr>\n
Maffi<\/td>\nIvan<\/td>\nSlovenia<\/td>\nA motor biker<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nOne with nature<\/td>\n <\/td>\n<\/tr>\n
Magdo<\/td>\nIstvan<\/td>\nHungary<\/td>\nStep into the matrix<\/td>\n <\/td>\n<\/tr>\n
Mahovic<\/td>\nDubravko<\/td>\nCroatia<\/td>\nHarmony<\/td>\n <\/td>\n<\/tr>\n
Mahovic<\/td>\nDubravko<\/td>\nCroatia<\/td>\nInside the monument 6<\/td>\n <\/td>\n<\/tr>\n
Mahovic<\/td>\nDubravko<\/td>\nCroatia<\/td>\nRed rays<\/td>\n <\/td>\n<\/tr>\n
Mahovic<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nBig eye<\/td>\n <\/td>\n<\/tr>\n
Mahovic<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nTwins<\/td>\n <\/td>\n<\/tr>\n
Mani<\/td>\nArvind<\/td>\nIndia<\/td>\nA tale of time<\/td>\n <\/td>\n<\/tr>\n
Manners<\/td>\nMiriam<\/td>\nEngland<\/td>\nThe Bridge<\/td>\n <\/td>\n<\/tr>\n
Margeta<\/td>\nMarin<\/td>\nBosnia and Herzegovina<\/td>\nToranj<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Margetic<\/td>\nBranko<\/td>\nCroatia<\/td>\nLamp<\/td>\n <\/td>\n<\/tr>\n
Margetic<\/td>\nBranko<\/td>\nCroatia<\/td>\nStairs<\/td>\n <\/td>\n<\/tr>\n
Markovic<\/td>\nMilan<\/td>\nSerbia<\/td>\nLight lines<\/td>\n <\/td>\n<\/tr>\n
Martic<\/td>\nNenad<\/td>\nCroatia<\/td>\nCroatian National Theatre 2<\/td>\n <\/td>\n<\/tr>\n
Martic<\/td>\nNenad<\/td>\nCroatia<\/td>\nCroatian National Theatre 3<\/td>\n <\/td>\n<\/tr>\n
Martic<\/td>\nNenad<\/td>\nCroatia<\/td>\nPost Apocalyptic arch<\/td>\n <\/td>\n<\/tr>\n
Martic<\/td>\nNenad<\/td>\nCroatia<\/td>\nTrio<\/td>\n <\/td>\n<\/tr>\n
Marxer<\/td>\nPeter<\/td>\nLiechtenstein<\/td>\nBalkone-01<\/td>\n <\/td>\n<\/tr>\n
Marxer<\/td>\nPeter<\/td>\nLiechtenstein<\/td>\nChiostro di San Michele-03<\/td>\n <\/td>\n<\/tr>\n
Marxer<\/td>\nPeter<\/td>\nLiechtenstein<\/td>\nThe Metropolitan-03<\/td>\n <\/td>\n<\/tr>\n
Marxer<\/td>\nPeter<\/td>\nLiechtenstein<\/td>\nWohnblock-01<\/td>\n <\/td>\n<\/tr>\n
Mati\u010d<\/td>\nJola<\/td>\nSlovenia<\/td>\nZavita kupola<\/td>\n <\/td>\n<\/tr>\n
Matijas<\/td>\nKristina<\/td>\nCroatia<\/td>\nDiversity<\/td>\n <\/td>\n<\/tr>\n
Matijas<\/td>\nKristina<\/td>\nCroatia<\/td>\nHorizontal element<\/td>\n <\/td>\n<\/tr>\n
Mauko<\/td>\nDaniel<\/td>\nSlovenia<\/td>\nOnly me<\/td>\n <\/td>\n<\/tr>\n
Mauko<\/td>\nDaniel<\/td>\nSlovenia<\/td>\nVejna<\/td>\n <\/td>\n<\/tr>\n
Mavric<\/td>\nMaja<\/td>\nSlovenia<\/td>\nThree Circles<\/td>\n <\/td>\n<\/tr>\n
McKie<\/td>\nGeorgie<\/td>\nAustralia<\/td>\nMarina Sands<\/td>\n <\/td>\n<\/tr>\n
Miovcic<\/td>\nPavle<\/td>\nBosnia and Herzegovina<\/td>\nWindows and Stairs<\/td>\n <\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nBilbao<\/td>\n <\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nOslo hole<\/td>\n <\/td>\n<\/tr>\n
Mladovan<\/td>\nMarko<\/td>\nSlovenia<\/td>\nSacramento<\/td>\n <\/td>\n<\/tr>\n
Modrinjak<\/td>\nMaja<\/td>\nSlovenia<\/td>\n\u010crno belo v vi\u0161ino<\/td>\n <\/td>\n<\/tr>\n
Modrinjak<\/td>\nMaja<\/td>\nSlovenia<\/td>\nBana hill v megli<\/td>\n <\/td>\n<\/tr>\n
Modrinjak<\/td>\nMaja<\/td>\nSlovenia<\/td>\npisane pisarne<\/td>\n <\/td>\n<\/tr>\n
Molero Gutierrez<\/td>\nFlorentino<\/td>\nSpain<\/td>\nCaracola<\/td>\n <\/td>\n<\/tr>\n
Molero Gutierrez<\/td>\nFlorentino<\/td>\nSpain<\/td>\nRafael Pleguezuelos<\/td>\n <\/td>\n<\/tr>\n
Morris<\/td>\nKaren<\/td>\nEngland<\/td>\nCleveland Park Station<\/td>\n <\/td>\n<\/tr>\n
Morris<\/td>\nKaren<\/td>\nEngland<\/td>\nThe Batman Building<\/td>\n <\/td>\n<\/tr>\n
Mo\u0161kon<\/td>\nZlatko<\/td>\nCroatia<\/td>\nStarWors<\/td>\n <\/td>\n<\/tr>\n
Muzar<\/td>\nAlenka<\/td>\nSlovenia<\/td>\nUp the stairs<\/td>\n <\/td>\n<\/tr>\n
Mysore<\/td>\nAnitha<\/td>\nIndia<\/td>\nWriangles<\/td>\n <\/td>\n<\/tr>\n
Nabi<\/td>\nDr. Rashid Un<\/td>\nBangladesh<\/td>\nAUSTRALIA PARADISE<\/td>\n <\/td>\n<\/tr>\n
Nath<\/td>\nSubrata<\/td>\nIndia<\/td>\nTHE PALACE<\/td>\n <\/td>\n<\/tr>\n
Nero<\/td>\nRomain<\/td>\nLuxembourg<\/td>\nVasco da Gama bridge at sunrise<\/td>\n <\/td>\n<\/tr>\n
Neskusil<\/td>\nDinko<\/td>\nCroatia<\/td>\npassage<\/td>\n <\/td>\n<\/tr>\n
Novkovic<\/td>\nLidija<\/td>\nCroatia<\/td>\nComplementary<\/td>\n <\/td>\n<\/tr>\n
Oksne<\/td>\nJostein<\/td>\nNorway<\/td>\nSkarnsund bridge – Norway<\/td>\n <\/td>\n<\/tr>\n
Orozim<\/td>\nZdenko <\/td>\nSlovenia<\/td>\nA dance of shaddows<\/td>\n <\/td>\n<\/tr>\n
Orozim<\/td>\nZdenko <\/td>\nSlovenia<\/td>\nEvening sun on roofs of Rh\u00f6n Klinikum<\/td>\n <\/td>\n<\/tr>\n
Oro\u017eim<\/td>\nMiran<\/td>\nSlovenia<\/td>\nLas Vegas 2<\/td>\nGPU Gold<\/td>\n<\/tr>\n
Ozturk<\/td>\nMetin<\/td>\nTurkey<\/td>\nMystery<\/td>\n <\/td>\n<\/tr>\n
Pal<\/td>\nUdayan Sankar<\/td>\nIndia<\/td>\nBreak<\/td>\n <\/td>\n<\/tr>\n
Panajol<\/td>\nBetty<\/td>\nFrance<\/td>\nbiblioth\u00e8que universitaire<\/td>\n <\/td>\n<\/tr>\n
Panajol<\/td>\nBetty<\/td>\nFrance<\/td>\nPhilarmonie<\/td>\n <\/td>\n<\/tr>\n
Papic<\/td>\nNevenka<\/td>\nSlovenia<\/td>\nCroocked world I<\/td>\n <\/td>\n<\/tr>\n
Papic<\/td>\nNevenka<\/td>\nSlovenia<\/td>\nCroocked world II<\/td>\n <\/td>\n<\/tr>\n
Papp<\/td>\nCsaba<\/td>\nHungary<\/td>\nGrand Arche_Paris<\/td>\n <\/td>\n<\/tr>\n
Parrish<\/td>\nSteven<\/td>\nEngland<\/td>\nWelcome<\/td>\n <\/td>\n<\/tr>\n
Pavlin<\/td>\nMarina<\/td>\nSlovenia<\/td>\nSoho Beijing<\/td>\n <\/td>\n<\/tr>\n
Peljhan<\/td>\nMatej<\/td>\nSlovenia<\/td>\nConstruction<\/td>\nSalon Silver<\/td>\n<\/tr>\n
Peljhan<\/td>\nMatej<\/td>\nSlovenia<\/td>\nFrame<\/td>\n <\/td>\n<\/tr>\n
Pesic<\/td>\nNegovan<\/td>\nSerbia<\/td>\nAda Bridge Pylon 2<\/td>\n <\/td>\n<\/tr>\n
Pesic<\/td>\nNegovan<\/td>\nSerbia<\/td>\nAdaBridgePylon<\/td>\n <\/td>\n<\/tr>\n
Pesic<\/td>\nNegovan<\/td>\nSerbia<\/td>\nblue windows<\/td>\n <\/td>\n<\/tr>\n
Petkovic<\/td>\nTomislav<\/td>\nCroatia<\/td>\nMre\u017ea<\/td>\n <\/td>\n<\/tr>\n
Petkovic<\/td>\nTomislav<\/td>\nCroatia<\/td>\n\u0160iljci<\/td>\n <\/td>\n<\/tr>\n
Petlevski<\/td>\nRoberta<\/td>\nCroatia<\/td>\nDistorted reality<\/td>\n <\/td>\n<\/tr>\n
Pillik<\/td>\nManfred<\/td>\nAustria<\/td>\nCube Berlin<\/td>\n <\/td>\n<\/tr>\n
Pinke<\/td>\nGy\u00f6rgy<\/td>\nHungary<\/td>\nSpiral staircase<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nDistortion<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nReflected Identity <\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nWaterline geometry<\/td>\n <\/td>\n<\/tr>\n
Plaino<\/td>\nMarian<\/td>\nRomania<\/td>\nUrban symmetry<\/td>\n <\/td>\n<\/tr>\n
Pleguezuelos Gonzalez<\/td>\nRafael<\/td>\nSpain<\/td>\nCirilo<\/td>\n <\/td>\n<\/tr>\n
Pleguezuelos Gonzalez<\/td>\nRafael<\/td>\nSpain<\/td>\nDiamond<\/td>\n <\/td>\n<\/tr>\n
Pleguezuelos Gonzalez<\/td>\nRafael<\/td>\nSpain<\/td>\nFlags of our fathers<\/td>\nSalon Bronze<\/td>\n<\/tr>\n
Pleguezuelos Gonzalez<\/td>\nRafael<\/td>\nSpain<\/td>\nNight Owl<\/td>\n <\/td>\n<\/tr>\n
Ponche<\/td>\nG\u00e9rard<\/td>\nFrance<\/td>\nAttente gare de Lyon<\/td>\n <\/td>\n<\/tr>\n
Pop<\/td>\nOvi D<\/td>\nRomania<\/td>\nAlone on the sea<\/td>\n <\/td>\n<\/tr>\n
Pop<\/td>\nOvi D<\/td>\nRomania<\/td>\nApollonia<\/td>\n <\/td>\n<\/tr>\n
Predikaka<\/td>\nMatej<\/td>\nSlovenia<\/td>\nArchitectural Ascent 1<\/td>\n <\/td>\n<\/tr>\n
Predikaka<\/td>\nMatej<\/td>\nSlovenia<\/td>\nInfinite Structure 1<\/td>\n <\/td>\n<\/tr>\n
Puhek<\/td>\nMaru\u0161a<\/td>\nAustria<\/td>\nBehind Closed Doors<\/td>\n <\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nFrowning Face<\/td>\n <\/td>\n<\/tr>\n
Pustelnik<\/td>\nBirgit<\/td>\nGermany<\/td>\nSwing<\/td>\nSalon Gold<\/td>\n<\/tr>\n
Rajkovic<\/td>\nMarko<\/td>\nCroatia<\/td>\nIn memoriam<\/td>\nFIAP Silver<\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nUrban Traveler<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nVertigo<\/td>\n <\/td>\n<\/tr>\n
Ravnak<\/td>\nAndreja<\/td>\nSlovenia<\/td>\nWings<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Remec<\/td>\nSimon<\/td>\nSlovenia<\/td>\nIn the future<\/td>\n <\/td>\n<\/tr>\n
Riva<\/td>\nDario<\/td>\nItaly<\/td>\n Geometrie<\/td>\n <\/td>\n<\/tr>\n
Rocchiccioli<\/td>\nPietro<\/td>\nEngland<\/td>\nAsahi Breweries Tokyo<\/td>\n <\/td>\n<\/tr>\n
Rocchiccioli<\/td>\nPietro<\/td>\nEngland<\/td>\nContrapunto Valencia<\/td>\n <\/td>\n<\/tr>\n
Rondinone<\/td>\nCarlo<\/td>\nItaly<\/td>\nla scala Barozzi di Vignola<\/td>\n <\/td>\n<\/tr>\n
Rondinone<\/td>\nCarlo<\/td>\nItaly<\/td>\nla scala di colori<\/td>\n <\/td>\n<\/tr>\n
Rondinone<\/td>\nCarlo<\/td>\nItaly<\/td>\nla torre dal basso<\/td>\n <\/td>\n<\/tr>\n
Roy Biswas<\/td>\nAnindya<\/td>\nIndia<\/td>\nHawa Mahal Jaipur 8741<\/td>\n <\/td>\n<\/tr>\n
Rusu<\/td>\nAdela Lia<\/td>\nRomania<\/td>\nSAGRADA FAMILIA<\/td>\n <\/td>\n<\/tr>\n
Rusu<\/td>\nAdela Lia<\/td>\nRomania<\/td>\nSCANNO<\/td>\n <\/td>\n<\/tr>\n
Rusu<\/td>\nAdela Lia<\/td>\nRomania<\/td>\nYELLOW LIGHTS OVER THE BLUE<\/td>\n <\/td>\n<\/tr>\n
Sarajlija<\/td>\nHrvoje<\/td>\nCroatia<\/td>\nMarina Incognito – the Soundwave. (Vukovar)<\/td>\n <\/td>\n<\/tr>\n
Sarrat Grasa<\/td>\nEloy<\/td>\nSpain<\/td>\nEye<\/td>\n <\/td>\n<\/tr>\n
Schmidt<\/td>\nBarbara<\/td>\nGermany<\/td>\nnew curves<\/td>\n <\/td>\n<\/tr>\n
Schmitt<\/td>\nJoachim<\/td>\nGermany<\/td>\nBukuhabo 5<\/td>\n <\/td>\n<\/tr>\n
Schmitt<\/td>\nJoachim<\/td>\nGermany<\/td>\nMedienhafen<\/td>\n <\/td>\n<\/tr>\n
Schrittwieser<\/td>\nJohann<\/td>\nAustria<\/td>\nBilbao<\/td>\n <\/td>\n<\/tr>\n
Schrittwieser<\/td>\nJohann<\/td>\nAustria<\/td>\nSaeulenhalle<\/td>\n <\/td>\n<\/tr>\n
Sekulic<\/td>\nKreso<\/td>\nBosnia and Herzegovina<\/td>\nLines 2<\/td>\n <\/td>\n<\/tr>\n
Sekulic<\/td>\nKreso<\/td>\nBosnia and Herzegovina<\/td>\nShapes of new<\/td>\n <\/td>\n<\/tr>\n
She<\/td>\nJiahu<\/td>\nChina<\/td>\nDreamy tunnel gallery<\/td>\n <\/td>\n<\/tr>\n
Siman<\/td>\nLaszlo<\/td>\nHungary<\/td>\nAlberobello<\/td>\n <\/td>\n<\/tr>\n
Simic<\/td>\nJosko<\/td>\nSlovenia<\/td>\nKing Cross Station<\/td>\n <\/td>\n<\/tr>\n
Simic<\/td>\nJosko<\/td>\nSlovenia<\/td>\nSimmetry of silence<\/td>\n <\/td>\n<\/tr>\n
Simon<\/td>\nClaude<\/td>\nBelgium<\/td>\nThe station guard<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nDistopija<\/td>\n <\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nPisamce<\/td>\nFIAP HM<\/td>\n<\/tr>\n
Sminderovac<\/td>\nVedran<\/td>\nCroatia<\/td>\nTin Soldier<\/td>\n <\/td>\n<\/tr>\n
Smith<\/td>\nIan<\/td>\nEngland<\/td>\nPlymouth University<\/td>\n <\/td>\n<\/tr>\n
Smith<\/td>\nRoy<\/td>\nScotland<\/td>\nStairway and Windows<\/td>\n <\/td>\n<\/tr>\n
Spannbauer<\/td>\nNikolaus <\/td>\nAustria<\/td>\nGeometry and Dynamics of the Facade<\/td>\n <\/td>\n<\/tr>\n
Stanley<\/td>\nIan<\/td>\nEngland<\/td>\nArena In Liverpool<\/td>\n <\/td>\n<\/tr>\n
Stanley<\/td>\nIan<\/td>\nEngland<\/td>\nBuilding in Manchester<\/td>\n <\/td>\n<\/tr>\n
Stanley<\/td>\nIan<\/td>\nEngland<\/td>\nColumn<\/td>\n <\/td>\n<\/tr>\n
Stock<\/td>\nKlaus<\/td>\nSwitzerland<\/td>\nDurchblick<\/td>\n <\/td>\n<\/tr>\n
Stock<\/td>\nKlaus<\/td>\nSwitzerland<\/td>\nThe Sheikh Zayed Grand Mosque<\/td>\n <\/td>\n<\/tr>\n
Strahinjic<\/td>\nRobert<\/td>\nSlovenia<\/td>\nMan and arhitecture<\/td>\n <\/td>\n<\/tr>\n
Strahinjic<\/td>\nRobert<\/td>\nSlovenia<\/td>\nOn a stroll<\/td>\n <\/td>\n<\/tr>\n
Sztern\u00e1k<\/td>\nBarna<\/td>\nHungary<\/td>\nRythms<\/td>\n <\/td>\n<\/tr>\n
Sztern\u00e1k<\/td>\nBarna<\/td>\nHungary<\/td>\nSpikes<\/td>\nGPU HM<\/td>\n<\/tr>\n
\u0160imic<\/td>\nMatja\u017e<\/td>\nSlovenia<\/td>\nLooking up<\/td>\n <\/td>\n<\/tr>\n
\u0160iptar<\/td>\nZvonimir<\/td>\nCroatia<\/td>\nReflection<\/td>\n <\/td>\n<\/tr>\n
\u0160talekar<\/td>\nVlasta<\/td>\nCroatia<\/td>\nWindows<\/td>\n <\/td>\n<\/tr>\n
\u0160talekar<\/td>\nVlasta<\/td>\nCroatia<\/td>\nZagreb Downtown<\/td>\n <\/td>\n<\/tr>\n
\u0160uko<\/td>\nZenir<\/td>\nBosnia and Herzegovina<\/td>\nkrila<\/td>\n <\/td>\n<\/tr>\n
Tam\u00e1s<\/td>\nJ\u00f3zsef <\/td>\nHungary<\/td>\nCave dwelling<\/td>\n <\/td>\n<\/tr>\n
Tatliturk<\/td>\nYusuf<\/td>\nTurkey<\/td>\nGeometry of Faith<\/td>\n <\/td>\n<\/tr>\n
Tatliturk<\/td>\nYusuf<\/td>\nTurkey<\/td>\nRhythm of Prayer<\/td>\nFIAP Gold<\/td>\n<\/tr>\n
Taylor<\/td>\nMark<\/td>\nIreland<\/td>\nDome at Cathedral de Seville<\/td>\n <\/td>\n<\/tr>\n
Taylor<\/td>\nMark<\/td>\nIreland<\/td>\nPalau de les Arts Reina Sofia<\/td>\n <\/td>\n<\/tr>\n
Tiric<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nKuwait Tower<\/td>\n <\/td>\n<\/tr>\n
Tiric<\/td>\nDra\u017een<\/td>\nCroatia<\/td>\nLeaving the mosque<\/td>\n <\/td>\n<\/tr>\n
Tomelleri<\/td>\nGiuseppe<\/td>\nItaly<\/td>\nThe window<\/td>\n <\/td>\n<\/tr>\n
Tomelleri<\/td>\nGiuseppe<\/td>\nItaly<\/td>\nThe yellow stairway<\/td>\n <\/td>\n<\/tr>\n
Tratnik<\/td>\nAnton<\/td>\nSlovenia<\/td>\nElevator<\/td>\n <\/td>\n<\/tr>\n
Tratnik<\/td>\nAnton<\/td>\nSlovenia<\/td>\nMetropol Parasol<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nAirport architecture<\/td>\n <\/td>\n<\/tr>\n
Van Balken<\/td>\nMarcel<\/td>\nNetherlands<\/td>\nTriangles<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nCircles of Frequency<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nFragments of Portlantis<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nThe Canyon<\/td>\n <\/td>\n<\/tr>\n
van Son<\/td>\nMax<\/td>\nNetherlands<\/td>\nThe Guard<\/td>\nFZS Gold<\/td>\n<\/tr>\n
Vidmar<\/td>\nHelena<\/td>\nSlovenia<\/td>\nA touch of the sun<\/td>\n <\/td>\n<\/tr>\n
Vidmar<\/td>\nHelena<\/td>\nSlovenia<\/td>\nBlue<\/td>\n <\/td>\n<\/tr>\n
Voglar<\/td>\nDamjan<\/td>\nSlovenia<\/td>\nEye of the Universe<\/td>\n <\/td>\n<\/tr>\n
Whear<\/td>\nAdrian<\/td>\nAustralia<\/td>\nTown hall station<\/td>\n <\/td>\n<\/tr>\n
Wiesen<\/td>\nWolfgang<\/td>\nGermany<\/td>\nHome<\/td>\n <\/td>\n<\/tr>\n
Wiesen<\/td>\nWolfgang<\/td>\nGermany<\/td>\nMuseum<\/td>\n <\/td>\n<\/tr>\n
Wiesen<\/td>\nWolfgang<\/td>\nGermany<\/td>\nParkhaus<\/td>\n <\/td>\n<\/tr>\n
Wildner<\/td>\nWolfram<\/td>\nGermany<\/td>\nVon ganz unten<\/td>\n <\/td>\n<\/tr>\n
Zakanji<\/td>\nVanja<\/td>\nBosnia and Herzegovina<\/td>\nCrooked mirrors<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nMODERN ARCHITECTURE<\/td>\n <\/td>\n<\/tr>\n
Zervos<\/td>\nPetros<\/td>\nGreece<\/td>\nPRAYER<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"

12. PANNONIA REFLECTIONS 2026 Seznam sprejetih in nagrajenih fotografij C) ARHITEKTURA Prispele fotografije: 1452 – Sprejete fotografije: 355 – Sprejete fotografije v procentih: 24%   Priimek Ime Dr\u017eava Fotografija Nagrada Aemmer Peter Switzerland Kirche in Mogno 2   Aemmer Peter Switzerland Z\u00fcrich Bibliothek   Alameer Amal Saudi Arabia Alone in Kanyon   Alameer Amal Saudi Arabia Diagonal   Alameer Amal Saudi Arabia Haider the heart   Alameer Amal Saudi Arabia To the library   Al-Khalifa Hanan Hassan Bahrain HIGH WINGS   Al-Khalifa Hanan Hassan Bahrain UNDER DOME   AL-Mushaifri Abdulla Qatar Desert Rose    AL-Mushaifri Abdulla Qatar Golden Frame    AL-Mushaifri Abdulla Qatar Hayder Museum    AL-Mushaifri Abdulla Qatar Visit To Sultan Qaboos Mosque    Anastasis Despina Cyprus Shapes and shadows   Anastasis Despina Cyprus Work place   Artac Vojko Slovenia Samo pe\u0161   Banjac Nenad Croatia Calatrava   Banjac Nenad Croatia Cube house   Banjac Nenad Croatia Mosque   Bark\u00f3czi Bogl\u00e1rka Hungary Architectural rhythm   Bark\u00f3czi Bogl\u00e1rka […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-3116","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/3116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/comments?post=3116"}],"version-history":[{"count":2,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/3116\/revisions"}],"predecessor-version":[{"id":3132,"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/pages\/3116\/revisions\/3132"}],"wp:attachment":[{"href":"https:\/\/www.pannonia.si\/si\/wp-json\/wp\/v2\/media?parent=3116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}